90 Matching Annotations
  1. Jun 2022
    1. What were we, the skinny B-boys, to learn from you? How to hulk through Chicago in a hedgerow afro, an ox-grunt kicking dust behind the teeth; those eighteen glammering gold chains around the throat of pity, that fat hollow medallion like the sun on a leash

      The author of this poem is criticizing Mr. T for being a poor role model for black youth for playing stereotypical roles and selling out over it. He also compares Mr.T to an animal, and emphasizes that he is under control by comparing his chains to a leash.

    2. And liable to crush a fool’s face like newsprint; headlines of Hollywood blood and wincing.

      Describing the stereotype that African American people are "violent" that Mr. T is feeding in to.

    3. Sometimes drugged & duffled (by white men) into a cockpit bound for the next adventure

      This is possibly claiming that the show, "The A-Team" Mr. T stars in is racist for creating a stereotype of a black man for entertainment. Mr. T is possibly "drugged & duffled" by getting blind by his fame and potential money to earn without recognizing what he is actually doing. This may be alluding to the slave trade(?)

    4. A man made of scrap muscle & the steam engine’s imagination, white feathers flapping in each lobe for the skull’s migration, should the need arise.

      Man made, muscle, and migration is alliteration used to create the rhythm of the piece as well as set up the tone. This poem is not in favor of Mr. T's work, and he sees him as being created by someone else's pieces rather than being his own person. The author also utilizes enjambment which, in this case, increases the speed of the poem which clarifies the author's emotions about Mr. T. He is angry, and possibly disappointed in him and what he does.

    1. she would open her eyes and think of the place that was hers for an hour-where she was nothing, pure nothing, in the middle of the day….

      After her day, when she gets a moment alone without her children or her husband, she imagines the "palace" she was creating in her head and visualizes having a place of her own. The time she gets alone is rare, but it is her time, and it is all she has of her own.

    2. Sometimes there were things to watch- the pinched armor of a vanished cricket, a floating maple leaf. Other days she starred until she was assured when she closed her eyes she’d see only her own vivid blood.

      Sometimes when the woman was outside she would have something to look at to distract her from her own life, but when there wasn't anything there she was forced to think about her own loneliness and how short her freedom is. She wants to be more than the person her children rely on, she wants to do something new rather than the same dull activities day in and day out. The peaceful images stated contrast with her own "vivid blood".

    3. So she lugged a chair behind the garage

      The verb "lugged" used to describe how she carried the chair describes how exhausted she is. "Lugged" usually means to carry or drag a heavy object with great effort. She may not have to use a lot of her physical energy to perform this action, but she does have to use a lot of her mental energy for it.

    1. The first half and the second half of this poem are sonnets, which also utilize iambic pentameter. Iambic pentameter sets a rhythm, and in this poem, I would compare it to a heartbeat. I imagine that if I was in battle, the anxiety, fear, and trauma would cause me to hear my heartbeat in my ears, so I believe the heartbeat-feeling I got is intentional to further convey how awful this all is.

      Owen also uses an ABAB, CDCD rhyme scheme which can establish the form and give the reader a feeling of pleasure when they can predict the next word. However, due to the words chosen for the end of each line, all I feel is the misery seeping out of the page. The audience of this poem is unable to just sit and read through it, all of the poetic devices utilized captivates the reader and forces a sense of distress and misery onto them.

    2. And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin;

      Owen frequently uses imagery in this poem to paint a vivid picture of the horrific sights one will see in battle. This quote here disturbed me the most, imagining someone's face as they are dying is not a pleasant thought, and the "white eyes writhing in his face" is horrific. I cannot find the words to describe how terrible seeing someone realizing those moments will soon be their last would be.

    3. But someone still was yelling out and stumbling

      The "s" sound used is alliteration. There are many instances of alliteration within this piece, but this one stood out the most to me. Alliteration is a way for the author to create a quick rhythm in their writing, setting the pace. This piece utilizes the fast pace in reference to how quickly the action of war, destruction, and death occurs..

    4. If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, — My friend, you would not tell with such high zest To children ardent for some desperate glory

      The narrator confronts those who do not participate in the war stating that if they saw what he saw they would stop celebrating and praising those who participate. They would not tell their children that dying in battle is an honorable death. This quote is attacking propaganda stating that war is prideful, or something to celebrate when in reality it is death and annihilation.

    5. In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning.

      The briefness of the stanza makes it stand out against the rest, it seems personal or significant.

    6. Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge.

      The language chosen like "old beggars" and "hags" accentuate their age or ability to march through the terrains to be poor. The audience can imagine their exhaustion. These descriptors do not make the men on the battlefield seem like heroes.

    1. These I painted blind. Some things never leave a person: scent of the hair of one you love, the texture of persimmons, in your palm, the ripe weight.

      The persimmons symbolize their culture and love, while the kids and the teacher at school may have not understood them, it is a vital aspect of the writer's life. His feeling toward the persimmons versus the other kids sets him apart from the rest of them, but causes a greater connection between him and his family.

    2. I took them and set both on my bedroom windowsill, where each morning a cardinal sang, The sun, the sun

      The birds singing near the persimmons while they were becoming ripe reminds him of what his mother said about persimmons.

    3. not knowing the difference between persimmon and precision.

      The speaker begins this poem with an embarrassing childhood story. Mrs. Walker may think that this is simple, the words may sound similar but they are clearly two different things to her. But to him, they are connected. He understands the meanings of the words even if he does not know which word is which. Beginning the poem this way sets the tone, making it feel sad.

  2. inst-fs-iad-prod.inscloudgate.net inst-fs-iad-prod.inscloudgate.net
    1. Mr. Kapasi took his branch and shooed them away, hissing at the onesthat remained, stomping his feet to scare them. The animals retreatedslowly, with a measured gait, obedient but unintimidated. Mr. Kapasigathered Bobby in his arms

      By saving Bobby, Mr. Kapasi acted more like a parent than either of Bobby's biological ones do.

    2. Don’t you see? For eight years I haven’t been able to express this toanybody, not to friends, certainly not to Raj. He doesn’t even suspect it.He thinks I’m still in love with him. Well, don’t you have anything to say
      • She confirms she is unhappy with her marriage, claiming Mr. das is a poor husband that didn't acknowledge the suffering she occurred from being a mother.
      • She admitted to neglecting her son Ronny to have her affair, proving she is a poor mother.
      • When Mrs. Das brings up their ages, Mr. Kapasi realizes she thinks of him as a father rather than a potential partner.
      • She is turning to him as someone who is a good communicator. And while Mr. Kapasi is an interpreter, he completely misinterpreted how she was feeling about him.
    3. "A brave little boy," M~: Kapasi commented."It’s not so surprising," Ml-s. Das said,"No?""He’s not his.""I beg your pardon?""Raj’s. He’s not Raj’s son."Mr. Kapasi felt a prickle on his skin. He reached into his shirt pocketfor the small tin of lotus-oil balm he carried with him at all times, andapplied it to thre~ ~pots on his forehead.

      He believed he may get a moment of intimacy with her when they were alone together. But instead, he gets a confession that she cheated on Mr. Das and that Bobby was not his.

    4. "My legs are tired," she said, sinking low in her seat. "I’ll stay here.""~Vhy did you have to wear those stupid shoes?" Mn Das said. "Youwon’t be in the pictures.""Pretend I’m there.""But we could use one of these pictures for our Christmas card thisyear. We didn’t get one of all five of us at the Sun Temple. Mr. Kapasicould take it."’Tm not coming. Anyway, those monkeys give me the creeps.""But they’re harmless," Mr. Das said. He turned to Mr. KapasL "Aren’tthey?""They ate more hungry than dangerous," Mr. Kapasi said

      Mr. and Mrs. Das are once again bickering.

    5. Mr. Kapasi was beginning to dread the thought of dropping them off.He was not prepared to begin his six-week wait to hear from Mrs. Das.As he stole glances at her in the rearview mirror,

      He can't even stand to think about being away from her again.

    6. Though Mr. Kapasi had been to the temple countless times, itoccurred to him, as he, too, gazed at the topless women, that he hadnever seen his own wife fully naked

      Mr. Kapasi has never seen his wife naked, but he is admiring Mrs. Das's body. He's not thinking of what his wife may look like, signaling they aren't close or "in love"

    7. The paper curled as Mr. Kapasi wrote his address in clear, careful let-ters. She would write to him, asking about his days interpreting at thedoctor’s office, and he would respond eloquently, choosing only the mostentertaining an.~.~ecd~_o.~te~s, ones that would make her laugh out loud as sheread them in her house in New Jersey

      He desperately wanted to keep in touch with Mrs. Das, hoping he could write his address correctly so they could chat again. He is fantasizing about what may happen when she just said they would send copies of the photos.

    8. For this reason it flattered Mr. Kapasi that Mrs. Das was so intriguedby his job. Unlike.t’ds wife, she had reminded him of its intellectual chablenges. She had algaused the word "romantic." She did not behave in aromantic ~vay toward her husband

      Mr. Kapasi is interested in Mrs. Das.

    9. . In the end the boy had died oneevening in his mother’s arms, his limbs burning with fever, but thenthere was the funeral to pay for, and the other children who were bornsoon enough, and the newer, bigger house, and the good schools andtutors, and the fine shoes and the television, and the countless otherways he tried to console his wife and to keep her from crying in hersleep, and so when the doctor offered to pay him twice as much as heearned at the grammar school, he accepted.

      His child passed. He has a wife. And he has experienced a major tragedy that he may even feel guilty for as he was trying to pay for his son's bills. After his death, he desperately tried to provide a better life for his family in hopes of "making up" for his son's death.

    10. He had taken the ,job as an interpreter after his first son, at the age o[seven, contracted typhoid

      He had to take the job to care for his child. Mrs. Das would never do something like that.

    11. "Tell us more about your job, Mr. Kapasi," Mrs. Das said

      Mrs. Das is interested in Mr. Kapasi, wanting to learn more about his "romantic" job and offering him gum when she wouldn't even offer her own kids some snacks.

    12. "I look forward to it, actually," Mr. Kapasi said as they continued ontheir way. "The Sun Temple is one of my favorite places. In that way it isa reward for me. I give tours on Fridays and Saturdays only. I haveanother job during the week."

      Mr. Kapasi actually enjoys his job and sees it as a reward. Also, the fact that he has to work two jobs to make ends meet is a large contrast from Mr. Das, who can go on vacation with his whole family on a teacher's salary.

    13. Isn’t this an air-conditioned car?" she asked, still blowing on herhand. The window on Tina’s side was broken and could not be rolleddown."Quit complaining," Mr. Das said. "It isn’t so hot.""I told you to get a car with air-condltioning," Mrs. Das continued."Why do you do this, Raj, just to save a few stupid rupees. What are yousaving us, fifty cents?"

      This is the second time the couple has spoken to each other so far, and they are arguing again. They clearly are not in a happy marriage.

    14. The little girt stuck out a hand. "Mine too. Mommy, do mine too.""Leave me alone," Mrs. Das said, blowing on her nail and turning herbody slightly. "You’re making me mess up.

      The mother once again proves herself to be neglectful or caring in any way towards her daughter, denying to paint her nails and going as far as to blame her mistake on her kid. She puts herself before her own kids.

    15. t Mrs.Das said nothing to stop her. She sat a bit slonched at one end of theback seat, not offering her puffed rice to anyone

      She is distancing herself from the family, making it seem like she is miserable to be a part of it or to even be on this trip. She does not care about her children the way a caring mother should.

    16. "Where’s Mina?" Mr. Das asked.Mr. Kapasi found it strange that Mr. Das should refer to his wifeby her first name when speaking to the little gir

      Mr. Kapasi may believe they have a cultural divide here, but I also find it strange for him to use his wife's first name to his daughter.

    17. Mr. Das said. He glanced up from his paperback tourbook, which said "mD~" in yellow letters and looked as if it had beenpublished abroad

      Reading a guidebook about India solidifies them being tourists.

    18. The first thing Mr. Kapasi had noticed when he sawMr. and Mrs. Das, standing with their children under the portico of thehotel, was that they were very young, perhaps not even thirty

      Mr. and Mrs. Das may not be mature enough to be caretakers of children, and certainly not that many.

    19. At the tea stall Mr. and Mrs. Das bickered about who should take Tina tothe toilet. Eventually Mrs. Das relented when Mr. Das pointed out thathe had given the girl her bath the night before. In the rearview mirrorMr. Kapasi watched as Mrs. Das emerged slowly from his bulky whiteAmbassador, dragging her shaved, largely bare legs across the back seat.She did not hold the little girl’s hand as they walked to the rest room

      The story beginning with conflict sets a mood for the rest. Mr. and Mrs. Das being reluctant to be with their daughter could be a sign of narcissism or neglect. The fact that Mrs. Das doesn't hold hands with her daughter could show that they aren't close.

    1. On the morning after Ted Lavender died, First LieutenantJimmy Cross crouched at the bottom of his foxhole and burnedMartha's letters. Then he burned the two photographs

      Lieutenant finally decided he wanted to move on. He knew it wouldn't change the past but he truly hoped it would change the future. He doesn't want to be responsible for anyone's death.

    2. A mere matter of falling, yet no one ever fell.It was not courage, exactly; the object was not valor. Rather,they were too frightened to be cowards

      These men could have an easy way out, but they refused. They did not want to be spoken of the way they speak about men who leave by harming themselves.

    3. Whensomeone died, it wasn't quite dying, because in a curious way itseemed scripted, and because they had their lines mostlymemorized, irony mixed with tragedy, and because they calledit by other names, as if to encyst and destroy the reality ofdeath itself.

      They became so numb to each other's death. This was part of their life, part of their routine. They got extremely desensitized.

    4. He wished hecould find some great sadness, or even anger, but the emotionwasn't there and he couldn't make it happen. Mostly he feltpleased to be alive

      He was envious that he didn't feel like the lieutenant. He was just grateful it wasn't the one dead. But he wanted to grieve like the lieutenant.

    5. One thing for sure, he said. The lieutenant's in some deephurt. I mean that crying jag—the way he was carrying on—itwasn't fake or anything, it was real heavy-duty hurt. The mancares

      Kiowa truly believes that Lieutenant is having an incredibly hard time coping with Lavender's death. And he was, but probably not for the reasons Kiowa was thinking.

    6. becausehe realized she did not love him and never would

      Lieutenant Cross has come to accept that Martha would not feel the same towards him and that he needs to be mentally and physically invested in the war and his men to protect them and help them survive. He is losing the ability to dream of hope.

    7. Oh shit, Rat Kiley said, the guy'sdead. The guy's dead, he kept saying, which seemedprofound—the guy's dead. I mean really

      They've grown used to accepting the deaths of their friends, and in some cases the way they talk about them or treat other bodies is insensitive, but it is normal for them.

    8. He was just a kid at war, in love. He was twenty-four years old. He couldn't help it.

      He felt like he didn't belong here, he did not have the maturity to not think about Martha. He saw himself as a kid, and he wanted to be free from this all.

    9. he would slip awayinto daydreams, just pretending, walking barefoot along theJersey shore, with Martha, carrying nothing. He would feelhimself rising. Sun and waves and gentle winds, all love andlightness

      The fantasy to be carrying nothing is a symbol of freedom. To get all the weight taken off of his shoulders and out of his mind, he would truly be free again. He is desperate to be a free young man again.

    10. ee Strunk drew the number 17, helaughed and muttered something and went down quickly

      They've grown to accept their situation and the duties they have to perform, even if their life is on the line.

    11. Lieutenant Cross kept to himself. He pictured Martha's smoothyoung face, thinking he loved her more than anything, morethan his men, and now Ted Lavender was dead because heloved her so much and could not stop thinking about her.

      He feels like Ted's death was entirely his fault due to his imagination, and to distract himself from the guilt he kept thinking about her.

    12. Almost everyone humped photographs

      Photographs remind the soldiers what they left behind to help them keep pushing forward it survive the war. The lieutenant carrying photos of Martha means he considers her to be an incentive to survive to get back to her.

    13. Kiowa also carried hisgrandmother's distrust of the white man, his grandfather's oldhunting hatchet. Necessity dictated

      Why is his caution towards white people an important detail to this story?

    14. She often quoted lines of poetry; she nevermentioned the war, except to say, Jimmy, take care of yourself.

      Martha was a wonderful distraction since she ignored the war. I'm sure when reading these letters he enjoyed the escapism.

    15. They were not love letters, but Lieutenant Cross washoping, so he kept them folded in plastic at the bottom of hisrucksac

      Martha and Lieutenant Cross feel differently towards each other. He loves her, thinking of her is the only way he deals with the hell he is going through. But he also knows that she does not feel the same.

    16. The Things They Carried

      The things that these men carry are not just weapons, ammo, or rations. It's not just photographs, lucky rocks, or rabbit feet. These men carry emotions like love, grief, regret, and fear. Every burden these men carry is added weight, even if it's not physically. Their memories and their imagination are almost the only way for them to escape the torture they endure every day.

    1. Then he put it back on top of the piano. For me, then, as they began to play again, it glowed and shook above my brother's head like the very cup of trembling.

      The "cup of trembling" is a symbol taken from the Bible in Isaiah 51.

      “See, I have taken out of your hand The cup of trembling, The dregs of the cup of My fury; You shall no longer drink it. But I will put it into the hand of those who afflict you,

      The story of Isaiah is full of suffering, and this specific passage represents God finally taking all that suffering away, similar to how Sonny's music rid the suffering of those listening as well as his own suffering by preforming his music.

    2. I saw my mother's face again, and felt, for the first time, how the stones of the road she had walked on must have bruised her feet. I saw the moonlit road where my father's brother died. And it brought something else back to me, and carried me past it, I saw my little girl again and felt Isabel's tears again, and I felt my own tears begin to rise. And I was yet aware that this was only a moment, that the world waited outside, as hungry as a tiger, and that trouble stretched above us, longer than the sky.

      The narrator finally understood why Sonny liked music, it can cause relief from the suffering even when acknowledging it. After all of the struggling, he finally learned to have empathy and care for his brother.

    3. He smiled to himself and we both watched as the meeting across the way broke up.

      Sonny is the only person who is happy while looking out of a window. He creates his own light, and believes in himself.

    4. Even if their fingers had been times more gentle than human fingers ever are, he could hardly help feeling that they had stripped him naked and were spitting on that nakedness. For he also had to see that his presence, that music, which was life or death to him, had been torture for them and that they had endured it, not at all for his sake but only for mine.

      He felt once again mocked for what he wanted to be.The music was saving him, and it was going to help him stop suffering, but he found out them letting him play was for support and love of his brother, but not him.

    5. They began, in a way, to be afflicted by this presence that was living in their home. It was as though Sonny were some sort of god, or monster. He moved in an atmosphere which wasn't like theirs at all.

      Sonny's music caused suffering on the family.

    6. "No, I don't know that," said Sonny, surprising me. "I think people ought to do what they want to do, what else are they alive for?"

      Sonny wants to be more than what society wants him to be or what Harlem will allow him to be

    7. "It don't," said Sonny, with dignity, "make any difference to me. I don't care what you listen to. Don't do me no favors."

      Sonny came to the realization that he couldn't lean on his brother for support anymore

    8. Well, you may think it's funny now, baby, but it's not going to be so funny when you have to make your living at it, let me tell you that.

      He did not support his brother's career decisions, or really support him at all.

    9. I pretty well forgot my promise to Mama

      He promised his mother he would be there for his brother and take care of him, but he did not follow through. This could contribute to the guilt he felt when he found out the news about Sonny in the paper.

    10. "It ain't a question of his being a good boy," Mama said, "nor of his having good sense. It ain't only the bad ones, nor yet the dumb ones that gets sucked under."

      In the beginning, the narrator couldn't believe his brother got sucked into the suffering because he was a good kid. But his mother warned him that it can happen to anyone.

    11. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk.

      Children are aware of their suffering that is certain to come and they don't want to have to go through it like their family did.

    12. As a matter of fact, he was always on the lookout for "something a little better," but he died before he found it

      His father always wanted to give his family better, but failed to succeed. The narrator is also searching to give his family better.

    13. But the principal reason that they never hit it off is that they were so much alike.

      The narrator compares Sonny and his father to each other saying they are the same, when in reality the narrator is far more like his father.

    14. I was trying to find out something about my brother. I was dying to hear him tell me he was safe.

      Despite the fact that Sonny and his family are having a good time, the narrator cannot stop thinking about Sonny's potential return to addiction.

    15. it's really just like the houses in which Sonny and I grew up. The same things happen, they'll have the same things to remember. The moment Sonny and I started into the house I had the feeling that I was simply bringing him back into the danger he had almost died trying to escape.

      He has children growing up the same way he did. He knows that his children are going to struggle the way he and Sonny did, and he feels guilty and disappointed he couldn't provide them with better. He also feels guilty for bringing Sonny back into the suffering.

    16. Some escaped the trap, most didn't. Those who got out always left something of themselves behind, as some animals amputate a leg and leave it in the trap.

      Harlem grabs ahold of those living in it. It's nearly impossible to escape, and even if you do, it keeps a part of you with it that you won't get back.

    17. This was because I had begun, finally, to wonder about Sonny, Page 6 about the life that Sonny lived inside

      For the first time, the narrator was interested to actually know that his brother had lived and gone through. This is because of what he learned from talking to Sonny's friend and the guilt he felt for not being there for him.

    18. Then I kept in constant touch with him and I sent him whatever I could

      After feeling the guilt for not being there for his brother to help ease his suffering, he became more available to him and tried to be there for him more.

    19. And I didn't write Sonny or send him anything for a long time. When I finally did, it was just after my little girl died

      He only reached out to his brother after experiencing his own suffering. He never reached out to try to help his brother through his suffering,

    20. You don't know how much I needed to hear from you. I wanted to write you many a time but I dug how much I must have hurt you and so I didn't write

      What Sonny wrote to him made the narrator feel more guilty after realizing he has added to his own brother's suffering and his own. They both needed to talk rather than isolate from each other, but neither one reached out to the other.

      Sonny has missed his brother, he needed him to be a part of his support system.

    21. All at once something inside gave and threatened to come pouring out of me. I didn't hate him any more. I felt that in another moment I'd start crying like a child.

      The narrator has grown by listening to this man's story, feelings, and experiences. This growth is going to effect him later.

    22. He turned toward me again, patient and calm, and yet I somehow felt him shaking, shaking as though he were going to fall apart

      Sonny's friend feels guilty that Sonny is struggling with addiction because he told him the heroin high felt amazing. He doesn't want Sonny to be suffering.

    23. I certainly didn't want to know how it felt. It filled everything, the people, the houses, the music, the dark, quicksilver barmaid, with menace; and this menace was their reality.

      The narrator wishes to ignore the suffering and struggling happening in his community. He is aware it happens, but he wants to keep it away from himself. He doesn't want this suffering to affect him in any way, even emotionally.

      Darkness is once again mentioned here.

    24. Then I felt guilty- guilty, probably, for never having supposed that the poor bastard had a story of his own, much less a sad one

      The narrator lacks some empathy, unable to imagine people have problems like him, or a sad past.

    25. I used to run into him from time to time and he'd often work around to asking me for a quarter or fifty cents. He always had some real good excuse, too, and I always gave it to him. I don't know why.

      Although the narrator stated he never liked Sonny's friend, he was always willing to give money or be a helping hand to him. He's grown up knowing this man, making him close like family. So close to family, in fact, that the narrator nearly mistook him for his own brother. Families can extend outside of blood, people within your community can be family.

    26. and in my own face, trapped in the darkness which roared outside.

      "Darkness" is a word used to symbolize anxiety, suffering, or the general negativity within the world. This word is frequently repeated throughout the story, making it a motif.

      Windows are also a motif in the story, and while one is not explicitly stated to be here the narrator seeing his own face would imply that is what he is looking at. Windows shed light on reality throughout the story, the window looking out into a dark tunnel in this case is used to symbolize denial.

    27. I stood up and walked over to the window

      Looking through windows is a common action in this story. Windows in art are usually used to symbolize change or hope. When one looks through the window, some light is shed on reality showing what is unattainable, sucking the hope out of those in Harlem.

    28. And he'd always been a good boy, he hadn't ever turned hard or evil or disrespectful, the way kids can, so quick, so quick, especially in Harlem. I didn't want to believe that I'd ever see my brother going down, coming to nothing, all that light in his face gone out, in the condition I'd already seen so many others.

      The narrator is having a difficult time accepting that Sonny was in this condition, as he believed he was a good person which would prevent him from turning to drugs. Heroin usage or general drug addiction was common in Harlem.

    29. When he was about as old as the boys in my classes his face had been bright and open, there was a lot of copper in it; and he'd had wonderfully direct brown eyes, and great gentleness and privacy.

      The description of Sonny is a direct characterization of what he looked like and how he was as a person when he was younger.