302 Matching Annotations
  1. Nov 2022
    1. Choose books that are tribally specific.

      I didn't realize that most people group native literature as one whole genre...even though there is a lot of diversity among tribes.

    2. Use present tense verbs to talk about NativeNations.

      Such a simple change but it can be so impactful!

    3. Infact, all three are creation stories, but the Christianstory is treated differently. This difference in howNative and Christian creation stories are treatedprivileges Christianity, perpetuating institutional-ized racism that keeps in place the ideologies of asociety that is predominantly Christian. One groupof creation stories is categorized and treated asfiction while the other group of creation stories isaccepted as truth. Despite efforts by Native peopleto get their stories accurately categorized, therehas been little or no movement, which raises criti-cal questions: Whose voice is not heard in the waythat stories are categorized? Whose ideologies areimplicitly valued by categorical labels?

      We generally hear how history books are often told from the perspective of the "winner" and how they see the other party as lacking something or being uncivilized. However, in this comparison, it is interesting that a Bible story can have the same end result of perpetuating racism and be seen as a "truth."

    4. There are better ways to bring Native storiesand books about Native peoples into classrooms.I focus on Cynthia Leitich Smith’s (2000) picture-book Jingle Dancer to illustrate how classroombook collections depicting Native people could beimprove

      This reminds me of the importance of a collective classroom library, sharing students stories with each other and incorporating these stories into our classroom libraries.

    5. Use books by Native writers all year round

      This reminds me of the importance of incorporating stories that our students can relate to in the classroom environment. However, sometimes stories can be more harmful than we think rather than good. So it is important for educators to research the authors that they are presenting

    6. the quality of a story is improved when theperson creating that story is an insider who knowswhat to share and how to share it with outsiders

      Exposing our students to experiences or stories first-hand written by insiders will impact the way our students see the world.

    7. We Can Do Better: RethinkingNative Stories in Classrooms

      During my schooling experience, I had the opportunity to witness the reality of some indigenous tribes. My school offered an opportunity for community involvement that allowed me to see the context and the power of the communities that are most of the time silenced by the dominant culture. Exposing students to such experiences pave the way for a rich and deep classroom discussion that could help students to value the diversity and honor indigenous communities.

    8. The theoretical term I highlight in this column isCritical Indigenous Literacies (Reese, 2013). Criticalliteracy encourages children to read between the linesand ask questions when engaging with literature:Whose story is this? Who benefits from this story?Whose voices are not being heard?

      This section reminded me Dr. William Shcubert's book Curriculum: Perspective, Paradigm and Curriculum. He is a big advocate of a similar view of teaching and learning and critical literacies. Teaching our students and being mindful when reading between lines and asking questions to ourselves, pondering whose story is this, whose truths are being exposed and who are silenced, is a great way to reflect and approach teaching pedagogies.

    1. When they wrote, they had spellingerrors and grammar issues, despite—or because of—theWarriner drills or my lack of knowledge about AfricanAmerican Vernacular English, but their logic andevidence spun circles around me.

      The value of voice and authentic language is unmeasured. The importance of educators recognizing various vernaculars of languages used is undervalued. Slang and the use of phrases within dialects of a language have value and meaning, they should be recognized in academic settings as well.

    2. These days I attempt to teach a critical literacy thatequips students to “read” power relationships at thesame time it imparts academic skills. I try to make myliteracy work a sustained argument against inequalityand injustice.

      In these first sentences, the author tells what seems to be a reflection of the sociocultural historical theory. She does not only provide mere lessons to help on academic skills but also directs attention to students' apprenticeship. Her teaching practices allows students to develop multiple ways of understanding the world. #CI45022

    3. When I stopped attending to test scores and startedlistening to the music of my students’ voices and seeingthem as “more than a score,” I increased my capacity toengage them. I knew what didn’t work, but I still didn’tknow what did work.

      Less emphasis is needed on test scores and more importance should be given to the skills students already have and know. Their lives are rich with culture and experiences that is valuable and important.

    4. he “disadvantaged”label that the newspaper had placedon my students didn’t recognize theireagerness to learn, their drive to beintellectuals, to know more about theworld.

      At the heart of teacher, the focus is a delicate balance of inclusion, culture, and motivation. Academic pursuits follow after.

    5. . But the worst part came laterwhen my photo appeared in the local paper stating thatI taught “disadvantaged” students. I prayed that noneof my students or colleagues would see the article.

      All students want to learn, they are motivated, the label of "disadvantaged" does nothing to support their continued growth.

    6. it takes White wealth and money to makea neighborhood “good.

      This resonates with the ideas of "white is right" and white saviorism. But this is an ideology based in the deficit perspective that needs to be shattered. Sprinkling whiteness to an issue is like putting a band-aid on a viral infection, the problem is deeper and not surface-level. And if it is not stopped, it will quickly spread.

    7. And yet “these kids” could out argue me abouteverything under the sun: the inherent problems withschool policies, the merits of long lunches, why weshould hold class outside, and about local issues thatreverberated through the building like desegregationand school closures. When they wrote, they had spellingerrors and grammar issues, despite—or because of—theWarriner drills or my lack of knowledge about AfricanAmerican Vernacular English, but their logic andevidence spun circles around me

      This section reminds me of "Linguistic Justice Black Language, Literacy, Identity, and Pedagogy" by April Baker-Bell when she discusses the importance of Black students understanding Black English and it's history, and the nuances of "flava" in speaking AAVE that do not exist in White Standard English.

    8. I increased my capacity toengage them. I knew what didn’t work, but I still didn’tknow what did work.

      Engagement is the first hurdle and it's often the biggest one. Obviously, the next is finding what works.

    9. I moved in the right direction when Istopped believing that I was the one who knew and theywere the ones who needed to know.

      Learning from students and valuing their experiences and knowledge is imperative to creating the classroom you want to see.

    10. try to make myliteracy work a sustained argument against inequalityand injustice.
    11. I try to make myliteracy work a sustained argument against inequalityand injustice.

      I like the use of the word 'sustain'. It's application fits nicely because the literacy skills need to be sustainable and obtainable. Writing and reading do not go away, being a proficient reader is imperative in a life of success.

    12. a critical literacy thatequips students to “read” power relationships at thesame time it imparts academic skills.

      I think having a balance between both social justice and critical academic skills is important. I feel like in this day in age it is either one of the other; either you care solely about social justice or solely about academic skills. Personally, I'm in the middle of this spectrum. I do believe that teaching social justice is important and critical but I also understand in order to navigate real world power dynamics you have to a set of foundational cognitive skills at your dispense.

    13. Responsive teaching and community based readings make lesson smore meaningful and memorable. There seems to be a greater amount of engagement when this happens.

    14. . But asteachers, we have more academic space than we inhabit.We can choose to push back against the disadvantagednarratives and mandates that continue to lurk in ourschools and society and instead build a curriculum thatputs students’ lives at the center and encourages them toresist a story line that distorts or maligns their right toblossom into the intellectuals and change-makers theyare so ready to become

      As teachers we have a responsibility to teach skills that will help students move beyond the classroom space. Part of our job as experts in literature is to ensure that our students are able to read the world.

    15. In order to teach studentseffectively, I have to raise the curtain on the myths thatcontrol the narrative of our community:
    16. bring in students’ lives in two ways.

      Making class content related to the students is always a sure fire way to make it engaging. If it is not engaging then we, as educators, might need to reflect on what we can do or why it isn't engaging.

    17. invisible hierarchyof Standard English

      Try as we might it is important to really understand that this hierarchy will not go away. I think we need to teach student Standard English not because it is a better language, but because navigating through power relationships requires knowledge about Standard English.

    18. n order to teach studentseffectively, I have to raise the curtain on the myths thatcontrol the narrative of our community:

      Who controls the narrative and who the major players are within writing a text is a huge portion of the control that is allowed to happen in "disadvantaged neighborhoods".

    19. ut asteachers, we have more academic space than we inhabit.We can choose to push back against the disadvantagednarratives and mandates that continue to lurk in ourschools and society and instead build a curriculum thatputs students’ lives at the center and encourages them toresist a story line that distorts or maligns their right toblossom into the intellectuals and change-makers theyare so ready to become

      We do have more power than we think and the fight for what is right and give student's a voice through their writing.

    20. During this time, every student readstheir piece. As students read, we laugh, cry, and createcommunity, but we also teach and learn from each other.If I had to choose one strategy as the centerpiece of myteaching, it would be the read-around. It provides boththe writing text for my classroom and the social textwhere our lives intersect and we deepen our connectionsand understandings across lines of race, class, gender,nationality, and sexual orientation.

      This is such an important skill that students can carry throughout their lives. This is as important as reading "on grade level" or spelling correctly

    21. I want my students to be able to “talk back”when they encounter anything that glorifies one race, oneculture, one social class, one gender, one language overanother: texts, museums, commercials, classes, rules thathide or disguise domination

      Especially important to help students be able to do this with a variety of texts in this digital word

    22. When I stopped attending to test scores and startedlistening to the music of my students’ voices and seeingthem as “more than a score,” I increased my capacity toengage them. I knew what didn’t work, but I still didn’tknow what did work

      My department is currently trying to advocate for this, but our admin is demanding we focus on the data that shows low scores. Even we say kids also can score low because of a variety of reasons...

    1. Black girls are still experiencing slav-ery through more modernized weaponry that hasadvanced beyond shackles and chains. We unapol-ogetically state that schools not only are prison forBlack girls but that schools are actively reproduc-ing slavery in its afterlife in English language arts.When Black girls’ identities, ways of learning, andleadership capacities are symbolically bonded bychains through a White-only curriculum, cultur-ally biased literary texts, and pedagogical standards,Black female students are in fact experiencing nor-malized racial violence

      Yes! And as a white educator, I am constantly finding myself reflecting on my teaching and thinking whether or not I am conforming to the white - only curriculum or thinking am I doing something about it? It's so important that I do reflect on this all the time and ensure that my students are experiencing a diverse and culturally responsive curriculum and not a white-only curriculum.

    2. Black girls who are“missing” from literature orare not the main characters,young adolescents can see who is valued in the class-room and how that value is assessed based on raceand gender classification

      This is why I always try to find stories that include characters who reflect my students AND characters who do not reflect them. There are many different people outside of the classroom and it's important for young learners to know that yes our classroom is a community, but outside of the school walls and beyond the borders of their country, people come in all shapes, shades, and sizes.

    3. When the only images that Blackgirls see of themselves in the classroom are rootedin their dehumanization, it sends messages of dis-affirmation and educational neglect that may neverbe emancipated

      A strong claim, yet highly accurate! The damage this can cause is deep-rooted.

    4. literacy instruction should be re-sponsive to students’ identities (e.g., race, ethnicity,gender expression, age, appearance, ability, spiri-tual belief, sexual orientation, socioeconomic sta-tus, and community environment) and languages/dialects as they affect students’ opportunities tolearn

      Again, I argue that it should reflect the world and society at large, not just the classroom. If a class is limited in its racial/cultural make-up, they need to be aware of what exists outside their classroom as to not build a sense of superiority or inferiority to others who they have yet to encounter.

    5. remind usthat an enslaved status (whether physically, intel-lectually, creatively, or culturally) not only restrainsindividuals from being engaged in acts of resis-tance but also seeks to dismantle the developmentof “freedom dreams” that can cause an individualto critically challenge bondage.

      This is an example of the "modern weaponry" mentioned earlier in this section. Weapons have evolved past the limits of physical abuse and into the mental and psychological realm of creating damage. The inclusion of Disney movies has my mind running to how the enslaved status of the princesses took a physical form (Belle and Rapunzel), a symbolic form (Snow White, Aurora, Ariel), or was inhibited by their sex and the roles deemed appropriate by society (Mulan and Jasmine).

    6. Finally, fairy tales wereselected because they represent a set of narrativesthat most young children are exposed to in earlyliterary interactions or through educational chil-dren’s programs. Together the model represents theinteractions

      This made me think about the recent outburst that fired when the new ariel movie came out and individuals were acting all shocked and offended. This impacts young children's perspectives and their imagination of the future, as well as how life should be. White cinderella becomes a young girl's dream, this is a toxic trait that can follow into adulthood

    7. “Black girl” that manifests itself in intricateways. Literature has the power to oppose or upholdstereotypical depictions of Black girls and women

      Thinking about how Individuals should be represented as a whole and not in a deficit based lens. Literature and thinking about often that young adult literature can push these concepts that uphold stereotypical depictions

    8. According to the National Council of Teach-ers of English,

      I really like this article, in particular, this section where authors provide recommendations of materials and strategies to teach our students to think critically and develop their own stories with characters that look more like them so as to counter those dominant narratives. This section also reminded me of the book Trombone Shorty, by Troy Andrews. This book is also a perfect way to show our students that not all the traditional or popular stories are about imaginary white characters, but that there are also real heroes, people that look more like us who are making history through their talents. Trombone Shorty tells the story of a music prodigy with New Orleans roots. Really fascinating and catching, this def aligns with the article.

    9. Exposure to these narratives is at theheart of educational equity. These literary works af-firm Black girls and expand the perspectives of allstudents

      It is definitely important to provide a holistic and diverse curriculum so as to honor all of our students' narratives and funds of knowledge.

    10. dditionally,culturally responsive and/or relevant teaching inEnglish language arts classrooms has been height-ened to deconstruct biases and create safe spaces formarginalized Black girls. With culturally inclusiveand supportive classroom libraries and activitiesthat employ the CFT model, English language artseducators can empower Black girls’ voices and ac-tions to be enslaved no more

      Agreed - and not just classroom libraries, but also school libraries, community libraries, field trips to theater performances and movies, etc.

    1. rhetorical violence

      I like this word choice. It really captures what this article is going for.

    2. t is the oppressive and symbolically violent use ofthe essentials of our discipline—words, rhetoric, and modes of communica-tion—that sticks to us most in the ongoing aftermath of the election (

      Yes! I often teach a rhetoric unit to our students. Inevitably, we have to talk about or discuss a speech given by Donald Trump. I often share one of his speeches not to polarize or trigger my students but to get them to see how powerful rhetoric can be...up to the point where a whole nation elects a nonsensical man to be president.

    3. English educators need support in addressing the emotional dimensions ofteaching and learning in punctual moments like these, but also in the dayto day of classroom routines and relationships.

      And English classrooms can be powerful sites of healing!

    4. When absentin teacher education programs and national policies, it is little wonder thatmany English teachers may be both stymied and fearful about addressing thecivic, healing needs of classrooms.

      While sometimes it is difficult to discuss these topics, it is still essential that we do.

    5. The days and weeks that followed thehistoric night only furthered the flood of teachers expressing concern anduncertainty.

      I still recall this day, I was a student teacher at the school that I currently teach in. We actually did not teach that day and took the time to talk to the students and have an open discussion of the fears that they had because of this. #CI45022

    6. recognition that teachersare generally not prepared to address the intersections of healing, politics,and emotion in today’s classrooms

      This has only been amplified since covid. Teachers across the board were under prepared to reengage and reenter the class after the year of remote learning and the many losses students faced.

    7. Educational policy has placed teachersin a precarious corner of needing to address the ongoing needs and ques-tions in their classrooms while also navigating worries that administrators,parents, and observers may see these efforts as indoctrination.

      This made me think about the meaning of hidden curriculum. How are we ensuring as educators that we are addressing state standards while also addressing the needs of our students social and emotionally. This also makes me think about how we can intertwine transformative healing practices into our everyday curriculum

    8. his relationship between the collective and individual experiencesof trauma provides a lens for teachers and researchers to consider the vary-ing ways that members of classroom communities are positioned in theaftermath of the election. Any sense of shared pain and fear post-electionthat was shared by many or most in their schools must then be coupled withawareness of the different stakes for individuals and groups in what has andwill continue to unfold over the coming years.

      It's important to offer students an opportunity to reflect and connect through shared traumas and lived experiences. I have found that in my classroom when students are given this opportunity they often leave class having a new profound respect and understanding of one another.

    9. The fundamental rolethat SEL plays in classrooms hints at a broader consideration: What does itmean to matter (or #matter) in this world? In this way, SEL must addresswhat it means to cultivate belonging in a broken world. Far more expan-sive than developing students’ emotional skills, English educators and thechildren, youth, and families with whom they work must help remake andrepair the world

      I appreciate how the question posed gets students, and people, to consider their role in relation to everything else. The question gets students to reflect on their intersectional identities and how it has impacted them and their place in society.

    10. Teachers across career trajectories haveraised questions about how to help students cope with the lasting traumaleading up to and following the election alongside teachers’ aching spirits.English educators need support in addressing the emotional dimensions ofteaching and learning in punctual moments like these, but also in the dayto day of classroom routines and relationships.

      I wholeheartedly agree with this. English teachers are often left to help students navigate their trauma and anything related to SEL. Rather than placing this responsibility on English teachers, the responsibility should be a collective effort by all educators.

    11. Educational policy has placed teachersin a precarious corner of needing to address the ongoing needs and ques-tions in their classrooms while also navigating worries that administrators,parents, and observers may see these efforts as indoctrination.

      I agree! And I always find myself frustrated when having these types of conversation with people who aren't in the classroom. I always argue that I am trying to meet the needs of all of my students, and that means that I will sometimes contradict the politics of society which are taught at home.

    12. Far more expan-sive than developing students’ emotional skills, English educators and thechildren, youth, and families with whom they work must help remake andrepair the world.

      I think few people recognize the actual teamwork that goes into SEL - the teamwork between administrators, teachers, families, and generally communities. It take support from all sides to make students feel loved and cared for. I feel that, too often, people pit teachers against parents (I've even fell into that trap myslef, by trying to avoid calling home for fear of an angry parents, or by using vaguer language in an email to avoid promising anything). but when it comes to actual matters of the ehart, cooperation between all of these facitions matters.

    13. Although this is an issue that affects students and teach-ers in all content areas, it is the oppressive and symbolically violent use ofthe essentials of our discipline—words, rhetoric, and modes of communica-tion—that sticks to us most in the ongoing aftermath of the election

      Absolutely. I remember in one of my preservice classes, our professor told us that, as teachers in the humanities, we would be more solicited by students to deal with the emotional and personal side of student life. It is so difficult to help them decode the world around them when we struggle with comprehensing it ourselves.

    14. The harm caused by Trump’s words and actions during and after the electionmakes clear how politics connect with and exacerbate the trauma and painfelt in schools

      Often times external factors are often overshadowed in the class room environment. These factors can pile up and cause traumatic experiences in the classroom. I think it is important for educators to honor and recognize these in the classroom. When we pay attention to how our curricula can honor students traumas and relate to experiences in the classroom.

    1. The “focal point” ina corrective lens is the exact location where one’s vision becomes clearest

      This reminded me of a policy that my school follows called "corrective restorative practices" thinking about why a students critical consciousness more in depth rather than implementing strict discipline.

    2. Many of the headlines in the media describedthe killers as “quiet,” “smart,” “nice,” and “typical American Boy[s].”

      This paragraph and this statement puts perfectly into words the way I feel about school shooters.

    3. instead of examining the systemicracist violence against Black people

      Again, mainstream media and social media often posits these issues as simple moments rather than complex systems of inequity.

    4. For us, Houck’s comment captures the critical role that mainstreammedia play in the “debasement of Black humanity, utter indifference toBlack suffering, and the denial of Black people’s right to exist” (Jefferies,2014)

      This reminds me of a unit that I am currently teaching on civil responsibility. Our central text is Elie Wiesel's memoir night. A major theme of his novel was that he did not blame the Nazis that were in the concentration camps individually, rather he placed both blame and shared a warning that indifference and dehumanization were the real culprits. Just like this comment by ridding black people of their humanity, having indifference toward their suffering, and denying their rights leads to incidents like this one.

    5. Hill’s tweet problematizes media perspec-tives such as Houck’s that fail to acknowledge theintersections of race and police brutality, especially when it comes to Blackyouth.

      Failing to acknowledge the intersections of race and other events is what leads to media representation that focuses or poses issues as black or weight. It is time for media and society at large to stop using color blind theories to examine injustices.

    6. is was evidentin the media’s coverage of Micah Xavier Johnson, the Dallas shooter whokilled five police officers. Because Johnson was Black and was upset overthe deaths of Black men at the hands of police, several media outlets linkedJohnson’s violent act to the Black Lives Matter organization in an effort toframe the group as anti-police

      It's upsetting that they use the anger and disappointment of one person to reflect the protests of an entire movement and organizations that is fighting for the equity of an entire race of people. This just goes to show how they try to minimize the issue by making it seem like it's a "violent" protest, when the activists aren't

    7. Conversely, the mediaare careful about how they represent White criminals, usually portrayingthem sympathetically. This more nuanced portrayal was evident in the caseof Adam Lanza and James Holmes, both young White males who were re-sponsible for mass shootings. Many of the headlines in the media describedthe killers as “quiet,” “smart,” “nice,” and “typical American Boy[s].” Bycontrast, Black people—suspects or not—are often not given these sameconsiderations

      When considering the diction that is used in one article/headline vs the other, one is made out to be a victim of his mental health (the white male) vs being a corrupt thug (black male). I often have these relevant conversations with my students, especially when discussing how they have to prove themselves much more than their white counterparts.

    8. In other words,the same racist brutality toward Black citizens that we see happening on thestreets across the United States mirrors the violence toward Black studentsthat is happening in our nation’s academic streets.

      Yes! Schools were intended to be a place of "refuge" for students and yet there are too many people working as educators who seek to support systems of oppression rather than dismantle them.

    9. “If that girl got out of the seat when she was told, there’d be no problem.But apparently she had no respect for the school, no respect for her teacher,probably has no respect at home or on the street, and that’s why she actedthe way she did” (“She Had No Respect,” 2015). Rather than seeing the girlas the victim, Houck faulted her for the attack, which is troublesome butunsurprising, given mainstream media’s coverage of brutality against Blackbodies.

      It's disappointing to know that public figures that many people idolize and seek for "truth" draw these types of conclusions when it comes to how Black and Brown youth are marginalized in society. From what the media presented, Houck drew the conclusion that the young lady was not being "raised right" due to what he called a "lack of respect," despite him not having access to the whole picture.

    10. However, it is important for educators to understandthat pedagogies of healing and critical media literacy are not limited to Blackyouth. It is our hope that educators will use these tools to examine, heal, andinterrupt the narratives that mainstream media use to negatively portrayother marginalized youth. Finally, it is important for educators to implementthese same tools with White students who benefit from white supremacyand the damaging narratives that mainstream media produce about Blackyouth and other youth of color

      Importance of educators to implement the same tools of education that benefit white students. Thinking about the traditonal concept of education as white supremacy followed by damaging narratives from the mainstream media about black youth. An example of this off the top of my head is thinking about gun violence in chicago and how often the news is always reporting shots on the southside of chicago, when something happens vise versa it does not get as much coverage and I think this is to protect the "image" of the community that it is flawless and perfect which is a damaging concept.

    11. Inother words, if we only prepare Black youth tobe critical of the ways that mainstream mediaoutlets uphold white supremacy and negativelycharacterize them, we miss an opportunity to il-lustrate the role that youth-produced media canplay in working toward social change. With thisin mind, it is important for educators to explorehow a critical media literacy pedagogy can sup-port youth in using new media genres to produceand distribute their own countermedia texts. Production and distributioncomponents of critical media pedagogy go hand in hand and involve prepar-ing youth to be agents of change by producing “counter-knowledge throughthe manipulation of media tools” (Morrell, 2008, p. 158)

      Not to mention that we learn by doing - understanding how the media constructs narratives to favor some parties is supported by doing the writing themselves.

    12. Weagree with Morrell (2008) that it is critical foreducators to prepare all youth “to critique thesemaster media narratives [and provide youthwith] the skills to use new media technology astools in the struggle for social and educationaljustice” (p. 158). As critical English educators, wefeel a particular responsibility to equip teacherswith transformative tools that work toward heal-ing Black youth and supporting them in speakingback to and against racial violence

      I agree! This year in my teaching I have found a particular difficulty in arguing against what my students bring me from TikTok. While not directly related to BLM or the dehumanization of people of color in the media, I have found it increasingly difficult to give students the tools and lenses they need to view all media criticially, mainly due to the voracious nature of these platforms algorithms.

    13. Once studentsreceive their original sheet of paper back, they will be asked to take a fewmoments to review the remarks written on their paper and be prepared todiscuss as a whole clas

      Interesting text of collaboration in classrooms, I often feel that feedback is important for students and is often overshadowed with negativity. Positive feedback is an important and crucial and creates a classroom environment that is good for rapport.

    1. First, we believe all educators must reimagineschooling practices in ways that both affirm students’ knowledges, perspectives,community realities, and life goals, and critique systems of racism and inequity

      I believe that this step is the first step in creating a new critical lense in classroom. Students who feel included, supported, and safe in school often feel more fulfilled. Interestingly I would argue that schools where the populations is mostly people of color allow the opposite and when the idea is presented it is fervently detested by teachers and educators.

    2. where adolescents engage in literacy (space and place) is intricatelylinked to how they construct specific literate identities.

      This is an interesting argument to make, one that I would like to dive into. I would also want to argue that WHEN is an important factor as well.

    3. dealing with Souls and notwith Dollars

      Easier said than implemented.

    4. Education is the great equalizerin a democratic society, and if people are not given access to a quality education,then what we are doing is creating an underclass of people who will challenge ourvery way of life”

      I have recently gotten into the idea of social reproduction and how certain factors influence education and curriculum leading to the question if we are truly in a democratic society as the core principles of a democratic society are in direct competition with a capitalistic society.

    5. Solórzano and Yosso (2002) define them as a “method of telling thestories of those people whose experiences are not often told” in order to “shattercomplacency, challenge the dominant discourse on race, and further the strugglefor racial reform” (p. 32)

      Counterstories are under utilized within the schools and can greatly help students gain perspective and deeper understanding on issues or events.

    6. I never really knew the greatness of black individuals. . . . I now know why, due to therebeing a certain system, not built to teach black individuals about their history andgreatness. . . . Still I ask myself why was I not taught this in my early educational career.I thought I was suppose to learn all this in school, but who knew that I’d have to stepaway from school to learn this information.

      I remember conversations about work when I was younger, not too much conversations were around the concept of college, and rather trade work.

    7. Across these activities, she noted how Khaleeq andhis peers were actively engaging in the community by questioning and writingjournal entries about visible signs of gentrification.

      Students notice change in their communities this is not a new concept or something that should be shocking. I think that it is important that we bridge our community into our curriculum, incorporating storytelling, and providing lessons that are engaging.

    8. A narrative inquiry approach has allowed us to carefully listen to, respondto, analyze, and connect with the stories shared by Khaleeq and Rendell—storiesabout how they see themselves in the world at the backdrop of how others seethem, and stories about their attempts to resist deficit narratives

      It's a powerful approach to inquiry. This can help uncover the decontextualized view of students of color and reconstruct their own selves. The social model, discourse and metacognitive thinking needed to empower our students can impact their lives.

    9. hat narrative inquiry is a way of “giving voice”

      Another very important point to highlight. Giving voice: this is another claim that the author Kathleen Collins (2003) emphasized as her reason to conduct her research. By 'giving voice' to our students, we empower them, we learn from them and they succeed.

    10. Hence, where adolescents engage in literacy (space and place) is intricatelylinked to how they construct specific literate identities. According to Haddix (2012),adolescents can develop literate identities if they have access to resources such assupportive writing communities.

      Supportive Writing Communities: Author Collins (2003) in her book Ability Profiling conducted a study for which she worked closely with a student of color who was seen as underperformer, rebel and uninterest in school work. She got involved in Jay's everyday life in and out of school and found out discrepancies on the expectations people had about Jay at school and in the community. The author related that the teacher and Jay's classmates were different from him, they were white and that made Jay want to 'fit' and act as something he wasn't which caused him troubles. However, when observed in his community, Jay was able to be the boy he was, and nobody had any complain about him nor his behavior. It's a really interesting perspective and a good way to depict or illustrate the reality of many of our students.

    11. thnographic studies on the out-of-schoolliteracy practices of Black adolescent males: 18-year-old Khaleeq from the US Northeast, and18-year-old Rendell from the US Midwest. The data analyzed derive from their engagements innonschool, community-based, social justice initiatives that, we argue, represent rejections of deficitnarratives about who they are (their racialized and gendered identities) and what they allegedlycannot do (their literacy capacities and capabilities). Utilizing a critical literacy approach

      This piece relates to author Collins (2003) and her book "Ability Profiling," which depicts a child's struggle to be seen as competent in school. This type of study helps to make visible the reality our students face throughout their academic and community lives.

    12. On the one hand, students will receive encouragement from variouspeople to engage critically in their literacy practices inside and outside schools asthey better understand their agency, resolve, and resilience. On the other hand,students will be encouraged to generate counternarratives regarding the reproduc-tion of power asymmetries and deficit stereotypes applied to many Black youth.This latter point is important to attend to, given the reality that some communityprograms, like schools, are steeped in monolithic norms, inequities, and racism.It becomes important, then, for students as well as teachers and researchers tothink deeply about how, what, when, and why Black youth participate in literacy

      I think it's inestimable the improtance which 360 degree visibility and support is for student literacy. Children (of all ages) need to know that they are centered in their social circles.

    13. ccording to Kinloch (2011), literacy research hasgradually shifted from focusing on schools as primary units and sites of study toliteracy practices across multiple sociopolitical contexts, including families, homes,and other nonschool environments. The rapid development of digital commu-nication and online social networking has also produced new literacies and newforms of expression (Banks, 2011; Kress, 2010; Lankshear & Knobel, 2008). Theways adolescents and adults, particularly those with racialized identities, engage inliteracy practices across diverse contexts disrupt deficit narratives that have longpositioned them as at risk, struggling, and underprepared.

      I'm always suprisied by the notion that some people hold that literacy skills (specifically reading and writing skills) are only taught and performed at school. I've always been grateful for the continuous literacy support I received at home, and it was never a direct instruction type of support.

    1. The work that we do in Writing Our Lives canserve as a site of healing and for resisting and workingagainst violence.

      The Writing Our Lives project's goals reminds of authors who touched upon 'resistance' in the book titled Reclaiming the Multicultural Roots of U.S. Curriculum: Communities of Color and Official Knowledge in Education by Au, Brown, & Calderon, 2016. In this book they describe how, historically, people of color, were seen as less educated and those who produced in academia were never mentioned, just because of their skin color. There has long been rejection and prejudice in regard to 'the ability' of people of color in academia. In this case, the article and the project described depict a great opportunity for those who have long been relegated, to show who they are and resist to the dominant narratives. This is an impactful project for several youth who, I hope, now have a space to speak out through writing. #CI45022

    2. They will do so raising their voices, theirhands, their pens, and their smartphone

      This is a strong statement showing that students will continue to be there, no matter how technology changes or what new methods are created, they will write their stories, share their thoughts, and be heard.

    3. Their writing is often directed and driven by the everydayexperiences in and with their localand global communities.

      Transactional reader response theory highlights the importance of connecting with the environment and how we interact with the world. Allowing students to connect their lived experiences with text or media by critical thinking and writing is a great opportunity for them to construct their own meanings, hence, change the word as it is the aim of the writing project. Theory and practice are well merged. #CI45022

    4. hat becomes radical isthe refusal of the dominant narratives thatsuggest that young people, especially urbanyouth, are not writers and the creation ofspaces, both within and beyond schoolcurricula, that supportyouth literacies.

      I like the use of the word "radical" here because it shifts the problem off of the students and onto the structures of power that radicalized their writing experience.

    5. cultivate spaces for students to write with theunderstanding that they come to us already writing.

      This is something I can do. Often when reading articles about social justice in education I tend to get overwhelmed and feel like I don't know where to start. However, this is something that I can realistically implement in my classroom.

    6. I define radical youth literacies asways of knowing, doing, writing, and speaking by youthwho are ready to change the world

      The author's definition of 'radical' reminds me of the scholarship of Dr. Schubert, who highlights the different ways to 'teach the knowledge that is worth knowing for WHOM it is intended to.' In this regard, the definition of radical, inspired by Freire is a reminder of the importance of being involved and experience the world so it can be transformed in different, but positive and impactful ways through literacy. #CI45022

    7. I knew that the commonlyheld view of Black children as nonwriters and nonreaderswho were disengaged from learning was false.

      Totally false! It is frustrating how society focuses on the students and blames them on an individual level...yet ignore the systematic racisms that are embedded in our society and educational systems.

    8. Her statementis significant because it acknowledges thatthere are some writing practices that areexpected, valued, and legitimized in schoolcontexts, while there are others that remaininvisible and are deemed less important.

      This is an example of tough choices we need to make in the classroom. I for one always teach the 5 paragraph argumentative essay, not because I'm particularly a fan of this type of essay but because it is what the English department aligns on. I often cut out creative writing because it is not seen as "acceptable" or rigorous enough.

    9. “[T]he moreradical a person is, themore fully he or sheenters into reality so that,knowing it better, he orshe can transform it.

      The connection between Writing Our Lives' project and the critical literacy theory perfectly match the idea of honoring students' funds of knowledge and affirms the worth each young writer's culture has through their ability 'to read the world.' #CI45022

    10. Teachers must be writers.

      Teachers have also have to show students the process of writing. Students need to see older people and "professionals" struggle with writing. Sometimes students disengage because they think they can't write because it's difficult. Normalizing the struggle can reengage some

    11. ome writing practices that areexpected, valued, and legitimized in schoolcontexts, while there are others that remaininvisible and are deemed less important.

      This is not limited to practices of writing, but also styles, vocabulary that not validated by schools.

    1. As emerging researchers, the students were in-troduced to the five steps of critical praxis andunpacked each of the steps as it applied to the iden-tified problem. For Step 2, I shared two kinds ofresearch: (1) the knowledge that we already possessand know from our own experience, and (2) theknowledge that is gained from formal research inthe exterior world by seeking articles, books, news-papers, magazines, and peer-reviewed online sites.

      Thus merging the skills they already have those they need to acquire.

  2. Oct 2022
    1. I wroteabout the importance of 1) holding time and space—whether in classrooms, community centers, or online—to support youth literacies, and 2) listening to andvaluing the perspectives of youth writers (see Haddix,Everson & Hodge, 2015

      This reminds me of the idea of "low stakes" vs "high stakes" testing in schools. I absolutely think that writing has become a high stakes task - a task which demands students to acknowledge that they are being assessed and should write with the purpose of being read. However, writing - like many other school-related tasks - should have a low-stakes impact outside of the classroom as well as inside of the classroom. Writing can and should be personal in the majority of the time a person is writing; this includes student writing.

    2. Her statementis significant because it acknowledges thatthere are some writing practices that areexpected, valued, and legitimized in schoolcontexts, while there are others that remaininvisible and are deemed less importan

      This reminds me of Delpit's argument about the culture of power: certain languages or behaviors are more valued by those in power to reinforce that power. Here, writing creatively is a devalued form of writing - or, more broadly, a devalued language - and is pitted against the more academic writing we as English teachers must teach and are generally more well-versed in.

    3. stressthe following guiding principles for any writing program:n Teachers must be writers.n Students must see themselves as writers.n Teachers must cultivate spaces for students towrite.n Students must have opportunities to write inmultiple ways, for multiple purposes, and inmultiple genres.n Teachers must honor and respect youth-led andyouth-centered writing practices

      It is interesting to read these guidelines. I think about how in my own classroom space that we are often doing quite a bit of writing activities. I get a handful of questions from students like "isn't this art??" I provide students the opportunity to write about art since I feel like that is often overlooked, especially in middle school art curriculum.. I like to stress that art is not always about creating and creating! but it has a process to it! For us educators, regardless of content area we should be providing opportunities for students to use these guidelines in our classroom spaces.

    4. I askthem to complete the statement: “I am a [blank] writer.”This exercise presumes their writing competence andassumes that all youth are writers. They cannot beexempt from the identity of writer, even if they seethemselves as a “bad” writer. Our starting point is thatour writing community includes everyone. We are allwriters; from there, we move forward

      This reminds me of some of the teaching practices that I currently use in my art classroom. I use the phrase "everyone is an artist" quite a bit. I notice that my students would often groan and disagree and say "I'm bad at art!" I wonder if I took an approach like this if some of my students answers would shift or change? "I am a___artist" I think this approach would reframe the measurement of success and create opportunities for students to realize their artistic identities..

    5. You are your child’s first teacher.The schools don’t teach the children anything abouthistory. They need to know their history.

      Thinking about the importance of educating our children on our own stories, histories, and identities.

    1. f I had to choose one strategy as the centerpiece of myteaching, it would be the read-around. It provides boththe writing text for my classroom and the social textwhere our lives intersect and we deepen our connectionsand understandings across lines of race, class, gender,nationality, and sexual orientation

      So often ELA classrooms are pressured to focus only on analytical or argumentative writing, yet the most persuasive writing is that which evokes empathy. Narratives have transformed perspectives, and this practice seems to return the merit of personal writing and give it a noble status in the classroom.

    2. This kind of work takes time. We can’t race througha half-dozen novels. I’m forced to make difficult choicesabout what I include and what I leave out

      This is a conversation that I frequently have with colleagues in my English department. Changing and adpating curriculum takes a lot of time in all the stages: before, during, and after. It also is something which seems to be very fluid: we must change according to the students we have and our current context(s).

    3. But Iwas the one who had applied, pulled together a résuméwith the help of my colleagues, and apparently answeredtheir questions in the right way No one who gave me theaward even watched me teach.

      I feel like this is the paradox of evaluating teaching in general. Teaching is more than our presence in the classroom - which is often a criticism we launch (or at least, a criticism that my colleagues and I launch) when we are observed for 15 minutes a semester and our given a formal assessment of our teaching; yet, our teaching also hinges on the face time we have with our students, which is the accumulation of our time and energy spent preparing for class. Any evaluation that comes from anyone who doesn't spend 24 hours a day for a week with us can feel flat.

    4. These days I attempt to teach a critical literacy thatequips students to “read” power relationships at thesame time it imparts academic skills. I try to make myliteracy work a sustained argument against inequalityand injustice.

      Linda C was an author that I read in undergrad, I believe it was an article called "Rethinking Schools" it was about honoring students names and in particular I enjoyed an activity called a name poem. However, when I first gave this activity to my students I realized that my students did not have the foundational skills to create a poem, so we did some backwards thinking and did a few lessons on that. The second time around it went really good. This section reminded me of some importance towards academic skills.

    5. When I stopped attending to test scores and startedlistening to the music of my students’ voices and seeingthem as “more than a score,” I increased my capacity toengage them. I knew what didn’t work, but I still didn’tknow what did work

      Being on the MTSS committee at my school, we are often so focused on assessment and comparing students scores to other students scores, I often found that they do not enjoy my input on testing scores since I feel that it is little to none of information that truly captures a student. I suggested a check in and out program at my school for these students to ensure that they are even in the right headspace to learn for the day. Linda C makes some excellent notes about how we should stop viewing our students as test scores and numbers.