non-conscious cognition
for - definition - non-conscious cognition - adjacency - non-conscious cognition - Michael Levin - goal seeking activity - adjacency - Michael Levin - N. Katherine Hayles
non-conscious cognition
for - definition - non-conscious cognition - adjacency - non-conscious cognition - Michael Levin - goal seeking activity - adjacency - Michael Levin - N. Katherine Hayles
Katherine Hayles' concept of "distributed cognition"
for - definition - distributed cognition - to - article - N. Katherine Hayles: “We need a more comprehensive view of cognition” - https://hyp.is/Jc98ArsHEfClKP-8MkzNoA/lab.cccb.org/en/katherine-hayles-we-need-a-more-comprehensive-view-of-cognition/ -
technotext
As a term, performative publications have a lot in common with Katherine Hayles’s concept ‘technotexts’. In her book Writing Machines (itself a technotext, beautifully designed by Anne Burdick in a hybrid print and ‘webtake’ version) Hayles introduces the term technotext as an relative and alternative to concepts such as hypertext and cybertext. She defines a technotext as something that comes about ‘when a literary work interrogates the inscription technology that produces it’ (Hayles 2002, 25) and elsewhere as ‘a book that embodies its own critical concepts (Hayles 2002, 140)’. In Writing Machines Hayles then goes on to analyse 3 technotexts, Talan Memmott’s work of electronic literature Lexia to Perplexia (2000), Tom Phillips artist’s book A Humument (1970), and Mark Z. Danielewski’s novel House of Leaves (2000).

technotext
As a term, performative publications have a lot in common with Katherine Hayles’s concept ‘technotexts’. In her book Writing Machines (itself a technotext, beautifully designed by Anne Burdick in a hybrid print and ‘webtake’ version) Hayles introduces the term technotext as an relative and alternative to concepts such as hypertext and cybertext. She defines a technotext as something that comes about ‘when a literary work interrogates the inscription technology that produces it’ (Hayles 2002, 25) and elsewhere as ‘a book that embodies its own critical concepts (Hayles 2002, 140)’. In Writing Machines Hayles then goes on to analyse 3 technotexts, Talan Memmott’s work of electronic literature Lexia to Perplexia (2000), Tom Phillips artist’s book A Humument (1970), and Mark Z. Danielewski’s novel House of Leaves (2000).

Claudia Müller-Birn differenziert in ihrem Vortrag als "types of scholarly reading":
und bezieht sich damit auf N. Katherine Hayles vgl. Beyond reading in print – “close reading” vs “hyper reading”. In: Communication Mediated. 28.08.2013