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  1. Last 7 days

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    1. forcefully situates Indigenous tribes as people of the Holocene who are in an inevitable de-cline, thereby projecting onto them a fantasy of finitud

      Settler apocalypticism projects the problem to a "fantasy" due to the nature of looking at it as post-apocylptic, therefore unable to be saved

    2. climate crisis is an intensification of the already operative epistemologicaland environmental perturbations of colonial territorialization and resource extraction.

      an argument from the paper

    3. The “symbolic” value of his photograph does not lie in the question of whether or not itdemonstrates an exceptional variance in scientific terms; it represents the immediacy andurgency of a global ecological reality.

      The point of the photograph

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  2. Jul 2026
    1. This kind of access was how Eliasson wasthinking about it - the encounter with Ice Watch |is in a way a dialogue with ice blocks, not a one-way human conversation in a mirror that happens |to be made of ice. We've been having that kind of |conversation with nonhuman things for thousandsof years

      Interacting with nature

    2. Thisisbecausebeautyjusthap-pens,without our ego cookingitup.Theexperienceof beautyitselfisanentity thatisn't‘me’.Thismeansthat theexperience hasanintrinsicweirdnesstoit.Thisiswhyotherpeople’stastemightcomeacrossasbizarreorkitschy

      Beauty is intrinsic

    3. We can start to break through this difficultimpasse by noting that what is called environment isjust lifeforms and their extended genomic expres-sions: think ofspider’s webs and beaver’s dams. Whenyou think this way, you are already thinking aboutwholes and parts in a different way.

      Different perspective to environment

    4. Individualrights are based on property rights, so that being inpossession ofyourselfis one criterion for having them,for example. But if everything has rights, nothingcan be property, so nothing can have rights. I

      Fallacy with "individual rights" pertaining to property rights

    5. It’s fraught with ambi-guities, because sharks can eat you and viruses cankill you and it would be a good idea to protect ourhuman selves from viruses and sharks

      Non-violence has pitfalls like self defense

    6. Both have to dowith a concept that I'm going to call tuning. I thinkwe are already being ecological - we just aren’t con-sciously aware of it. And those of us who say they’rebeing ecological might be saying it in a mode thatdoesn’t have anything in particular to do with coex-isting nonviolently with nonhuman beings, whichis roughly what I take ecological ethics and polit-ics to mean. T

      Introduction to what "tuning" is defined

    7. Attheendofecologyconferences,yousooftenhearsomeonesaying, ‘Butwhatarewegoingto do?”Andthishastodowithguiltaboutsit-tingonchairsforafewdays thinkingandtalking

      Criticizing/mocking ecology conferences

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  3. Jun 2026
    1. AlfredWegener’stheoryofcontinentaldrift,whichpositedupheavals ofsuddenandunimaginableviolence,wasfordecades discountedandderided.

      Science, not just literature, is influenced by gradualist thinking.

    2. Inthinking aboutthemismatch betweenmypersonalconcernsandthe contentofmypublishedwork,Ihavecometobe convincedthatthe discrepancyisnottheresultofpersonalpredilections:itarisesout ofthe peculiarforms ofresistance thatclimatechangepresentstowhatisnowregardedasseriousfiction

      Claim

    3. And if the urgency of a subject wereindeed a criterion of its seriousness, then, consideringwhat climate change actually portends for the future ofthe earth, it should surely follow that this would be theprincipal preoccupation of writers the world over — andthis, I think, is very far from being the case.

      What motivates him

    4. becausetotreatthemasmagical orsurrealwouldbetorobthemofpreciselythe quality thatmakes themso urgentlycompelling— whichisthattheyare actuallyhappeningonthis earth, at thistime.

      Treating them magically or 'unreal' discredits their urgency and significance.

    5. Tothecontrary, these highlyimprobable occurrencesareoverwhelmingly,urgently,astoundinglyreal.

      As "improbable" and "unreal" they look, they are genuinely real and is definitely dangerous to be disregarded as such.

    6. Orinother words:fillersareanattemptat rationalizing thenovelistic universe: turn-/ingitinto aworld of fewsurprises,feweradventures,and nomiraclesatall.

      It is more appealing to have more 'regularity' or 'normalness' in writing via fillers.

    7. robability and the modern novel are in fact twins,born at about the same time, among the same people,under a shared star that destined them to work as vesselsfor the containment of the same kind of experience.

      They work together?

    8. Ihavereturnedtothemoftenovertheyears,hopingtoputthemtousein a novel,but onlytomeetwithfailureateveryattempt.g

      It's not that such climate crises aren't talked about willingly, it's just difficult to do so in fiction.

    9. Sounfamiliarwasthisphenomenonthatthe papersliterallydid notknowwhattocallit:at a lossforwordsthey resorted to‘cyclone’and‘funnel-shaped whirlwind.”

      Highlighting absurdity of climate change disaster, writers did not know how to convey it.

    10. et, it is a striking fact that whennovelists do choose to write about climate change it isalmost always outside of fiction.

      Lack of preference on writing fiction about climate change compared to non-fiction.

    11. Thatclimatechangecastsamuchsmallershadowwithinthelandscape ofliterary fictionthanitdoeseveninthe publicarenaisnot hardtoestablish.

      Climate change isn't as significant in literary fiction.

    12. I would not be able to speak of these encountersas instances of recognition if some prior awareness ofwhat [ was witnessing had not already been implantedin me,

      You need a form of memory/past experience to recall to 'recognize' in essence.

    13. r. The knowledge that results from recogni-tion, then, is not of the same kind as the discovery ofsomething new: it arises rather from a renewed reckoningwith a potentiality that lies within oneself.

      wdym by this??

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