Black girls are still being depicted on pornographic websites, dehumanized and treated as mere products and objects of sexual desire. This is so inhuman and not appropriate to treat people as such based on their skin tone.

The goal with #transformDH was to steer digital humanities towards radical traditions, as well as to engage with critical scholarship in new media studies by scholars like Wendy Chun, Lisa Nakamura, Anna Everett, Tara Mcpherson, and others. These works examine the political dimensions of digital forces and how hardware and software shape our academic pursuits.

I believe this is the prime focal point for investigating the division emphasized by Drucker and McGann because the Digital entities, grounded in materially, stand in contrast to the intangible rational concepts that underpin traditional humanities discourse. This dichotomy highlights the inherent opposition between tangible digital objects and the abstract principles of traditional humanistic study.

The statement underscores the significance of critical digital humanities in not viewing computers as unquestionable sources of truth and in not letting technical challenges determine the direction inquiry. It stresses the need for maintaining a critical outlook on technology and infrastructure to uphold broader intellectual and ethical considerations within digital humanities research.

The purpose of of introducing a critical digital humanities approach here isn't to prescribe a fixed method. Instead, it's to kickstart a conversation about the multitude of approaches within this field. More specifically, it aims to delve into different concepts associated with 'digital humanities' and the broader trend of software integration in humanities scholarship.