30 Matching Annotations
  1. Apr 2022
    1. were the more radical younger people, determined to fight it out. It

      as always? I wonder what the world could look like if we stopped throwing in the towel so that future generations don't feel compelled to tackle everything everywhere and by all means necessary...

    2. without actually having the free organization of

      didn't they JUST say that they were impressed/surprised at people's ability to self-organize and create spaces from a module?

  2. Feb 2022
    1. Critically, the Black geography of the plantation over-laid the dominant layout and infused it with other kinds of spiritual and socialsignificance

      reads like radical trace paper

  3. Jan 2022
    1. The point is that everydaypractice troubled stark distinctions between secular and sacred beliefs and obli-gations.

      What a simple example of a new concept: waywardness

    2. Making new narratives entails a creativepractice untethered or indifferent to the rules of the historical guild, and directedby the assembly, the ensemble, the multitude, the chorus

      interesting use of the metaphor "chorus"; the OG choir of greek tragedies were seen as mediators of the gods' messages (depicted on stage) while also acting as the literal voice of the audience/people. Simply put, they would sing to the mostly illiterate crowd what to make of the events unfolding in front of them ("OEDIPUS IS VERY UPSET Y'ALL!")

    3. how was thisdifferent than the rhythm and the tenor

      the first section of this essay is so synesthetic; we're visualizing circles, intimacy, hearing sounds, etc

    4. rather by engaging withextant archival materials critically and creatively

      Hartman might've taught me more about research methodology that excites me than other courses...

    5. living with them for so long

      quite beautiful to read; maybe instead of research, the action verb should be "to live" with these folks that are telling us stories that we then...interpret? showcase? I've never thought of a "primary source" as intimately as this.

    1. mobile fugiti:es

      The theme of mobility stands out in this reading, or more specifically, the freedom that might come with mobility (social mobility of the working class, physical mobility of the "masterless", etc)

  4. Aug 2021
    1. These framings tend to depict Black people either as equal partners in ecological destruction or simply as victims of extraction

      one hell of an epiphany via this sentence! So good.

    2. The Western epistemology of “tam-ing” nature for the sake of commerce

      An organic evolution from the Nehemiah's Ark cultural sentiment of early settlement USA? J.B. Jackson's "Westward Moving House" posits the idea of taming the wilderness (evil, demonic) via holy order and fences (?). Complement that with agriculture, and you get...

    1. is always subject to violation and destruc-tion.

      Ties back a bit to our previous reading's ideas re: poor people's alleged lack of design aesthetic and/or the ways The Single Family Housing Model does not let others fit into its specific mold. Then, through words like shanty towns, these folks are Othered via semantics; these sheds can't possibly be people's homes (they are) and thus the collective consciousness/morality will not care when they get bulldozed yet again (we don't?).

    2. They were black women who for the most part worked outside the home

      Is what we would call "domestic life" an escape for folks whose life outside their home/house means hardship, oppression, racism? I think that the freedom to create safety had to be found (and offered) within their homes, their porches, their gardens.

    1. Negotiating Domesticity : Spatial Productions of Gender in Modern Architecture. London

      When should spatial designers tackle this kind of negotiation? The design of spaces with equity and justice in mind must embrace difference and gendered/coded spaces are not that by default. I wonder: when we design spaces that are meant to be inclusive and equitable, do we design them thinking that they'll be embracing of our differences? Or do we design thinking that a space of equality should be a space where everyone can experience it in the same way?

    2. “Architecture is Burning: An Urbanism of Queer Kinship in Ballroom Culture,”

      It's exciting to read all of these words in quick succession. I'm very interested in the intersection of queerness/otherness + spatial design. It's an intersection that hasn't been explored in my academic design education as much (at all).

      One of the big take-aways from a course I took last semester (The Intersectional City, taught by Robyn Reed, Landscape faculty) was the phrase difference is accommodated as long as it's kept out of site (from Queers in a (Single-Family) Space), and this reading's title just resonates in that regard.