- Nov 2016
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www.rtdna.org www.rtdna.org
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For surely we shall pay for using this most powerful instrument of communication to insulate the citizenry from the hard and demanding realities which must indeed be faced if we are to survive. And I mean the word survive, quite literally. If there were to be a competition in indifference, or perhaps in insulation from reality, then Nero and his fiddle, Chamberlain and his umbrella, could not find a place on an early afternoon sustaining show. If Hollywood were to run out of Indians, the program schedules would be mangled beyond all recognition. Then perhaps, some young and courageous soul with a small budget might do a documentary telling what, in fact, we have done--and are still doing--to the Indians in this country. But that would be unpleasant. And we must at all costs shield the sensitive citizen from anything that is unpleasant.
I relate this passage to the Hunger Games the poerful instrument of comunication was used in the movie to dominate the population. However, we are not too far from that realilty. The hunger games its a movie but now a days we can see how the media controls society
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Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or perhaps in color, evidence of decadence, escapism and insulation from the realities of the world in which we live. I invite your attention to the television schedules of all networks between the hours of 8 and 11 p.m., Eastern Time. Here you will find only fleeting and spasmodic reference to the fact that this nation is in mortal danger. There are, it is true, occasional informative programs presented in that intellectual ghetto on Sunday afternoons. But during the daily peak viewing periods, television in the main insulates us from the realities of the world in which we live. If this state of affairs continues, we may alter an advertising slogan to read: LOOK NOW, AND PAY LATER.
This passage catched my attention the most becase it points out the reality we live in. What is really interesting is that I have seen several passages talking about the fiction's world we live in but still nothig gets done. People know about the unglyness in society but they still want to live in it
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www.alternet.org www.alternet.org
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You’d probably have to be living under a rock to not know the plot of The Hunger Games by this point, but here goes: In a dystopian future world where most citizens live in crushing poverty, children from across the country are invited to the mega-wealthy Capitol to compete in the titular Games. They fight each other to the death on live TV, and the winner gets a lifetime of free food.
When I read this part first thing that came to my mind was that always the poverty makes the rich. There is more poor than rich, and sadly the poor makes the rich
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- Oct 2016
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thecoverpage.pushpullfork.com thecoverpage.pushpullfork.com
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The legend has it that this was the same dog that belonged to the father. The dog continues to haunt the land, now know as Baskerville, wreaking havoc on the brothers and all who inhabit the land.
I like your plot. I pictured it happening in the mauntains. I like how un incorpotated the the dogs and wolf.
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thecoverpage.pushpullfork.com thecoverpage.pushpullfork.com
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During the day time they work like regular humans and at night time they have little dog clubs and parties. The Hound of Baskersville is still a hound but for him there isn’t a human form anymore
That is a very creative way to make the Hound more of a natural way, witout creating that much wondering amoung humans
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thecoverpage.pushpullfork.com thecoverpage.pushpullfork.com
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A presence that inspires not ideas of grandeur or adventure, nor ideas of hope and higher callings to greater paths. No this book inspires the basest of human emotion and thought. Fear, terror, paranoia, the feeling that perhaps the world is not so simple, that there is a hidden curtain waiting to be pulled back so that what is hidden may be shown to the audience, and the audience become consumed by what is shown. This story brings back feelings we had as children that led us to turning the light next to our bed on in panic, the quick sudden scrambling to reach that hidden flashlight under the pillow to chase away the shadows and whatever may be lurking in them. The feeling of abject horror as you descend into the darkest basement, one that is coated in cobwebs and smells of damp rot and the promise that something sinister is lurking in the gloom
This is fantastic. I enjoyed reading how describe what you think about The Hound of the Baskervilles. You covered all!
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My audio included ‘dialog that I have recorded myself’ and ‘sound effects included in your audio editing program or found on the internet’. This week’s assignment was interesting and was a great experience for myself.
Yes it was interesting and a great ecperincene for myself as well
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www.gutenberg.org www.gutenberg.org
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to take a cab he was all ready to follow them. It has, however, one obvious disadvantage.” “It puts him in the power of the cabman.” “Exactly.” “What a pity we did not get the number!” “My dear Watson, clumsy as I have been, you surely do not seriously imagine that I neglected to get the number? No. 2704 is our man. But that is no use to us for the moment.” “I fail to see how you could have done more.” “On observing the cab I should have instantly turned and walked in the other direction. I should then at my leisure have hired a second cab and followed the first at a respectful distance, or, better still, have driven to the Northumberland Hotel and waited there. When our unknown had followed Baskerville home we should have had the opportunity of playing his own game upon himself and seeing where he made for. As it is, by an indiscreet eagerness, which was taken advantage of with extraordinary quickness and energy by our opponent, we have betrayed ourselves and lost our man.” We had been sauntering slowly down Regent Street during this conversation, and Dr. Mortimer, with his companion, had long vanished in front of us. “There is no object in our following them,” said Holmes. “The shadow has departed and will not return. We must see what further cards we have in our hands and play them with decision. Could you swear to that man’s face within the cab?” “I could swear only to the beard.” “And so could I—from which I gather that in all probability it was a false one. A clever man upon so delicate an errand has no use for a beard save to conceal his features. Come in here, Watson!” He turned into one of the district messenger offices, where he was warmly greeted by the manager. “Ah, Wilson, I see you have not forgotten the little case in which I had the good fortune to help you?” “No, sir, indeed I have not. You saved my good name, and perhaps my life.” “My dear fellow, you exaggerate. I have some recollection, Wilson, that you had among your boys a lad named Cartwright, who showed some ability during the investigation.” “Yes, sir, he is still with us.” “Could you ring him up?—thank you! And I should be glad to have change of this five-pound note.” A lad of fourteen, with a bright, keen face, had obeyed the summons of the manager. He stood now gazing with great reverence at the famous detective. “Let me have the Hotel Directory,” said Holmes. “Thank you! Now, Cartwright, there are the names of twenty-three hotels here, all in the immediate neighbourhood of Charing Cross. Do you see?” “Yes, sir.” “You will visit each of these in turn.” “Yes, sir.” “You will begin in each case by giving the outside porter one shilling. Here are twenty-three shillings.” “Yes, sir.” “You will tell him that you want to see the waste-paper of yesterday. You will say that an important telegram has miscarried and that you are looking for it. You understand?” “Yes, sir.” “But what you are really looking for is the centre page of the Times with some holes cut in it with scissors. Here is a copy of the Times. It is this page. You could easily recognize it, could you not?” “Yes, sir.” “In each case the outside porter will send for the hall porter, to whom also you will give a shilling. Here are twenty-three shillings. You will then learn in possibly twenty cases out of the twenty-three that the waste of the day before has been burned or removed. In the three other cases you will be shown a heap of paper and you will look for this page of the Times among it. The odds are enormously against your finding it. There are ten shillings over in case of emergencies. Let me have a report by wire at Baker Street before evening. And now, Watson, it only remains for us to find out by wire the identity of the cabman, No. 2704, and then we will drop into one of the Bond Street picture galleries and fill in the time until we are due at the hotel.”
I like this passage to be a remake, a comedy remake, because of all the "yes sir". It will be cool if after saying yes to eerything he does nothing.
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“Why should he not go to the home of his fathers?” “It seems natural, does it not? And yet, consider that every Baskerville who goes there meets with an evil fate. I feel sure that if Sir Charles could have spoken with me before his death he would have warned me against bringing this, the last of the old race, and the heir to great wealth, to that deadly place. And yet it cannot be denied that the prosperity of the whole poor, bleak countryside depends upon his presence. All the good work which has been done by Sir Charles will crash to the ground if there is no tenant of the Hall. I fear lest I should be swayed too much by my own obvious interest in the matter, and that is why I bring the case before you and ask for your advice.” Holmes considered for a little time. “Put into plain words, the matter is this,” said he. “In your opinion there is a diabolical agency which makes Dartmoor an unsafe abode for a Baskerville—that is your opinion?” “At least I might go the length of saying that there is some evidence that this may be so.” “Exactly. But surely, if your supernatural theory be correct, it could work the young man evil in London as easily as in Devonshire. A devil with merely local powers like a parish vestry would be too inconceivable a thing.” “You put the matter more flippantly, Mr. Holmes, than you would probably do if you were brought into personal contact with these things. Your advice, then, as I understand it, is that the young man will be as safe in Devonshire as in London. He comes in fifty minutes. What would you recommend?” “I recommend, sir, that you take a cab, call off your spaniel who is scratching at my front door, and proceed to Waterloo to meet Sir Henry Baskerville.” “And then?” “And then you will say nothing to him at all until I have made up my mind about the matter.” “How long will it take you to make up your mind?” “Twenty-four hours. At ten o’clock tomorrow, Dr. Mortimer, I will be much obliged to you if you will call upon me here, and it will be of help to me in my plans for the future if you will bring Sir Henry Baskerville with you.” “I will do so, Mr. Holmes.” He scribbled the appointment on his shirt-cuff and hurried off in his strange, peering, absent-minded fashion. Holmes stopped him at the head of the stair. “Only one more question, Dr. Mortimer. You say that before Sir Charles Baskerville’s death several people saw this apparition upon the moor?” “Three people did.” “Did any see it after?” “I have not heard of any.” “Thank you. Good-morning.” Holmes returned to his seat with that quiet look of inward satisfaction which meant that he had a congenial task before him. “Going out, Watson?” “Unless I can help you.” “No, my dear fellow, it is at the hour of action that I turn to you for aid. But this is splendid, really unique from some points of view. When you pass Bradley’s, would you ask him to send up a pound of the strongest shag tobacco? Thank you. It would be as well if you could make it convenient not to return before evening. Then I should be very glad to compare impressions as to this most interesting problem which has been submitted to us this morning.” I knew that seclusion and solitude were very necessary for my friend in those hours of intense mental concentration during which he weighed every particle of evidence, constructed alternative theories, balanced one against the other, and made up his mind as to which points were essential and which immaterial. I therefore spent the day at my club and did not return to Baker Street until evening. It was nearly nine o’clock when I found myself in the sitting-room once more. My first impression as I opened the door was that a fire had broken out, for the room was so filled with smoke that the light of the lamp upon the table was blurred by it. As I entered, however, my fears were set at rest, for it was the acrid fumes of strong coarse tobacco which took me by the throat and set me coughing. Through the haze I had a vague vision of Holmes in his dressing-gown coiled up in an armchair with his black clay pipe between his lips. Several rolls of paper lay around him. “Caught cold, Watson?” said he. “No, it’s this poisonous atmosphere.” “I suppose it is pretty thick, now that you mention it.” “Thick! It is intolerable.” “Open the window, then! You have been at your club all day, I perceive.” “My dear Holmes!” “Am I right?” “Certainly, but how?” He laughed at my bewildered expression. “There is a delightful freshness about you, Watson, which makes it a pleasure to exercise any small powers which I possess at your expense. A gentleman goes forth on a showery and miry day. He returns immaculate in the evening with the gloss still on his hat and his boots. He has been a fixture therefore all day. He is not a man with intimate friends. Where, then, could he have been? Is it not obvious?” “Well, it is rather obvious.” “The world is full of obvious things which nobody by any chance ever observes. Where do you think that I have been?” “A fixture also.” “On the contrary, I have been to Devonshire.” “In spirit?” “Exactly. My body has remained in this armchair and has, I regret to observe, consumed in my absence two large pots of coffee and an incredible amount of tobacco. After you left I sent down to Stamford’s for the Ordnance map of this portion of the moor, and my spirit has hovered over it all day. I flatter myself that I could find my way about.” “A large-scale map, I presume?” “Very large.” He unrolled one section and held it over his knee. “Here you have the particular district which concerns us. That is Baskerville Hall in the middle.” “With a wood round it?” “Exactly. I fancy the yew alley, though not marked under that name, must stretch along this line, with the moor, as you perceive, upon the right of it. This small clump of buildings here is the hamlet of Grimpen, where our friend Dr. Mortimer has his headquarters. Within a radius of five miles there are, as you see, only a very few scattered dwellings. Here is Lafter Hall, which was mentioned in the narrative. There is a house indicated here which may be the residence of the naturalist—Stapleton, if I remember right, was his name. Here are two moorland farmhouses, High Tor and Foulmire. Then fourteen miles away the great convict prison of Princetown. Between and around these scattered points extends the desolate, lifeless moor. This, then, is the stage upon which tragedy has been played, and upon which we may help to play it again.” “It must be a wild place.” “Yes, the setting is a worthy one. If the devil did desire to have a hand in the affairs of men—” “Then you are yourself inclining to the supernatural explanation.” “The devil’s agents may be of flesh and blood, may they not? There are two questions waiting for us at the outset. The one is whether any crime has been committed at all; the second is, what is the crime and how was it committed? Of course, if Dr. Mortimer’s surmise should be correct, and we are dealing with forces outside the ordinary laws of Nature, there is an end of our investigation. But we are bound to exhaust all other hypotheses before falling back upon this one. I think we’ll shut that window again, if you don’t mind. It is a singular thing, but I find that a concentrated atmosphere helps a concentration of thought. I have not pushed it to the length of getting into a box to think, but that is the logical outcome of my convictions. Have you turned the case over in your mind?” “Yes, I have thought a good deal of it in the course of the day.” “What do you make of it?” “It is very bewildering.” “It has certainly a character of its own. There are points of distinction about it. That change in the footprints, for example. What do you make of that?” “Mortimer said that the man had walked on tiptoe down that portion of the alley.” “He only repeated what some fool had said at the inquest. Why should a man walk on tiptoe down the alley?” “What then?” “He was running, Watson—running desperately, running for his life, running until he burst his heart—and fell dead upon his face.” “Running from what?” “There lies our problem. There are indications that the man was crazed with fear before ever he began to run.” “How can you say that?” “I am presuming that the cause of his fears came to him across the moor. If that were so, and it seems most probable, only a man who had lost his wits would have run from the house instead of towards it. If the gipsy’s evidence may be taken as true, he ran with cries for help in the direction where help was least likely to be. Then, again, whom was he waiting for that night, and why was he waiting for him in the yew alley rather than in his own house?” “You think that he was waiting for someone?” “The man was elderly and infirm. We can understand his taking an evening stroll, but the ground was damp and the night inclement. Is it natural that he should stand for five or ten minutes, as Dr. Mortimer, with more practical sense than I should have given him credit for, deduced from the cigar ash?” “But he went out every evening.” “I think it unlikely that he waited at the moor-gate every evening. On the contrary, the evidence is that he avoided the moor. That night he waited there. It was the night before he made his departure for London. The thing takes shape, Watson. It becomes coherent. Might I ask you to hand me my violin, and we will postpone all further thought upon this business until we have had the advantage of meeting Dr. Mortimer and Sir Henry Baskerville in the morning.”
once again I think this perfect for radio broadcast beause the amount of intereation going on. Radio its about talking and interaction makes it better!
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“I have in my pocket a manuscript,” said Dr. James Mortimer. “I observed it as you entered the room,” said Holmes. “It is an old manuscript.” “Early eighteenth century, unless it is a forgery.” “How can you say that, sir?” “You have presented an inch or two of it to my examination all the time that you have been talking. It would be a poor expert who could not give the date of a document within a decade or so. You may possibly have read my little monograph upon the subject. I put that at 1730.” “The exact date is 1742.” Dr. Mortimer drew it from his breast-pocket. “This family paper was committed to my care by Sir Charles Baskerville, whose sudden and tragic death some three months ago created so much excitement in Devonshire. I may say that I was his personal friend as well as his medical attendant. He was a strong-minded man, sir, shrewd, practical, and as unimaginative as I am myself. Yet he took this document very seriously, and his mind was prepared for just such an end as did eventually overtake him.” Holmes stretched out his hand for the manuscript and flattened it upon his knee. “You will observe, Watson, the alternative use of the long s and the short. It is one of several indications which enabled me to fix the date.” I looked over his shoulder at the yellow paper and the faded script. At the head was written: “Baskerville Hall,” and below in large, scrawling figures: “1742.” “It appears to be a statement of some sort.” “Yes, it is a statement of a certain legend which runs in the Baskerville family.” “But I understand that it is something more modern and practical upon which you wish to consult me?” “Most modern. A most practical, pressing matter, which must be decided within twenty-four hours. But the manuscript is short and is intimately connected with the affair. With your permission I will read it to you.”
I saw Sherlock Holmes movie and Imagine this chapter being this remake for film. I picture on my head as a comid film, twisted comedy
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I confess at these words a shudder passed through me. There was a thrill in the doctor’s voice which showed that he was himself deeply moved by that which he told us. Holmes leaned forward in his excitement and his eyes had the hard, dry glitter which shot from them when he was keenly interested. “You saw this?” “As clearly as I see you.” “And you said nothing?” “What was the use?” “How was it that no one else saw it?” “The marks were some twenty yards from the body and no one gave them a thought. I don’t suppose I should have done so had I not known this legend.” “There are many sheep-dogs on the moor?” “No doubt, but this was no sheep-dog.” “You say it was large?” “Enormous.” “But it had not approached the body?” “No.” “What sort of night was it?’ “Damp and raw.” “But not actually raining?” “No.” “What is the alley like?” “There are two lines of old yew hedge, twelve feet high and impenetrable. The walk in the centre is about eight feet across.” “Is there anything between the hedges and the walk?” “Yes, there is a strip of grass about six feet broad on either side.” “I understand that the yew hedge is penetrated at one point by a gate?” “Yes, the wicket-gate which leads on to the moor.” “Is there any other opening?” “None.” “So that to reach the yew alley one either has to come down it from the house or else to enter it by the moor-gate?” “There is an exit through a summer-house at the far end.” “Had Sir Charles reached this?” “No; he lay about fifty yards from it.” “Now, tell me, Dr. Mortimer—and this is important—the marks which you saw were on the path and not on the grass?” “No marks could show on the grass.” “Were they on the same side of the path as the moor-gate?” “Yes; they were on the edge of the path on the same side as the moor-gate.” “You interest me exceedingly. Another point. Was the wicket-gate closed?” “Closed and padlocked.” “How high was it?” “About four feet high.” “Then anyone could have got over it?” “Yes.” “And what marks did you see by the wicket-gate?” “None in particular.” “Good heaven! Did no one examine?” “Yes, I examined, myself.” “And found nothing?” “It was all very confused. Sir Charles had evidently stood there for five or ten minutes.” “How do you know that?” “Because the ash had twice dropped from his cigar.” “Excellent! This is a colleague, Watson, after our own heart. But the marks?” “He had left his own marks all over that small patch of gravel. I could discern no others.” Sherlock Holmes struck his hand against his knee with an impatient gesture. “If I had only been there!” he cried. “It is evidently a case of extraordinary interest, and one which presented immense opportunities to the scientific expert. That gravel page upon which I might have read so much has been long ere this smudged by the rain and defaced by the clogs of curious peasants. Oh, Dr. Mortimer, Dr. Mortimer, to think that you should not have called me in! You have indeed much to answer for.” “I could not call you in, Mr. Holmes, without disclosing these facts to the world, and I have already given my reasons for not wishing to do so. Besides, besides—” “Why do you hesitate?” “There is a realm in which the most acute and most experienced of detectives is helpless.” “You mean that the thing is supernatural?” “I did not positively say so.” “No, but you evidently think it.” “Since the tragedy, Mr. Holmes, there have come to my ears several incidents which are hard to reconcile with the settled order of Nature.” “For example?” “I find that before the terrible event occurred several people had seen a creature upon the moor which corresponds with this Baskerville demon, and which could not possibly be any animal known to science. They all agreed that it was a huge creature, luminous, ghastly, and spectral. I have cross-examined these men, one of them a hard-headed countryman, one a farrier, and one a moorland farmer, who all tell the same story of this dreadful apparition, exactly corresponding to the hell-hound of the legend. I assure you that there is a reign of terror in the district, and that it is a hardy man who will cross the moor at night.”
I consider thi chapter will make compelling scene in radio. It is a very interactive chapter. Radio its about verval iteraction
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- Sep 2016
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learning.instructure.com learning.instructure.com
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Real Rules: The basic structural constraints that form the foundation of standard English, such as articles precede nouns: “the apple,” “the elephant,” “the computer,” rather than “apple the,” “elephant the,” “computer the.” We aren’t conscious of these rules most of the time when we write, and we generally only violate them by pure accident. Invented Rules: These are the constraints invented by grammarians, the ones we’re told incessantly to follow. The shoulds of writing: a colon should precede a list, don’t split infinitives, an independent clause should be followed by a comma, etc. The word “invented” doesn’t necessarily suggest these rules are “wrong” (although some are), just that they have been normalized by writers and grammarians.
Grammar could be easier if the "exeptions", invented rules, is what I understand, just were easier
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hybridpedagogy.org hybridpedagogy.org
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How is literature and our reading of it being changed by computers? What influence does the container for a text have on its content? To what degree does immersion in a text depend upon the physicality of its interface? How are evolving technologies (like the iPad) helping to enliven (or disengage us from) the materiality of literary texts?
I like this part because it makes me think about how good is technology but at the same time it is really bad. It help us to be smart and It also makes us stupid.
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www.samplereality.com www.samplereality.com
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I don’t care much about the canon, except as a means to clue us in to what stands outside the canon. We should create and pay attention to bots that don’t fit the canon. And protest bots should be among these bots. We need bots that are not (or not merely) funny, random, or comprehensive. We need bots that are the algorithmic equivalent of the Wobblies’ Little Red Songbook, bots that fan the flames of discontent. We need bots of conviction.
shows power!!
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