1 Matching Annotations
- Dec 2019
She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and her pale and distorted features half covered by her hair.
Shelley most likely drew this scene from Henry Fuseli's painting The Nightmare. See Anne Mellor, Mary Shelley: Her Life, Her Fiction, Her Monsters (New York: Routledge, 1988), p. 121.