25 Matching Annotations
  1. Sep 2019
    1. stiff-necked and stubborn-minded

      Interesting to include this in the first line following such an eloquent and beautiful description of the British Isles. Very jarring.

    2. The Britons, impatient at the assaults of the Scots and Picts, their hostilities and dreadful oppressions, send ambassadors to Rome with letters, entreating in piteous terms the assistance of an armed band to protect them, and offering loyal and ready submission to the authority of Rome, if they only would expel their invading foes.

      Wow he was quick to turn cheek, hating on Rome in the last paragraph to praising them for the protection in the next.

    3. pastors of God’s flock butchered, together with their innocent sheep

      I know this is meant to be comforting, and symbolize a pastor taking care of a community, but that is incredibly condescending and offensive, and I'm not even whom he's referencing. Yikes.

    4. than to refuse to show fear to God or affection to one’s own countrymen, and (without detriment to one’s faith) to refuse due honour to those of higher dignity

      This guy could not possibly be screaming "Listen to me" any louder.

    1. Each antagonist struck terror in the other.

      It is interesting they are both labeled as an antagonist here, because it brings forth the differing perspective of both beings, Beowulf and the Dragon. Beowulf goes to claim a hoard of treasure which the dragon guards ferociously, both the enemy in each others eyes.

    2. slick-skinned dragon

      This is the first time I've ever heard of a dragon being described as "Slick-Skinned". Normally, a dragon is described as noble, beautiful, or powerful, depending on what culture or civilization you're observing. It's interesting they aliken the dragon to a sea monster when they live surrounded by the ocean, and it makes me wonder if this is native English culture at work or Norse, since Norse mythos is so heavy in Sea monsters and deities.

    1. preen

      Preen is to (proudly) keep clean. In this context, the speaker is helping to personify the boat with a description alikening it to it's captain, the mightiest of warriors. This description is a very subtle part of the culture which is successful on three different levels! First, boats have been used since the beginning of civilization, and have a major role in the cultures of seafaring peoples. This role can be observed in the traditions of these societies which involve the naming and personifying of a captains boat before it's maiden voyage. This stanza of the poem highlights this cultural tradition by refering to the vessel as "her" several times, and using such specific diction as "preen" to compliment and give the boat lifelike qualities. Second, the watchman is displaying great respect for Hygelac’s thane all throughout this section of the poem, apparent through his compliments to the thane's powerful appearance, and the choice of preen here as a description of the thanes boat applies not only to it, but speaks to the the captain them self as well, describing them as proud and clean. And then lastly, preen is a great description for the actual action a boat takes, cutting through the waves whilst also keeping afloat high above the surface of the water, as if the boat is stepping gracefully through the waves, standing tall and straight. Its a very powerful image.

    2. The Eternal Lord had exacted a price: Cain got no good from committing that murder Because the Almighty made him anathema 110 And out of the curse of his exile there sprang Ogres and elves and evil phantoms And the giants too who strove with God Time and again until He gave them their final reward.

      The way the writers blend pagan beliefs with the catholic faith here is really interesting, and displays the complex relationship Catholicism and Paganism share in this time period. History books often explain belief systems as being mutually exclusive, but here is a prime example of how cultures can mix together over time.

    1. The king let his land at as high a rate as he possibly could; then came some other person, and bade more than the former one gave, and the king let it to the men that bade him more. Then came the third, and bade yet more; and the king let it to hand to the men that bade him most of all: and he recked not how very sinfully the stewards got it of wretched men, nor how many unlawful deeds they did; but the more men spake about right law, the more unlawfully they acted. They erected unjust tolls, and many other unjust things they did, that are difficult to reckon.

      Basically William rented out lordships to people who payed the most, not those who would make the best rulers. So everyone suffered.

    2. Hengest afterwards took to the kingdom

      Which kingdom? To the best of my knowledge These brothers ruled over Central and Eastern England, which is comprised of at least 2 kingdoms in the Heptarchy.

    3. From Anglia, which has ever since remained waste between the Jutes and the Saxons, came the East Angles, the Middle Angles, the Mercians, and all of those north of the Humber. Their leaders were two brothers, Hengest and Horsa; who were the sons of Wihtgils; Wihtgils was the son of Witta, Witta of Wecta, Wecta of Woden. From this Woden arose all our royal kindred, and that of the Southumbrians also.

      Correct me if I am wrong, but I take this to mean all of the rulers of Anglia (Which was split into two factions, the Jutes and the Saxons) and the Southumbrians, came from the same bloodline, begining with Woden and ending with the two brothers, Hengest and Horsa. The East Angles, the Middle Angles, the Mercians, and all of those north of the Humber were simply the people who lived in this region of England.