It’s just up to making sure you work as well with the art as you can, and with the story, to build up the right amount of emotions that people should be feeling.

But with certain contrasts, like pushing the background back, and then, through blood, basically bringing you through from panel to panel, and then maybe putting blue in the background or something of another panel, you’re really flowing through the violence of the scene by using these key colors, these narrative colors that are very, very instrumental