6,999 Matching Annotations
  1. Jul 2019
    1. to be practised by euell dispo- sed men, who forgetting they were borne of women, nourished of women, and that if it were not by the means of women, they would be quite extinguished out of the world: and a finall ende of them all

      These are also some beautiful lines in tis text! I understood exactly this in one of the earlier lines. Basically a lot of men do not give women the respect they deserve. They look at themselves above women and see themselves as superiors, but in reality it is women who gave birth to almost everything in life and they raised us and took care of us so basically if it were not for women bringing us into this world we would not have been possible.

    2. And yet all Kings their wealth of him do borrow. For he is Crowne and Crowner of all Kings,

      Pointing out that God is always first and foremost above everything and everyone. They believed God was definitely the King above all kings in other words.

    3. F I N I S.

      Loved the power and feminism of this piece, especially since it was written in a male-dominated period. I know many people will find Lanyar's writing a bit extreme and offensive, but for a time period where women often weren't heard, I think the main points are appropriate. For the second piece, it was a bit lengthy, but a beautiful tribute to Cookham. The imagery and personification describing Cookham was beautiful and really brought the place to life. From her writing, I believe Lanyer proves herself to be a great role model for women.

    4. The Floures that o[n] the banks and walkes did grow, Crept in the ground, the Grasse did weepe for woe. The Windes and Waters seem’d to chide together,

      Personification of the flowers, grass, wind, and water, show how sad it was when the women left Cookham.

    5. Whose pleasing boughes did yeeld a coole fresh ayre, Ioying his happinesse when you were there. Where beeing seated, you might plainely see, Hills, vales, and woods, as if on bended knee They had appeard, your honour to salute, Or to preferre some strange vnlook’d for sute: All interlac’d with brookes and christall springs,

      Lots of nature imagery present in this poem. Really sets the scene of Cookham for the reader.

    6. woman, sent a woman to declare his most glorious resurrection to the rest of his Disciples

      There's a lot of speculation about Mary Magdalene's character, and people often forget that Jesus appeared to her first after his Resurrection.

    7. I humbly wish that yours may light on me: That so these rude unpollisht lines of mine, Graced by you may seeme the more diuine.

      She wishes to be graced by the beams (beauty or presence?) of the queen.

    8. From warlike Pallas, Wisdome, Fortitude; And from faire Venus all her Excellencies, With their best parts your Highnesse is indu’d:

      It's nice seeing a poem from this time period that focuses on the greatness of women.

    9. F I N I S.

      I think “The Description of Cookham” is so beautifully written! The poem is a farewell to the beloved estate Cookham and its lady, the Countess of Cumberland. The imagery she uses embodies a great sense of femininity. The elements of nature such as flowers and fruits are personified to resemble women. In "Eve's Apologie," Lanyar portrays Eve from a feminine angle, which is quite different from the classical Biblical depiction. In the poem, Eve is like God's gift to Adam, rather than a seductress or sinner. Lanyar suggests that Adam’s inability to stop himself from eating the apple has been wrongly blamed on Eve. It's a very interesting angle and after reading this poem, I'm totally convinced by Lanyar that Eve should not be responsible for the fall of all mankind!

    10. worthy wife

      Pilate's wife pleaded with him to have nothing to do with Jesus (Matt 27:19). Apocryphal texts name Pilate's wife Claudia Procla or Procula, and there is a tradition that she may have been a secret follower of Jesus. Pilate and Claudia were killed under Tiberius, and are recognized as saints by some Christian churches.

    11. Passeouer

      The most important festival of the Jewish year. Commemorates the night of the tenth plague of Egypt when the firstborn of Israelite slaves who followed divine instructions were "passed over'" and spared from being slain by the Angel of Death.

    12. Eccho

      Echo, a nymph in classical mythology. She was cursed to speak only when spoken to, in repetition of others. Echo's love, Narcissus, spurned her since she only repeated his words. In her grief, Echo wasted away to a shadow, leaving only her voice.

    13. But surely Adam cannot be excus’d, Her fault, though great, yet he was most too blame; What Weaknesse offred Strength might haue refus’d, Being Lord of all the greater was his shame:

      She argues that Adam shares the guilt, as he is shown in the Bible as being stronger than Eve, and so capable of resisting the temptation.

    14. Our Mother Eue, who tasted of the Tree, Giuing to Adam what she held most deare, Was simply good, and had no powre to see, The after-comming harme did not appeare: The subtile Serpent that our Sex betraide, Before our fall so sure a plot had laide.

      Lanyar defends Eve and women in general by arguing that Eve is wrongly blamed for Original Sin and no blame attached to Adam.

    15. Aemilia Lanyar

      Aemilia Lanyar was an English poet in the early modern English era. She was the first Englishwoman to assert herself as a professional poet, through a single volume of poems, Salve Deus Rex Judaeorum (1611)

    16. S.

      I enjoyed the different aspects of feminism presented in this story, and I admire Amelia for writing these aspects in the time that she did. In the beginning when she was praising the queen so much I kept wondering if she was doing that so she could put in stronger aspects of feminism. If the queen was really flattered by her descriptions then they might let the bold statements about feminism slide. I especially loves her poem about Eve and her interpretation of the bible with e feminist view point. I think her rhyme scheme and phrasing is very beautiful at times and it offers powerful and emotionally moving descriptions.

    17. To shew that nothing’s free from Fortune’s scorne

      Nothing (or no one) is free from the wheel of fortune. Which is why sometimes people are on top and then they are on the bottom of the wheel. I think at the time ( and present day) people love to think that we deserve what we get through our actions, but the questions that confused people was when good things happened to bad people, so the easiest thing to do was blame fortune.

    18. The pretty Birds would oft come to attend thee, Yet flie away for feare they should offend thee:

      I feel like the bird might be a metaphor to women. They come and attend and leave when they are scared they might have offended someone (men).

    1. But since that I At the last must part, ’tis best, Thus to use myself in jest By feigned deaths to die.

      Revealing that the reason he must leave is due to the fact that one day he will die. The rest of the lines are a bit confusing to me, but it does sound a lot like he is pointing out his fate that he must one day die. So he probably feels it is also best to just leave now that way his significant other can get use to the feeling of him not being around and gone for good. That way when the day comes that he actually dies, it would not hurt too much anymore as that feeling was already there.

    2. SWEETEST love, I do not go, For weariness of thee,

      Saying that the reason he is leaving is not that he is no longer interested in the relationship or tired of it. Also not because he feels there is someone out there possibly more fit for his love as the following lines say "A fitter love for me" also assuring that he still probably has feelings for her and is still in love with that person.

    3. So, to one neutral thing both sexes fit. We die and rise the same, and prove

      Putting both into one view regardless of their genders and also mentioning that we all "rise' in this world the same way and will one day die or fall too

    4. .

      I really enjoyed reading John Dunne's poetry. I knew the main themes were about love and religion, but to understand a lot of the poems, I had to research the symbols and word meanings associated with each poem. It was hard to find the true meaning of the poems if I didn't close-read and analyze them, and even then, the meanings are up to interpretation. My favorite poem was "A Valediction Forbidding Mourning," as it really showed how time spent away from someone can help you appreciate them more. The poems weren't clear-cut and dry, but overall, as a poetry fan, they were still enjoyable to read.

    5. .

      I enjoyed the philosophical ideas brought into this poetry, specifically in The Flea. It brings up some metaphysical questions as to our innate match or soul mate as our blood is held and mixed together within a flea. This wasn't the easiest poetry to understand though. There were several poems that I did not understand at all and some that I thought to be contradictory of a prior poem. However, it is totally possible that I just misunderstood one or the other. I do have a great respect for poets though. Making the syllable count match and rhyming the ending word is very difficult.

    6. Alas ! alas ! who’s injured by my love? What merchant’s ships have my sighs drown’d? Who says my tears have overflow’d his ground? When did my colds a forward spring remove? When did the heats which my veins fill Add one more to the plaguy bill? Soldiers find wars, and lawyers find out still Litigious men, which quarrels move, Though she and I do love.

      What harm is done by my love? None are injured, ships don't sink, tears don't flood grounds, (something that makes me think of groundhog day), blood is not blocked (no heart attacks or strokes), wars are still fought, men still become criminals even though we love.

    7. Her who still weeps with spongy eyes, And her who is dry cork, and never cries. I can love her, and her, and you, and you ; I can love any, so she be not true

      He can love all types of women: emotional, cold, any and all.

    8. .

      These poems are fascinating and beautiful. I like his use of imagery, paradoxes, ironies, and metaphors in various songs and sonnets. Among them I particularly like "The Relic" and "Death Be Not Proud" (Sonnet 10), in which Donne addresses the theme of death, because how he deals with this theme is quite different in each poem. It's also interesting that he often has different attitudes toward love and uses different metaphors to describe love. For example, in "A Valediction Forbidding Mourning," he compares his lover to a compass, and depicts that no matter how far they're from each other, they're always connected through their love.

      "If they be two, they are two so As stiff twin compasses are two; Thy soul, the fix’d foot, makes no show To move, but doth, if th’ other do."

    9. If they be two, they are two so As stiff twin compasses are two ; Thy soul, the fix’d foot, makes no show To move, but doth, if th’ other do.

      Interesting! He compares their love to dying old men, earthquakes, stars, gold, and a compass.

    10. A Selection of Holy Sonnets

      The Holy Sonnets are a series of nineteen poems by the John Donne. The sonnets were first published in 1633—two years after Donne's death. The poems are sonnets and are predominantly in the style and form prescribed by Renaissance Italian poet Petrarch (or Francesco Petrarca) (1304–1374) in which the sonnet consisted of two quatrains (four-line stanzas) and a sestet (a six-line stanza).

    11. Who thought that this device might be some way To make their souls at the last busy day Meet at this grave, and make a little stay?

      Referring to the day of judgement, people need all their body parts to get into heaven/hell, if he has some of her hair they'll need to meet so she'll have all her parts.

    12. I will give you There to another friend, whom we shall find As glad to have my body as my mind.

      In London, he would give his heart to such friends as would be glad to have his body as well as his mind. True love relationship is both of the body and the spirit. It is only such relationship that gives satisfaction.

    13. What I will say, I will not tell thee now, Lest that preserve thee ; and since my love is spent, I’d rather thou shouldst painfully repent, Than by my threatenings rest still innocent.

      He no longer loves her and, therefore, does not pity her. He wishes that she should suffer deep anguish and repent.

    14. And thee, feign’d vestal, in worse arms shall see : Then thy sick taper will begin to wink, And he, whose thou art then, being tired before, Will, if thou stir, or pinch to wake him, think Thou call’st for more, And, in false sleep, will from thee shrink : And then, poor aspen wretch, neglected thou Bathed in a cold quicksilver sweat wilt lie, A verier ghost than I.

      The speaker says when she would find another man asleep and shrinking away from her, she would be left trembling miserably, like an aspen leaf (i.e., the poor, miserable woman, who trembles with fear like a leaf of the Aspen tree. The leave of the aspen is so thin that it shakes even when there seems to be no wind). She would lie there neglected by her lover.

    15. WHEN by thy scorn, O murd’ress, I am dead, And that thou thinkst thee free From all solicitation from me, Then shall my ghost come to thy bed,

      The speaker tells his lover that when he is killed by her scorn and rejection; his ghost would appear to her in her bedroom. Love turns into hatred?

    16. For thee, thou need’st no such deceit, For thou thyself art thine own bait : That fish, that is not catch’d thereby, Alas ! is wiser far than I.

      The speaker compares himself and his lover to fish. He tells his love to join him in the river and not be caught by other hooks and nets. Then he goes on to say that love is the bait and fish who aren't caught by it are smarter than him.

    17. Oft a flood Have we two wept, and so Drown’d the whole world, us two ; oft did we grow, To be two chaoses, when we did show Care to aught else ; and often absences Withdrew our souls, and made us carcasses.

      The speaker is saying that often, so many times in the past he and his love wept together and almost drowned themselves and the world in their tears. This echoes a similar metaphor in A Valediction of Weeping.

    18. STAY, O sweet, and do not rise ; The light that shines comes from thine eyes ;

      The speaker is comparing his lover to the sun. Both rise when the night is over. He does not want his lover to rise, because it means his time with her is over.

    19. Our ease, our thrift, our honour, and our day, Shall we for this vain bubble’s shadow pay?

      Lovers should not use their savings, their honor, their youth and vitality in sexual indulgence, the pleasure of which is as fleeting as the shadows cast by bubbles.

    20. O ! ’tis imposture all ; And as no chemic yet th’ elixir got, But glorifies his pregnant pot, If by the way to him befall Some odoriferous thing, or medicinal,

      He mocks the practice of Alchemy, which was already discredited.

    21. But come bad chance, And we join to it our strength, And we teach it art and length, Itself o’er us to advance.

      Although we can't lengthen or recall time, we are able to make the best of bad situations. So although we seem weak, we can take all our bad circumstances and make ourselves stronger.

    22. Some that have deeper digg’d love’s mine than I, Say, where his centric happiness doth lie. I have loved, and got, and told, But should I love, get, tell, till I were old, I should not find that hidden mystery.

      The speaker says those who have explored love to a deeper level than he has may claim to have found the "centric happiness." But though he has had experience and may continue to do so until he is old, he still wouldn’t have solved the "mystery."

    23. I can love any, so she be not true.

      He can love any kind of girl. I can't tell if this last line means "I can love them as long as they are true" or "I can love any of them because none of them are true."

    24. Then as an angel face and wings Of air, not pure as it, yet pure doth wear, So thy love may be my love’s sphere ; Just such disparity As is ‘twixt air’s and angels’ purity, ‘Twixt women’s love, and men’s, will ever be.

      He seems to have come to a resolution. And he wishes to be encircled with his love.

    25. Thy every hair for love to work upon Is much too much ; some fitter must be sought ; For, nor in nothing, nor in things Extreme, and scattering bright, can love inhere

      These lines tell us how love cannot be sustained in extremities.

    26. Then you have done a braver thing Than all the Worthies did ; And a braver thence will spring, Which is, to keep that hid.

      It is brave to love a woman and make it known, because it makes you vulnerable.

    27. Whilst thus to ballast love I thought, And so more steadily to have gone, With wares which would sink admiration, I saw I had love’s pinnace overfraught

      The speaker contemplates his earlier decision to confine love to the physical realm. He realizes his mistake as he feels love being overwhelmed by the realm of sensuality and superficiality.

    28. And therefore what thou wert, and who, I bid Love ask, and now That it assume thy body, I allow, And fix itself in thy lip, eye, and brow

      These lines deal with the speaker's realization that love cannot be abstract. It has to take a form, a shape in order to be actualized.

    29. But since my soul, whose child love is, Takes limbs of flesh, and else could nothing do, More subtle than the parent is Love must not be, but take a body too ;

      He says since love is essentially the child of the soul, it has to take a form, like a soul does.

    30. TWICE or thrice had I loved thee, Before I knew thy face or name ; So in a voice, so in a shapeless flame Angels affect us oft, and worshipp’d be. Still when, to where thou wert, I came, Some lovely glorious nothing did I see.

      The speaker compares love and his beloved to angels. He says that love is similar to angels. It's formless and shapeless, yet its presence is tangible enough to make us feel its existence.

    31. My face in thine eye, thine in mine appears, And true plain hearts do in the faces rest ;

      The speaker can only see his lover, and likewise, his lover can only see him. The are at peace with eachother.

    32. Worthies

      Refers to a medieval legend about the individuals who represent the epitome of courage. They included three Jews, identified as Joshua, David, and Judas Maccabeus; three pagans, identified as Hector, Alexander, and Julius Caesar; and three Christians, identified as Arthur, Charlemagne, and Godfrey of Bouillon.

    33. Venus heard me sigh this song ; And by love’s sweetest part, variety, she swore, She heard not this till now ; and that it should be so no more. She went, examined

      The speaker announces that Venus, the goddess of secular love, overheard him speaking and declared that she had never before heard anything similar.

    34. CANONIZATION

      Canonization is the act by which a Christian church declares that a person who has died was a saint, upon which declaration the person is included in the list of recognized saints, called the "canon". Originally, a person was recognized as a saint without any formal process.

    35. I CAN love both fair and brown ; Her whom abundance melts, and her whom want betrays ; Her who loves loneness best, and her who masks and plays ; Her whom the country form’d, and whom the town ; Her who believes, and her who tries ; Her who still weeps with spongy eyes, And her who is dry cork, and never cries.

      The speaker begins his song by boasting about and listing all the types of women he is capable of loving.

    36. She’s all states, and all princes I ; Nothing else is ; Princes do but play us ; compared to this, All honour’s mimic, all wealth alchemy. Thou, Sun, art half as happy as we, In that the world’s contracted thus ;

      Plenty of punctuation bring energy and emotion to the speaker's voice.

    37. If thou be’st born to strange sights, Things invisible to see, Ride ten thousand days and nights, Till age snow white hairs on thee,

      If you're born to achieve such impossibilities, to see strange things and invisible sights, then ride for ten thousand days and nights until your hair turns white with age.

    38. Teach me to hear mermaids singing, Or to keep off envy’s stinging, And find What wind Serves to advance an honest mind.

      Teach me how to hear the song of the mermaid; how to not be envious; and what helps to better an honest mind.

    1. Studies serve for delight, for ornament and for ability

      he states that these are the three main purposes of studies including studying for the fun of it because it makes you happy, studying for the ornamenting of one's life, and studying to improve one's ability

    2. MASQUES

      according to wikipedia: "A masque involved music and dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron.”

    3. the good be not taken away with the bad, which commonly is done when the people is the reformer.

      meaning good forms and rules of religion should not be spoiled along with the bad ones. This is why Bacon feels that superstition is more deceiving than atheism and he'd much rather prefer atheism.

    4. It were better to have no opinion of God at all than such an opinion as is unworthy of him; for the one is unbelief, the other is contumely; and certainly superstition is the reproach of the Deity.

      he prefers atheism to superstition

    5. Illi mors gravis incubat, qui notus nimis omnibus, ignotus moritur sibi.

      Means: Death presses heavily on that man who, being but too well known to others, dies in ignorance of himself. Unfortunately, as sad as this is, I feel like this is very relate able to the real world we live in!

    6. Certainly great persons had need to borrow other men’s opinions to think themselves happy; for if they judge by their own feeling, they cannot find it: but if they think with themselves what other men think of them, and that other men would fain be as they are, then they are happy as it were by report, when, perhaps, they find the contrary within; for they are the first that find their own griefs, though they be the last that find their own faults

      men shouldn't listen to how other people think of them because it will affect their behavior and how they will think of themselves.

    7. It is a strange desire to seek power and to lose liberty; or to seek power over others, and to lose power over a man’s self.

      their goal to seek power will in turn lead to losing control of themselves and possibly be their downfall.

    8. A single life doth well with churchmen, for charity will hardly water the ground where it must first fill a pool.

      single men are wanted by the church because they can be generous with their money whereas a married man will be responsible for providing for his family first

    9. that mixture of falsehood is like alloy in coin of gold and silver, which may make the metal work the better, but it embaseth it.

      This is a neat analogy comparing lying to the alloy in a coin in which it makes the metal work better but causes it to lose it's value just as lying does to the truth.

    10. But it is not the lie that passeth through the mind, but the lie that sinketh in, and settleth in it, that doth the hurt, such as we spake of before.

      I love this. As she said earlier, there is no pleasure in lying and here she says its not the lie that's the painful part but the part where the lie sinks in your mind and settles there leaving it to seep in your thoughts.