True, much of Life is with People is an exercise in avoidance in its portrait of a way of life that Zborowski knew to be darker and more complex than the bright, Chagall-like hues in which he painted it. The book’s title is drawn from a chapter on the pleasures of community in a world where all knew everything about everyone else—”there are no secrets in the shtetl”—which was just the sort of place Zborowski would have deplored. Yet, embedded inside the book, too, is a story about class and status, sheyne and proste Yiden, that is probably as sincere as he would ever tell.
nonetheless this social strafication is presented using intuition and in a much more positive manner than it actually was