The government’s armed response to massdemonstrations included besieging key cities like Homs and Hama in thewest and Aleppo and eventually Idlib in the north
They're killing their own people
8 Matching Annotations
- Sep 2024
-
Local file Local file
-
-
www.amnesty.org www.amnesty.org
-
They beat them with different objects, a green hose, a silicone bar, and an iron bar that had a ball with spikes at the top. I cried the first three times when they made me watch but the guards hit me. We had to stay completely neutral the entire hour. I would tell myself that it’s not real, it’s just a scary movie that would last for fifteen minutes and then it’s over.”
convincing themselves this is not reality to remain neutral. Forced to be silent for own survival. Attempt at killing the natural reaction of pain toward someone else's pain so that you yourself can survive.
-
“The guard would always ask us to send five people to be tortured, and we organized ourselves so that the very young and the old wouldn’t have to go.
Of course, the dehumanization didn't work. Empathy remained. But an attack on human empathy was made. The trauma of having to decide who died remained.
-
-
Local file Local file
-
compare and contras
argue a view of object in film thats contrary
-
You merely need to makesure that this paragraph, and every successive one, is linked to its refer-ent.
What does this mean?
-
-
Local file Local file
-
Eisenstein was aware of the presence of objects in film sets and their importance ininfluencing an audience’s perception according to the filmmaker’s purposes
example of an analysis of another film looking st objects
-
The image of time, which the clock wascreating, did not arise in his mind. All he could see was thegeometric depiction represented by the face and hands of the clock
Chekhov, when looking at dead neighbor's head, does not see death of neighbor, but sees life for self.
-
.
This paper is going to show how to analyze the relevance, expressiveness, and functionality of objects in a film. It will explain how to look at a scene and analyze how an object finds meaning within the rest of the scene.
-