There was an interesting discussion between a scholar named Peter Espeut & Earl "Chinna" Smith about the beat of this song during the Jamaica Musical Passage Workshop (starting about 10:20 in the video below)

https://youtu.be/o9_B23_gAoo

Scholars have long debated how to best interpret the meaning of African ethnic terms as used in the Caribbean and the Americas more broadly. One of our questions is whether these songs can actually give us a better understanding of what "Koromanti" meant as a term in seventeenth century Jamaica. How might we read back from the music? What does the fact that three songs that are so different are all called "Koromanti" signify about the term and its meaning at the time?