A medium utilised for excapism and propaganda, the cinema was an integral part of the home front experience for most in Britain and Germany, analysis of the sort of movies produced and their reception suggesting that civilians experience of this form of 'entertainment' was more similar than first believed.
Noting that (stats), the cinema was a significant source of excapism during the war, cinema's re-opened despite fears of bombing.
monitered by the (), Britain, like Germany, saw films censorship. Nevertheless, while Germany saw hollywood films banned entirely by (), British audiences were still able to () hollwood blockbusters, (historian) noting how they reigned supreme in places like portsmouth. Nevertheless, like Germany, National productions were typically popular, the MO noting an increased desire for comedies and romances as the time went on. As such, we could possibly note how even the comparison of cinema usage notes a feeling amoung the civilians themselves - rom-coms and other escapist mediums seeing increased popularity by the end of the war, () noting implications of war weariness and a need to escape the brutality of everyday.
Interestingly however, while rom-coms gained increased prominence by the end of the war, movies encouraging debate on a new social order post-war were welcomed too. This was in great contrast to the German cinema experience, which saw Nazi ideology cleverly intertwined in film.
Films such as () prompted.
Thus, analysis of the cinema provides an interesting section of home-front experience. A significantly favoured form of entertainment, the cinema shows how many sought an hour or two of escapism in a comfy chair, such desires evidence of (blah).