He wanted his work to be disseminated, to exist in multiple places at the same time, and to be realized completely only through the participation of the viewer, which he described as “one enormous collaboration with the public,” in which the “pieces just disperse themselves like a virus that goes to many different places—homes, studios, shops, bathrooms, whatever.” Reproducibility, collaboration, and circulation—sound familiar?
trans: 他希望他的作品是被散发开的，去在同一个时刻存在在不同的地方，同时，他的作品的完成要求了大量的观众参与，这被他描述成“one enormous collaboration with the public"（一个巨大的和观众的合作）这样，pieces就像病毒一样传播自己，去到了不同的地方，家里，工作室，商店，厕所，任何地方。