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    1. Even as you tacklethe same purpose, what may be motivating for one group may be off-putting to another. Calibrating your message to your audience andpurpose is both difficult and necessary.

      It is very complicated and has lots to think about writing.

    2. Attitudes: What attitudes do audiences bring to your writing? Arethey hostile? Excited? Wary? Are they interested in your subject orindifferent to it?

      Attitudes are helpful to decide the tome of writing.

    3. in some cases, it won’t really matter if we can identify thespecific genre, as long as we know how it’s working and what we’retrying to accomplish as we engage our audience

      The same thing knowing your audience.

    4. To know what kindof essay is being written requires deeper knowledge of why we’rewriting and who we’re writing to.

      It is important to know your subject and audience.

    5. Reading like a writer changes the question from what to how, as in,“How does this say what it says?”Reading like a writer involves asking questions of the piece ofwriting in order to understand what it’s trying to do and how it’s tryingto do it.

      Reading like a writer is like not just getting a story in my head but thinking about the authors point of you and getting into the author's head.

    6. Usually, we spend most of our time reading for meaning, taking inand assessing the ideas presented in a piece of writing.

      Usually when I read, it was just a story in my head.

    1. A few things that add warmth to the passage are Coryell’suse of everyday colloquial language

      Colloquial means it is informal, but in ordinary conversation.

    2. Ultimately,then, creativity and originality lie not in the avoidance of establishedforms but in the imaginative use of them.

      Everybody creates creative work based on people's work. Nothing is really new.

    3. It is plagiarism, however, if the words used tofill in the blanks of such formulas are borrowed from others withoutproper acknowledgment. In sum, then, while it is not plagiarism torecycle conventionally used formulas, it is a serious academicoffense to take the substantive content from others’ texts withoutciting the authors and giving them proper credit.

      Using a template is not plagiarism as long as the details are added my own words and proper credit has been given.

    4. Alexander avoids two common temptations: to either burychallenges to her argument, or to acknowledge them but in mocking,dismissive ways.

      The page says that I don't have to argue against famous person. It can be anyone including myself.

    5. Alexander avoids two common temptations: to either burychallenges to her argument, or to acknowledge them but in mocking,dismissive ways.

      The page says that I don't have to argue against famous person. It can be anyone including myself.

    6. views he treats not as objections to his already-formedarguments but as the motivating source of those arguments

      It is not necessarily disagreeing, but it is building upon argument.

    7. critical thinking and writing go deeper than anyset of linguistic formulas

      The templates will help practice, but not automatically making a good writer.

    8. Instead of focusing solely on abstract principles of writing, then,this book offers model templates that help you put those principlesdirectly into practice.

      For practice, I am using templates to create muscle memory.