862 Matching Annotations
  1. Jan 2016
    1. he repeated himself two or three times, either from want of words or from want of pains; and also, he appeared to me ostentatiously to exult in showing how well he could say the same thing in two or three ways.

      what Socrates finds wrong in Lysias' text

    2. there are many more non-lovers than lovers; and if you choose the best of the lovers, you will not have many to choose from; but if from the non-lovers, the choice will be larger

      A bigger pool to choose from, but not necessarily a better one.

    3. lovers repent of the kindnesses which they have shown when their passion ceases, but to the non-lovers who are free and not under any compulsion, no time of repentance ever comes; for they confer their benefits according to the measure of their ability, in the way which is most conducive to their own interest.

      still true in relationships today

    4. diplasiology

      ""Diplasiology” means “doubling” words; the Neoplatonic commentator Hermeias understood the term literally, as in “Alas, alas”; modern scholars tend to think words compounded of two roots are referred to." according to this

    5. The art of disputation, then, is not confined to the courts and the assembly, but is one and the same in every use of language; this is the art, if there be such an art, which is able to find a likeness of everything to which a likeness can be found, and draws into the light of day the likenesses and disguises which are used by others?

      Rhetoric is not owned by a discourse but rather is nestled within discourse itself

    6. The art of disputation, then, is not confined to the courts and the assembly, but is one and the same in every use of language; this is the art, if there be such an art, which is able to find a likeness of everything to which a likeness can be found, and draws into the light of day the likenesses and disguises which are used by others?

      Rhetoric is not owned by a discourse but rather is nestled within discourse itself

    7. what will be the harvest which rhetoric will be likely to gather after the sowing of that seed

      Rhetoric personified as one that might assess or take stock of language--in this case a farmer.

    8. No, that is not likely-in the garden of letters he will sow and plant, but only for the sake of recreation and amusement; he will write them down as memorials to be treasured against the forgetfulness of old age, by himself, or by any other old man who is treading the same path. He will rejoice in beholding their tender growth; and while others are refreshing their souls with banqueting and the like, this will be the pastime in which his days are spent.

      I don't know how I feel about this.

    9. aid not to memory, but to reminiscence,

      I remember hearing once that the digital age has made us worse at remembering things because we know we can just look them up on our phones or computers... Is this similar?

    10. he who would be an orator has to learn the differences of human souls-they are so many and of such a nature, and from them come the differences between man and man.

      building ethos with your audience

    11. I should say rather that I have heard the art confined to speaking and writing in lawsuits, and to speaking in public assemblies-not extended farther.

      this view is still widely held today by those who haven't studied rhetoric

    12. And yet, Socrates, I have heard that he who would be an orator has nothing to do with true justice, but only with that which is likely to be approved by the many who sit in judgment;

      Rhetoric is often thought of as manipulative--something politicians use to get votes, etc.

    13. But why did you make your second oration so much finer than the first?

      Perhaps because he was speaking the truth (or at least what he believed to be true)... Is rhetoric more powerful when it is supported with truth?

    14. I have no hope of practising my art upon you

      Interesting that he calls it an art here, like he is proud of his "memorization." But, in his last dialogue, he admits to only having a "general notion."

    15. dithyrambics.

      1. a Greek choral song or chant of vehement or wild character and of usually irregular form, originally in honor of Dionysus or Bacchus. 2. any poem or other composition having similar characteristics, as an impassioned or exalted theme or irregular form. 3. any wildly enthusiastic speech or writing.

      -Dictionary.com

    16. And not only while his love continues is he mischievous and unpleasant, but when his love ceases he becomes a perfidious enemy of him on whom he showered his oaths and prayers and promises, and yet could hardly prevail upon him to tolerate the tedium of his company even from motives of interest.

      Ahh, we know this too well

    17. which may be compared to the irritation and uneasiness in the gums at the time of cutting teeth,-

      Interesting that earlier, he defines the difference between mortal and immortal. Here, he compares an immortal experience to a moral one