20 Matching Annotations
  1. Jul 2018
    1. How do we understand such mosaictime in terms of striving for balance? Temporal units are rarely single-purpose and their boundaries and dependencies are often implicit. What sociotemporal values should we be honoring? How can we account for time that fits on neither side of a scale? How might scholarship rethink balance or efficiency with different forms of accounting, with attention to institutions as well as individuals?

      Design implication: What heuristics are involved in the lived experience and conflicts between temporal logic and porous time?

    2. Our rendering of porous time imagines a newperspective on time, in whichthe dominant temporal logic expandsbeyond ideals of control and mastery to include navigation(with or without conscious attention) of that which cannot be gridded or managed: the temporal trails, multiple interests, misaligned rhythms and expectations of others.

      Design implication: How to mesh temporal logic with porous time realities?

    3. Taken together, an orientation to time as spectral, mosaic, rhythmic (dissonant),and obligatedsuggestsa possible alternate understanding of what time is and how it can work.An initial typology ofporous time honors the fluidity of time and its unexpected shifts; it also acknowledges novel integrations of time in everyday practice. Addressingthese alternate temporal realities allows us to build on CSCW’s legacy of related research to questionthereach and scope of thedominant temporal logic.

      Description of porous time and its elements as an extension of CSCW literature on temporal logic.

    4. In contrast to the assumption oftime as linear, with ordered chunks progressing ina straightforward manner, people often negotiate time rhythmically, arranging timein patterns and tempos that do not always co-exist harmoniously. In line with earlier CSCW findings [e.g., 4, 9, 45, 46], we term thisrhythmic time, which acknowledges both the rhythmic nature of temporal experience as well a potential disorderliness or ‘dissonance’ when temporal rhythms conflict.Like mosaic time, bringing dissonant rhythms into semi-alignment requires adaptation, work, and patience.

      Rhythmic time definition. Counters the idea of linear time.

      How does this fit (or not) with Reddy's notion of temporal rhythms?

    5. Thinking abouttime as mosaic raises numerous questionsabout:when the mosaic is and is not obvious; what forms of interaction (or tiles) are given priority in any one moment; what skillsareneeded to engage in mosaic time with more or less effort; and what the effects of mosaic timeareon concentration, stress, and affect. Mosaic time appears mostsuccessful when people engage in attention switching in order to enact multiple social roles at once.

      Design implication: How to accommodate mosaic time needs?

      How to even prompt users to more effectively switch to mosaic time when appropriate?

    6. By mosaic, we mean that time is often simultaneouslyinhabited by multiple types of interaction that are forced to form a coherent whole. Unlikeconcepts like multi-tasking(doing multiple tasks ‘at once’) or polychronicity(a reported preference for doing multiple tasks at once) [44], mosaic timerefers to the negotiated merging of multiple social spheres into a layered or fitted set of simultaneous interactions

      Definition of mosaic time. Counters the idea (ideal?) of single purpose time.

      Is negotiated not imposed.

      Does not include multitasking or polychronicity.

    7. Our data reveal that not every temporal experience is easily articulated, planned for, measurable orable to be renderedinto a schedule.We call these temporal experiences spectral time,to capture howtime trailsor ghostsin ways that cannot always be expected, planned, or accounted for.Spectral time referencesmoments that do not lend themselves to scheduling(i.e. chunking), either because the act seems toomundane to justify articulation (i.e., getting dressed), because it is difficult to assess (i.e., travel time) or simply because it cannot be anticipated (i.e., creative phases).

      Definition and examples of spectral time -- or time that can't easily be accounted/planned for.

      Counters the idea that time is chunkable.

    8. One of the ways that a temporal logic becomesvisible for analysis and critique is through the tensions that emerge when its assumptions and norms do not align with daily experience. In our collective fieldwork we have observedmultiple examples of mundane dailypractices coming into conflict withthe logic that time is, or should be, chunk-able, singular purpose, linear, and/or owned.These tensionshelp bring to the fore the extent of the dominant temporal logic and showcase the inadequacy of this narrow set of assumptions to fully describetemporal experiences.

      This section of the paper focuses on tensions in temporal logic that lead to the new typology of "porous time".

      These tensions give rise to conflicts in how people's activities don't align with the logic of how they should/could allot, manage and/or own their time.

      "The road to hell is paved with good intentions and bad calendaring?"

    9. Interrogating the temporal logic of circumscribed time raises three related sociotemporal concerns particularly relevant to CSCW: lived experience, visions of success, and power relations. We address each concernin relation to key theoretical works to showhow the insights presented here both point tothe limitations of the dominant temporal logic of circumscribed time and demandexpanding this logic to include those orientations suggested by porous time.

      3 sociotemporal concerns that help bridge circumscribed and porous time: lived experience, visions of success and power relations.

    10. The temporal logic of circumscribed time falls short of describing, let alone organizing, the complex temporalities that govern American lives today. As an expansion of the dominant logic, porous time aims toprovide a more nuanced account of howtemporality shapes interactions among people, technologies, and the

      The tension between circumscribed and porous time leads to control-seeking and a need to adapt to the "fluidities of time".

      This tension serves up different coping mechanisms, such as: metaphors, time representations, design challenges, routines, need for self-reflection, quantification via scheduling, data collection, technical solutions, predictive models, etc.

    1. Timing as a

      Could the multiple temporalities that symbolize importance account for a source of tension between always online volunteers and those who show up for random periods of time?

      Deployments have fixed time periods for data collection but no scheduling mechanisms for volunteers. Does this create a source of friction when there is no mechanism to signal social intent or meaning?

      How does this problem get reflected in Reddy's TRH model or Mazmanian's porous time idea?

      How can you manage social coordination of rhythms/horizons when there is no signal to convey intent/commitment?

      What part of the SBTF social coordination is spectral, mosaic, rhythmic and/or obligated? And when is it not?