36 Matching Annotations
  1. Sep 2018
    1. For the moment we are having to operate within a policy environment that prizes the productive and technical.

      I would like to think there is another way. There will be boxes to tick, hoops to jump, and protocols to follow, but why can't this be the merest baseline and then the informal, the co-developed, the completely student driven be integrated as a backbone.

      An analogy: it is possible for the curriculum to provide the ground floor of a structure, and yes, it has walls and a floor, and maybe even some requisite rooms - but it is up to you (and me) whether you build a high rise tower, a castle, a series of underground tunnels, a hydroponics lab, an airport, or a ladder to the moon.

      We don't operate WITHIN a policy environment; it exists within our environment.

    2. The adoption of curriculum theory and practice

      The thought in my head is that curriculum, whether praxis, co-developed, open, still has the quality of something that you submit to, a small or large guidance-principle, shaping towards... that you agree to exist. You are on a path, or have a destination, or are part of a group endeavour. It is not only growth without markers. The markers are what people allow for.

      Sometimes it is magic to allow elements of the growth without goal into the curriculum, and if learners are allowed to reflect on and integrate this into other learning, they can take ownership of their directed learning (directed by them or others) in very new and meaningful ways.

    3. practitioners committed to praxis to be exploring their practice with their peers

      not behind closed doors. Teaching in the open. For some this is revolutionary (literally) and also a huge personal and pedagogic challenge.

      Those who breathe openness need to remember that there are others who do not understand and perhaps have never conceived of teaching in this way. (just saying there is an educational leap for teachers- and sometimes people assume teachers know the best way, or at least know what they are doing because they have thought it out. It is not always the case)

    4. Perhaps the two major things that set this apart from the model for informal education are first, the context in which the process occurs (‘particular schooling situations’); and second, the fact that teachers enter the classroom or any other formal educational setting with a more fully worked-through idea of what is about to happen. 

      I like to blend the two. Reading the page on informal education, it seems to stress learning through life. I type in my formal office, sitting on a bean bag. If in education my goal is to prepare you to go forward in a life of music - performance and education, then we should definitely include in our learning those very situations you will find. So there may be a ball gown and dinner jacket session of performance, and there will also be the travel in the car to get to the gig, and the session in the practice room. Again, it has to do with the skills, thinking, situations, and purpose of the how, what, why of learning.

    5. to the technical or productive thinking set out below.

      I had something like this in school. When I was 11 there was a group of 5 of us who were puled out and had special classes and we had lessons in critical reasoning and problem solving. Why on earth were we the only ones of a class of 60? -that's rhetorical, but not without meaning- ALL people should have the chance to learn about learning.

    6. the body of knowledge to be transmitted in the first is that classically valued as ‘the canon’; the process and praxis models come close to practical deliberation; and the technical concerns of the outcome or product model mirror elements of Aristotle’s characterization of the productive.

      ALL of this is needed. If we start to think of becoming whole learners (I was thinking of all sorts of words- self-directed, using agency, .. but it is about all the bits - and it IS necessary to know the functional facts. The canon cannot be dismissed completely, but that is not the learning. The learning happens through the doing and becoming, and sometimes there are tangible products.

      I think this might call for a blogpost.

    7. Learning is planned and guided. We have to specify in advance what we are seeking to achieve and how we are to go about it.

      I'm annotating this as a little provocation, but also to show how to use the annotation tool.

      I'd ask is learning always completely planned? and is the guiding on purpose? What if I'm exploring? I may have a goal, but not know exactly how I'm going to get there. As a teacher, I may not tell the student everything in the plan - as they may want or need a different route and I know I cannot anticipate everything.

      Guided, yes. Sometimes by chance. If I bump into something (real or metaphoric) it guides me. Whether that was intended is another story.

    8. It was, literally, a course. In Latin curriculum was a racing chariot; currere was to run.

      It is odd to think that the origins of 'curriculum' are about running when so often in learning what people need to do is to stop and think.

  2. Oct 2017
  3. Aug 2017
    1. written by Chuck, Laura, Kate, Geoffrey and me?

      One last thought, had this morning while running... is it worth putting a note at the end as to who we are? Maybe it is something you'd like to leave out, but I think there is a sort of parallel with the disparate nature of all of us, and the isolation that sometimes comes with academia (or maybe with any job?) and how we have come together... another example of different representation, equal footing, and acceptance.

    2. move tentatively move forward wondering

      commas missing here so it makes sense- I don't think the words should be edited:

      move tentatively, move forward, wondering

      gives it that tentativeness, with the pauses.. (maybe that's just me because I hear reading (spoken) in my head)

    3. We might celebrate equally small acts of kindness and ‘more important’ milestones. We might notice the slow, difficult and ‘weak’ learning quietly taking place in the cracks between the clearly defined objectives, outcomes and competencies.

      <3

    4. that

      Is it 'that' first step (of your proposing what characteristics look like) or is the article 'this' first step - of collating and contextualising within a body of research. (Amazingly well done BTW!)

      If it is 'this' first step, the the where do we go from here question makes more sense and is a direct call to others.

    5. We have drafted four themes: developing deep connections, risk-taking and caretaking, including while noticing ‘who is missing,’ and valuing without naming. We have identified similar themes in the open pedagogy literature of the 1970s, as well as a number of critical pedagogues whose work aligns with these themes. I have proposed what some of the characteristics of a ‘pedagogy of small’ might look like.

      this is your (our ! :) ) proposal of going forward. You might even consider putting the themes as numbered or bulleted points so readers can easily begin to organise, orient, and align thoughts to and with them.

    6. The YWP site supports the needs of teens feeling isolated, but Geoffrey explained that the site users are “self-selected, mostly girls, predominately white.” He was aware of the good work being done by the site to involve marginalized teens, but also clearly identified who was missing.

      I would expand on this - perhaps here with a few words, but elsewhere in terms of invitation, welcome, encouragement, and engagement. Here I'd suggest Geoffrey help- as on the site there are also others, and a cross section of teachers. What is noteworthy, is that the voices are equal of all, and the posting is colourblind/bias-blind. People are people, all with voices heard, respected, and critiqued by different people or different ages, experience, perspective - equally.

  4. Oct 2016
    1. if you are pursuing a peak, you’ll know when you’ve reached it

      I'd argue there can be flow in the achieving as well as the attainment. As a musician, for example, it is not about 'completing' the concert, but being in it. That's where - even though you are existing (and even creating) unfolding rhythm, you can get lost in space and time.

    2. After years in the profession, shouldn’t teachers eventually figure out how to get it right? Maybe not.

      so much continues to change - the students for one are always changing and that is a huge variable. What works with one may not with another

    3. they just wanted to get on

      I have experienced this and it can be incredibly frustrating to allow students to discover the links instead of insisting they see them immediately.

    1. working that technique up in advance

      I wonder if there is a continuum so when you are just setting out on an instrument, there is much more 'separate' learning, or 'learning' - setting it up - 'in advance'

  5. May 2016
    1. the notion of wide-awakeness actualizes the pluralistic reality encircling students to uncover the unconditional nature of ac-cepting oneself and others in the world

      beautifully stated

    2. we must strive toward what is humanly possible

      I think it's important to strive beyond what is possible - looking outside of the expected acceptance to encourage that dreaming. Optimism is beyond reality. Only reaching for the possible imposes bigger limits than we know -

    3. Again, we turn to the metaphor of opening Pandora’s box, whereby chaos, oppressive regimes, and fear may need to be encountered in order to truly become wide-awake and liberate oneself and others within the context of education. It is only then, that we can find our voice and place, alongside our students, and strive to find middle ground between administrative/governmental control and our own creativity and free will

      translation- it isn't going to be easy if you are already part of the bureaucratic machine that is often found within formal education- going to take effort and personally challenge you, but it is so worth it.

    4. fostering a nurturing classroom climate of pluralistic dialogue and meaningful curricu-lar experience. This was the explicit philosophy of/in the course offered by the second author. The course was Socratic in nature, where the most banal was the most difficult and where our questions as a class determined our answers. The instructor was there to ask questions as much as anyone else in class without imposing his answers

      love this. It is very familiar to me

    5. start with what the student knows or with what the student can imagine

      start with what they can dream, what they can wish. no limits.

      Then there's a reason and drive to find a way- to seek the how, the skills, the connections, and to make it happen

    6. Thus, the role of provoking imagination through a rich environment of artistic expression and dialogue may be critical in preparing students for an unforeseeable future (Quintero, 2009).

      and embedding hope. There needs to be imagination for people to shape their place in life, as the future and it's possibilities are unwritten. People need to be able to create

    7. Imagination embodies voice, consciousness, community, pluralism, and the hu-man condition. A critical pedagogy opens up spaces for imaginative possibilities and a caring, unconditional dialogue, within the bureaucracy of schooling.

      I love this.