pathetic sentence
Diction
pathetic sentence
Diction
Listen to that small voice from inside you, that tells you to go another way. George Eliot wrote, "It is never too late to be what you might have been." It is never too early, either. And it will make all the difference in the world. Take it from someone who has left the backpack full of bricks far behind. Every day feels light as a feather.
Extended metaphor
the Greek chorus
Allusion
a berm overlooking a pond in Vermont, the lip of the Grand Canyon at sunset.
description
Instead I'd like you to give up. Give up the backpack. Give up the nonsensical and punishing quest for perfection that dogs too many of us through too much of our lives. It is a quest that causes us to doubt and denigrate ourselves, our true selves, our quirks and foibles and great leaps into the unknown, and that is bad enough.
Anaphora (give up), breaking the fourth wall
a world that often likes to color within the lines when a spray of paint, a scrawl of crayon, is what is truly wanted.
extended metaphor
we learned to want for you things that you did not want for yourself. We learned to want the lead in the play, the acceptance to our own college, the straight and narrow path that often leads absolutely nowhere
anaphora (we learned)
hubris
Allusion, diction
You are not alone in this.
Anaphora (you)
Many a woman, too
allusion, parallelism
Catherine Drinker Bowen once wrote, more than half a century ago: "Many a man who has known himself at ten forgets himself utterly between ten and thirty."
Quote
You already know this. I just need to remind you. Think back. Think back to first or second grade, when you could still hear the sound of your own voice in your head, when you were too young, too unformed, too fantastic to understand that you were supposed to take on the protective coloration of the expectations of those around you.
Description
Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbirdand A Wrinkle in Time,you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had. And that is herself, her own personality, her own voice. If she is doing Faulkner imitations, she can stay home. If she is giving readers what she thinks they want instead of what she is, she should stop typing.
Allusion
Look at your fingers. Hold them in front of your face. Each one is crowned by an abstract design that is completely different than those of anyone in this crowd, in this country, in this world. They are a metaphor for you. Each of you is as different as your fingerprints. Why in the world should you march to any lockstep?
Metaphor, concise language
This will always be your struggle whether you are twenty-one or fifty-one.
Juxtaposition
Set aside the old traditional notion of female as nurturer and male as leader; set aside, too, the new traditional notions of female as superwoman and male as oppressor.
Juxtaposition
because there is no zeitgeist to read, no template to follow, no mask to wear.
parallelism
giving up on being perfect and beginning the work of becoming yourself.
Thesis
But nothing important, or meaningful, or beautiful, or interesting, or great ever came out of imitations.
Polsyndeton
Being perfect was hard work, and the hell of it was, the rules of it changed. So that while I arrived at college in 1970 with a trunk full of perfect pleated kilts and perfect monogrammed sweaters, by Christmas vacation I had another perfect uniform: overalls, turtlenecks, Doc Martens, and the perfect New York City Barnard College affect--part hyperintellectual, part ennui. This was very hard work indeed. I had read neither Sartre nor Sappho, and the closest I ever came to being bored and above it all was falling asleep. Finally, it was harder to become perfect because I realized, at Barnard, that I was not the smartest girl in the world. Eventually being perfect day after day, year after year, became like always carrying a backpack filled with bricks on my back. And oh, how I secretly longed to lay my burden down.
Imagery, narration, description
If there was a test to be had, I had studied for it; if there was a paper to be written, it was done.
Parallelism
I sometimes seem, in my mind, to have as much in common with that girl as I do with any stranger I might pass in the doorway of a Starbucks or in the aisle of an airplane.
imagery
Anna Quindlen
Author Name