Be professiona
How dare they.
Be professiona
How dare they.
were the more radical younger people, determined to fight it out. It
as always? I wonder what the world could look like if we stopped throwing in the towel so that future generations don't feel compelled to tackle everything everywhere and by all means necessary...
The soggy ground was not anticipated
This is why we need trans-disciplinary design teams heh.
without actually having the free organization of
didn't they JUST say that they were impressed/surprised at people's ability to self-organize and create spaces from a module?
We would leave our notes up along with working maps.
for the Feds??? Nice.
Well we were charged with all the things th
sounds like a GREAT studio project if you ask me...
support for democracy ran high
regional military-dictatorships backed by the U.S. will do that to ya!
created a potent mix
AND forced mass voting/voting is a mandatory tenet in most (?) Latinamerican societies.
id they instead lay bare the mark-ings of a different vision of democratic citizenship
yes.
Critically, the Black geography of the plantation over-laid the dominant layout and infused it with other kinds of spiritual and socialsignificance
reads like radical trace paper
choked
nice visual, site lies in the intersection of many systems (petrol agriculture, suburbia, water provides recreation and food, etc)
The point is that everydaypractice troubled stark distinctions between secular and sacred beliefs and obli-gations.
What a simple example of a new concept: waywardness
imagining otherwise
THERE it is!
Making new narratives entails a creativepractice untethered or indifferent to the rules of the historical guild, and directedby the assembly, the ensemble, the multitude, the chorus
interesting use of the metaphor "chorus"; the OG choir of greek tragedies were seen as mediators of the gods' messages (depicted on stage) while also acting as the literal voice of the audience/people. Simply put, they would sing to the mostly illiterate crowd what to make of the events unfolding in front of them ("OEDIPUS IS VERY UPSET Y'ALL!")
histories that no history book can tell,
future elective title?
how was thisdifferent than the rhythm and the tenor
the first section of this essay is so synesthetic; we're visualizing circles, intimacy, hearing sounds, etc
rather by engaging withextant archival materials critically and creatively
Hartman might've taught me more about research methodology that excites me than other courses...
living with them for so long
quite beautiful to read; maybe instead of research, the action verb should be "to live" with these folks that are telling us stories that we then...interpret? showcase? I've never thought of a "primary source" as intimately as this.
a palimpsest
ok, NOW I'm paying attention ;)
mobile fugiti:es
The theme of mobility stands out in this reading, or more specifically, the freedom that might come with mobility (social mobility of the working class, physical mobility of the "masterless", etc)
entrepo
"a port, city, or other center to which goods are brought for import and export, and for collection and distribution."
These framings tend to depict Black people either as equal partners in ecological destruction or simply as victims of extraction
one hell of an epiphany via this sentence! So good.
The Western epistemology of “tam-ing” nature for the sake of commerce
An organic evolution from the Nehemiah's Ark cultural sentiment of early settlement USA? J.B. Jackson's "Westward Moving House" posits the idea of taming the wilderness (evil, demonic) via holy order and fences (?). Complement that with agriculture, and you get...
ruptured fundamental senses of belonging, collectivity, and community.
is it now the same via the Petrochemical Lower Miss. Delta?
is always subject to violation and destruc-tion.
Ties back a bit to our previous reading's ideas re: poor people's alleged lack of design aesthetic and/or the ways The Single Family Housing Model does not let others fit into its specific mold. Then, through words like shanty towns, these folks are Othered via semantics; these sheds can't possibly be people's homes (they are) and thus the collective consciousness/morality will not care when they get bulldozed yet again (we don't?).
where one could resist.
Love this.
They were black women who for the most part worked outside the home
Is what we would call "domestic life" an escape for folks whose life outside their home/house means hardship, oppression, racism? I think that the freedom to create safety had to be found (and offered) within their homes, their porches, their gardens.
Overload day:
As a former high school teacher, this is so so so important. Thank you Irene, for setting this radical but so necessary precedent.
Negotiating Domesticity : Spatial Productions of Gender in Modern Architecture. London
When should spatial designers tackle this kind of negotiation? The design of spaces with equity and justice in mind must embrace difference and gendered/coded spaces are not that by default. I wonder: when we design spaces that are meant to be inclusive and equitable, do we design them thinking that they'll be embracing of our differences? Or do we design thinking that a space of equality should be a space where everyone can experience it in the same way?
“Architecture is Burning: An Urbanism of Queer Kinship in Ballroom Culture,”
It's exciting to read all of these words in quick succession. I'm very interested in the intersection of queerness/otherness + spatial design. It's an intersection that hasn't been explored in my academic design education as much (at all).
One of the big take-aways from a course I took last semester (The Intersectional City, taught by Robyn Reed, Landscape faculty) was the phrase difference is accommodated as long as it's kept out of site (from Queers in a (Single-Family) Space), and this reading's title just resonates in that regard.