ing scenes and incorporating diverse sets of characters, telling grandiose stories with the stroke of his brush. His most famous work is undoubtedly The March of Progress—that often satirized timeline of human evolution in which a knuckle-walking ape gradually morphs into a spear-carrying man. More people have probably come to understand, or misunderstand, the theory of evolution through that one image than through all of the textbooks, school lectures, and museum exhibits the world over. But before he was painting humans, Zallinger was obsessed
something about dinosaurs. rawwwwwwr.