This is the only piece that we have interpreted with an mbira, and indeed the only one we have interpreted on a non-stringed instrument. What other instruments might be used to interpret this or other pieces, and how might that change how we think of the songs?

You can listen the interpretation of the song (based on the Fretless Banjo version, not the mbira) by musicians in Jamaica on our SoundCloud page:

https://soundcloud.com/user-936125144/papa-recording-from-jamaica-musical-passage-workshop

& watch the same performance here:

https://youtu.be/lIBVYj3LJYo