29 Matching Annotations
  1. May 2023
    1. The main goal is not making ‘perfect photocopies,’ but making diverse and selective hybrids,”

      to what end?

      what is the purpose - or it this just a grown-up version of a 1960's kids' chemistry lab kit?

      Shouldn't we be able to articulate more tangible, pragmatic goals for the prospect of inaugurating new species into existence? Is this really a worthwhile expenditure of time and resources - or do we need to seriously acknowledge this as a bit of sci-fi vanity, a desire to do 'just for fun' and without regard for the things that we aren't doing in its stead.

    2. several potential surrogate species

      the use of the term 'surrogate' is intellectually mis-leading as it infers that the animal is simply acting as a vessel of germination, an living body in which the articifially generate zygote can be incubated to full-term development.

      In reality, the surrogate is not a passive piece of equipment used to conduct the experiment; it is an essential contributor to the experiment - it is one of the 'ingredients; and thereby donates its own genetic variability as part of the ad-mixture.

      The surrogate is not a neutral carrier and thereby changes the nature of the hypothesized outcome. the target special is not being made 'de-extinct' - it is being re-engineered.

      And as those of you with a gothic sense of irony can attest, the ethical landmines of this venture were anticipated and debated long ago in the literary metaphor of Frankenstein.

    3. The work “shows both how wonderfully close—and yet—how devastatingly far” scientists are from being able to bring back extinct species by genetically transforming a close relative in what’s called “de-extinction,”

      de-extinction is not an accurate inscription because the species hypothetically generated does not proceed from a purity of original genetics - it is spliced with related genomics of a modern animal

      Regardless of the argument of phyllo-genetics alignment, this creature is necessarily a new species - as it is the sum of the addition of two distinct parts.

      It is not a faithful recreation nor it is it a facsimili of a reasonably anticipated evolutionary progression.

      It is an intentionally intervention, deliberately and arbitrarily merging of two species that may share ancestorial relativity but that have never existed in the geological or evolutionary landscape in proximity to one another.

      It is genetically speculative and therefore, the tern de-extinction is a mis-nomer.

      A better phrasal coinage would be 'in-stinction' - the innovation of special genetic pro-cursor to a simulative spec-ial lineage.

    1. the fat villain Fatback harrumphed, “I hate anything new!! … If those things aren’t exterminated, I’ll have to change my way of life—and I hate change!!”

      so then - it the ultimate inference that Capp's comic satire was a visual representation of a societal longing for the 'good ole' days' - yet another romanticization of dusty, half-remembrances of tenacious historical artifacts, the very things that contemporaries tried to distance from, but that future generations resurrect and rehabilitate in an ill-begotten and illogical effort to repudiate the forward march of time and the inevitability of constant and continual innovation.

    2. Once again, Al Capp was warping and mocking a kind of white Negro—but this time it was white middle-class kids who consciously tried to be culturally black.

      An interesting take but one that I find less relatable from my post-colonial 'settler' Canadian cultural milieu

    3. curious Gallic tendency to see buffoons like Jerry Lewis and Mickey Rourke as avatars of a noble American savagery

      sigh its truths such as this that makes me somewhat genealogically embarrassed

    4. Capp’s use of an American vernacular is, in itself, an ‘affront’ to the social order, and has strong egalitarian implications

      The problem with bemoaning this trope is that, in reality, there are myriad pockets of the North American population that literally correlate to many of these espoused characteristics - I personally come from a family rooted in rural New Brunswick, with ancestral connections to settlers that landed at various points along the Eastern seaboard and all drawing descent from the hills and rural areas of mostly Scotland but Ireland, Wales and norther England too. There is a distinct vernacular, an identifiable accent, a commonality of folklore and values packed into the steamer trunks that escorted their progenitors' passage to the New World, wherein the vast and various isolated, yet periphorally connected, diaspora gradually customized (basterdized) to suit their more specially environmental niches.

      While I was raised external to the heart of my particular ancesteral perculiarities, I am well aware that I still am steeped in and am the direct product of this isolated cauldron, that in my tired or excitable moments, a discernaible accent sleps into my vocal cadence and a subtle peppering of quaint and geographically iconic jargon creeps into my syntax.

      And yes, there is a degree of 'ignorance' - not in a perjorative sense but rather in the sense that most choose to remain connected to the geogrpahically homestead and limit their formal or further education accordingly. There are even slight whispers of the more antipodal position of 'suspicion' against those who separate from the familial 'roots' to pursue life in the wider landscape, encapuslated in folksy pronouncements 'Her head is so far in the books, she's lost her common sense' or "Now he's got soft hands"

    5. For Capp’s 1953 book, The World of Li’l Abner, John Steinbeck

      Whether one agrees with the assertion or not, what is of note here is that mainstream 'writing' is openly acknowledging cartooning as valid literature, with its own intellectual gravitas

    6. Li’l Abner’s picaresque adventures

      The picaresque novel (Spanish: picaresca, from pícaro, for "rogue" or "rascal") is a genre of prose fiction. It depicts the adventures of a roguish but "appealing hero", usually of low social class, who lives by his wits in a corrupt society.[1] Picaresque novels typically adopt a realistic style. There are often some elements of comedy and satire. https://en.wikipedia.org/wiki/Picaresque_novel

    7. won out in the end by virtue of his stupidity, naiveté, and deep faith in the red, white, and blue

      the foreshadows the colloquial meme of the 'Trumpists" that emerged during Trump's 2016 campaign and which fully coalesced upon the reflexive populist response to Hilary Clinton's characterization of the demographics as the 'deplorables'

    8. Capp’s idjit Adam and Eve hailed from the mountain hamlet of Dogpatch, U.S.A., a yokel’s Yoknapatawpha, a hillbilly Eden where all stayed poor by virtue of their inanity.

      see previous annotation

    9. as an emblem of all the lunkheads that the two coasts imagine to inhabit America’s great middle

      I would argue that the actual comic meme originates in Appalachian stereotypes of the mountain/hollow-bound hill-billy of Scots/Irish descent - an assumption further emboldened by this author's imminent description of " Capp’s idjit Adam and Eve hailed from the mountain hamlet of Dogpatch, U.S.A., a yokel’s Yoknapatawpha, a hillbilly Eden where all stayed poor by virtue of their inanity."

    10. Oddly, Theroux presents all the evidence necessary to prove this, but shrinks from drawing the obvious conclusions

      the cowardice that lurks in all authors - a position we can both empathize and eviscerate, an instinctual acknowledgement of the universal axion "there, but for the grace of god, go I"

    11. not so much a knight but a mercenary in the earliest of the culture wars

      oxymoron - knights WERE mercenaries!!!

      ergo the inherent paradox of 'represent a side' - duality is a philosophical hamster wheel of 20th century invention - not a viable actualization of the human condition. We evince a multiplicity of 'sides'; we are innately inconsistent in the application of our internal, arbitrary, and ephemeral value-systems. We can epitomize seemingly antithetical mores simultaneously without guile or perceived cognitive dissonance. Our humanity is partially defined by the rampant inconsistencies that we can spuriously and vehemently endorse at any given moment.

    12. o be sure, he was one of the culture war’s first heroes and perhaps its first casualty, but in a larger sense his story is that of the middle class’s endless fascination with the authentic, unwashed culture of the common man, of the inflated prices intellectuals will pay for cultural populism of almost any kind.

      this is quintessential cultural anthropologic observation as its most conspicuous

    13. According to Theroux, the left lost something great, something almost revolutionary, when it lost Al Capp. “Underneath [Li’l Abner’s satire] is social seriousness if not solemnity, and, if it’s not an oxymoron, almost Marxist humor,” Theroux notes. “It’s my belief that the comic strip Li’l Abner is one long fable about greed.”

      Why 'almost'? whether to purview of the 'left', and whether 'lost' or not - Capp's comedic style detonated the inception of a completely new genre of sardonic cartoon

    14. Caplin changed his name to Al Capp and began drawing hillbillies—lazy white people who were poor as dirt, dumb as dirt, and who, like their equally imaginary black counterparts, said “Shonuff.” Sure enough, the idea caught on. Al Capp struck gold in them thar hills.

      A popular trope well into the 1970s such as The Honey-Mooner's Beverly Hill Billies Green Acres All in the Family

    15. Using what we might call the wooden-leg-as-Rosebud theory

      Rosebud is a reference from Citizen Cane uttered on death bed - leaving the audience with ambiguity as to the meaning

      Excellent synopsis: https://www.theguardian.com/film/2015/apr/25/citizen-kane-rosebud characterizing Orsen's Well's cinematic rendition as a "glorious, subversive, pessimistic film"

      two dominant interpretations: (1) it references the last of the mogul's childhood innocence (2) the sleigh was his ultimate downfall

      (cite: https://www.reddit.com/r/TrueFilm/comments/3slya4/i_now_know_the_real_reason_kane_said_rosebud_only/?onetap_auto=true )

      Excellent academic analysis by Damasceno 2016 - 'Rosebud' and the 'Glass Ball' (Two Tricks to the Myth-Making of Citizen Kane) The University of North Carolina at Greensboro

      PDF: https://libres.uncg.edu/ir/uncg/f/P_Damasceno_Rosebud_and_2016.pdf

      Repository: https://libres.uncg.edu/ir/uncg/listing.aspx?id=19627

    16. Brobdingnagian lummox

      Brobdingnagian - meaning gigantic (eg a place of gigantic proportions) etymology - comes the 1726 book 'Gulliver's Travels" in reference to a fictional land called 'Brobdingnag' where everything was large

      lummox - meaning clumsy stupid person, nincompoop, ignoramus, cretin, blockhead, buffoon

    17. comfy Ivy Leaguers who rode roughshod (and bareback, naturally) over us humble commoners of the “Silent Majority.”

      why "naturally bareback' - it that a contemporaneously-accurate insinuation and if so, exactly what is the metaphorical intention?

    18. praised by liberal intellectuals, who saw Capp as a sort of populist knight-errant, the people’s own satirist, a witty warrior whose pen punctured the bloated plutocrats lording it over the downtrodden everyman

      Great phrasings: knight-errant people's own satirist witty warrior pen punctured the bloated plutocrats downtrodden everyman