94 Matching Annotations
  1. Nov 2024
    1. Lana Del Rey's "National Anthem"

      Naya- I really enjoyed your project. I don’t know Lana’s music very well, but I am definitely very familiar with the song you chose. I was always confused by the purpose of the song, because it does have very patriotic lyrics, but I didn’t think Lana made that kind of music. So, you definitely helped me learn a lot. I really liked the way you framed your arguments surrounding the “American Dream” and how different groups of people experience that concept in different ways. Your argument of this was really strong, and it was especially apparent in the playlist and listening guide assignment. I think the way you framed this assignment made it really clear what you were trying to say. With that being said, I think I did not realize that that was the argument you were trying to make until I read that piece specifically. This very much could have been me not thinking on a deeper level, but I definitely think if I saw the playlist and listening guide first, I would understand the argument more throughout. Going back to the beginning after reading the listening guide, I definitely see the argument, so I do think it is incorporated very well (and it is not a problem with the strength of your argument), but maybe changing the structure/order of the pieces could help a reader. There were a few times that I addressed a few inconsistencies, in things like spelling/grammar, and then a few times in some of the parts of the playlist/listening guide. For example, in some points you put quotes around “American Dream” and other times you did not. These kinds of things accounted for the majority of feedback I gave because your project was ultimately very impressive and engaging to read. I especially liked the podcast piece!! It was so creative and professional, and really walked me through your own listening process. You were right when you talked about music being more than just the lyrics, but rather something to learn more about. I learned a lot 😊.

    1. Podcast

      My comments from listening to the podcast:

      1. I really like the part when you talked about her freshman album, but how it was really her sophomore album. I was confused about this when you first brought it up, which provided me clarity.

      2. I liked when you told us to pause the video and listen to the song. I think it is very important to include actually hearing the song in the context of your project.

      3. I think you could maybe have a little background, before you go right into asking questions. I feel like in podcasts, typically, there is often a bit of a story told first.

      4. The questions you are asking are really in depth and analytical. This is very impressive, and makes me really think about the song, more so than I have before.

      5. I don't know if this is something necessary considering the audience, but something I was thinking about... you discuss chord progressions and other complicated musical terms of that nature. It might be helpful to sort of define them when you're going in to the question, or maybe having your guest mention a brief explanation of what you are talking about.

      6. The demo part is so cool! I think that is so interesting that the song had a different title. I honestly think you could include this in your actual writing. This somehow changes the argument a bit for me, like I see it in a different way, that builds upon what you have already said. It might be interesting to consider "I want it all" in your introduction/other pieces of writing. The whole discussion about gender here too is so fascinating, and I think it would truly enrich your writing.

      7. Building off of the previous idea, a huge chunk of the podcast is spent discussing "I want it all." If you are talking about it this much (which I think is really cool), you might want to put some of this in writing. I think writing a little bit of an introduction on your podcast page about this other song might be very enriching. If not, all of the discussion of it in the podcast could seem out-of-place to some listeners.

      8. The title of the album is really interesting. I think you could tie this in to your argument a little more. You bring it up in your podcast, and I thought it was really cool!

      Side note: You have a great podcast voice. This sounded very professional, and I really felt like I was listening to a true podcast!!!

    1. Final Thoughts:

      I don't think you need this title necessarily. I think you should focus on anchoring back to your introduction more (if you are going to include a title). Maybe something relating to like arrival/departure.

    2. and more importantly who is capable of achieving it.

      This could be a seperate sentence (with appropriate punctuation). I think it is an important idea that deserves to be stand alone.

    3. American dream

      I just noticed this- but in some cases you have put American dream in quotations, and in other cases you have not. I recommend putting them all in quotations, just because its a sort of conceptual thing.

    4. Worried that others’ “mother[s] wouldn’t approve of how [her] mother raised [her]” (Mitski 01:24)

      This is not a complete sentence, maybe connect it with the next sentence, or with the previous sentence by switching the comma with a period. I think it will flow better with the previous sentence.

    5. Listeners of this playlist will be guided through how each song answers the question of what does it mean to be an American

      I think you could actually ask the question in the sentence to make it more effective. Like, saying, Listeners of this playlist will be guided through how each song answers the question: What does it mean to be an American?

    6. American dream and experience however that image that it paints through its lyrics and tune is misleading to what the majority of America goes through.

      This sentence is a bit difficult to follow. Might want to consider changing its order, or putting the "however that image" part inside commas.

    7. are out here living

      I think saying "are out here" is a little informal, in a paragraph when you have very formal writing. Maybe make it something like "are out living," by just getting rid of the here. I think it would make your writing sound stronger.

    1. but it discriminates against who can achieve that expectation.

      This seems to be sort of opposite to what you argument is saying. I think you are more so trying to say that it discriminates against who can't achieve that expectation? Maybe rework that last idea a little if you think its necessary.

    2. black man

      I think this might have been a copy and paste error, but I don't think this appositive is supposed to just say "black man." Maybe the a from before the ASAP Rocky is supposed to be there?

    3. This is the grim message Lana wants to share; the romanticization of the American dream is simply a dangerous mindset that misguides people into valuing superficial things like money and material items.

      Really good central idea!!

    4. Considering that both the rise of old Hollywood and the idea of the American dream came about in the 30’s makes the pairing of these two themes a very “time appropriate” style choice full of nostalgia.

      This sentence is overall very long. I think you could put a semicolon here. Like, the american dream in the 30's; the pairing is time appropriate.

    5. Known for her cult following who worship her old Hollywood and vintage aesthetic, Lana Del Rey uses this song to once again display her visual artistry.

      I see what you were trying to do in the arrangement of this sentence, but I think you are connecting two ideas that do not necessarily connect. The idea of cult worshipping and visual artistry don't necessarily connect. Maybe emphasize how the vintage aesthetic tells her visual artistry, if that is what you are attempting to say here?

    1. matters as a song

      This sort of seems like you are using it as a direct response to the prompt. Maybe revise to flow more with what you are saying previously. "National Anthem" is special or has meaning because... I think referring to it as a song takes away a little of what makes it special.

    2. o how does a love song about “Hamptons [and] Bugatti Veyron[s]” (Lana Del Rey 2012 “National Anthem”) end up including these challenging and thought-provoking themes?

      I love using a question at the beginning of the paragraph. It might be interesting to carry it through the rest of the introduction.

    3. Through the addition of her music

      Might want to say: the music video additionally provides a message of... I think the wording here is a bit confusing, and it could be tweaked for clarity.

    4. woman also impacts how her interaction with the American dream.

      This sentence has missing grammar- "woman also impacts how she interacts with the American dream," makes more sense.

    1. She Used To Be Mine MUSIC 1701by Annabelle Newberger

      Annie- I really loved this. I personally love “Waitress,” and seeing “She Used to be Mine” come to life, especially in your music review and diary entries (it was so fun to read). The parts when you talked about how the music represented what was going on in the story were so well written and engaging. Specifically, when you talked about Jenna gripping onto the couch and singing in a more belty style was so effective, and really allowed me to see more into the story, even though I have seen the show before. I also really liked the order in which you presented the material. I think finishing with the diary was a really good choice. Though, I think you might benefit from adding some video context of the show. For example, after your introduction and before your critical read, you could insert a video of Sara Bareilles’ performance of the piece. I think this would make it more clear for those who do not know the song. I think the main thing I had trouble with when reading is this: when people choose a song, it is typically more stand alone. You don’t need a ton of a story/context. But, because your song is within a musical theater show, it is all about context (which you did discuss in your listening guide). I think you would benefit from just generally adding more context in every one of the main pieces. Whether that's including a video of the performance before you begin discussing it, or clarifying the story on a new page (like a brief synopsis of “Waitress”). Or, even just giving a brief description of the characters/places you bring up before you start talking about them. I think you have to go back in with the lens that you know nothing about “Waitress,” and see when you can provide clarity. Definitely in the parts about Earl. Also, at the end, it might be cool to add a picture of Jenna at the end of the show. Your whole story is about making a change, and I think that would be awesome to show! Overall, I loved reading your project, and it kept me engaged the entire time.

    1. song, lyrics, potential pathways 1 2024-11-06T12:56:32-08:00 Annabelle Newberger bb3d2f8aa9a7727f7d77faf9a9bf4ba8e0729157 46323 3 plain 1559941 2024-11-06T12:58:04-08:00 Annabelle Newberger bb3d2f8aa9a7727f7d77faf9a9bf4ba8e0729157

      Reminder to fix this pathway.

    1. She wasgone but maybe she’s still mine.

      I think this will punch more in two sentences. She was gone. Maybe she is still mine.

      Because it is a diary, you can do that. I think breaking into two leaves more hope for the future, and not associating the whole thing with how Jenna lost herself.

    2. How could I be so stupid? One night, too much wine, that stupid red dress. I can’t believe I letthis happen, that I let him touch me at all. What is wrong with me? I used to have dreams. I usedto feel like I belonged to myself. There was a time when I had this picture in my mind of a lifethat was mine to build. But that girl is gone, it’s just me, the diner, this house, and him. And nowthere’s this thing growing inside me, tying me here even tighter.What happened to the girl who used to be mine? She’s trapped, and so is this baby.

      This is PERFECT!!

    3. Earl’s

      I know it's supposed to be a diary, so it is hard to like actually introduce the character, but the reader has no idea who that is. You could maybe say like My husband has been acting strange. Earl (something he does)... This might just contextualize it better.

    4. Dear Diary,

      This is honestly so well written, and there is not much feedback. I don't know how possible this is with Scalar, but adding some like doodles of pies or things like that in the margins would be super cool

    1. Each track reflects a different facet of Jenna’s emotional experience, from Taylor Swift’sreflection on the loss of innocence in “Never Grow Up” to the confrontation in “Words Fail.”Together, these songs build a cohesive narrative, encouraging listeners to recognize and come toterms with the parts of themselves they've lost over time. In doing so, hopefully finding healingand strength, and serving as a reminder that self-reflection and growth are intertwined This page has paths: 1 2024-11-06T12:47:46-08:00 Annabelle Newberger bb3d2f8aa9a7727f7d77faf9a9bf4ba8e0729157 A Song of Self-Rediscovery: The Emotional Depth of 'She Used to Be Mine' in Waitress Annabelle Newberger 3 Music Review Assignment plain 2024-11-06T21:37:49-08:00 Annabelle Newberger bb3d2f8aa9a7727f7d77faf9a9bf4ba8e0729157 Contents of this path: 1 2024-10-29T09:38:12-07:00 Echoes of Self 4 Playlist and Listening Guide plain 2024-11-06T21:39:11-08:00

      Might just be a formatting thing, but make this its own paragraph. It is amazing (the last sentence is so so so good) and it deserves to be seperated from 7 years.

    2. weight

      You might want to add a negative adjective before "weight." I think it will make more sense, because you are saying confronting, so like confronting the substantial weight or something along those lines.

    3. She

      You have not said Jenna in this paragraph yet, so I would consider saying her name as opposed to she. The reader will of course know it's Jenna, but I don't think it would hurt.

    4. juxtaposes feelings of defeat and powerlessness to a reclaiming of power and sense ofindividual identity apart from a significant other.

      I see this more here, when you talk about how "Fix You" is a bit more powerless. I think it was hard to see that in the previous paragraph/my comment, so you might want to consider adding a little somethjng about the defeat and powerless.

    5. “Fix You”

      This is a bigger idea comment, so I am not sure if it is too much to change. But, to me, "Fix You" has always had a bad connotation, and it is about being broken, and someone is trying to fix you (in an unhealthy way). And that just because you are broken... does not mean that you need to be fixed. I think this idea also aligns with Jenna's story, and reshaping your argument to the more negative connotation of the song might make it a bit stronger. To me, it is less about resolving your damage, it is about other people not allowing you to be broken.

    6. While Bareilles' song is ablend of musical theater and pop, it shares a subtle connection to country music, as the charactersin Waitress, the show it was written for, have Southern accents.

      This sentence is really long. I honestly don't think you need the part saying "the show it was written for," because by this point in your site, you have established it was written for Waitress.

    7. that she can protect that light in her daughter.

      This idea of her daughter comes a bit out of nowhere for me. I feel like you haven't discussed her daughter much, and then it appears here. Might want to provide more context for that (generally in the project, doesn't just have to be here).

    1. It is a lament for the woman she used to know, who was hopeful and full of potential, contrasted with the current version of herself, who feels broken and lost.

      You said who was hopeful in the first part and then who feels broken. You might want to make this parallel, either saying who feels/who was the same time in both parts of the sentence.

    2. The subtle choices in her vocal delivery—whether it’s the breathy beginning, the cracking of certain words, or the powerful chest voice in the climactic moments—enhance the emotional core of the song

      These dashes are perfect. They emphasize the points perfectly.

    3. "She Used to Be Mine" holds such strong resonance because it speaks to universal themes of identity and self-worth.

      This is a little redundant if things you have said previously. You could probably do without this sentence, because the next sentence already accomplishes the main ppint of the sentence.

    4. it

      This whol section is genuinely amazing. Instead of it, you could say something like she sings "these powerful words," just to represent just how impactful these parts are, if that makes sense.

    5. “She Used to Be Mine" holds a certain significance not just in the context of Waitress but in contemporary musical theater as a whole.

      This wording could be revised for better flow. It is good, but for the first sentence, it needs that bang which I think could be accomplished by rewording. ex.. holds a certain significance in not only waitress, but also in... I am not sure if that sounds better, but consider playing around there.

    1. The focus remains on the impact of commercial success, without much consideration of whether or not this has benefited artistic expression within the genre.

      This is so interesting. I honestly think you could expand on this idea, and it would connect back with your larger idea very well.

    2. It would be interesting to see how different the soundtrack would have been if she could have written it in her typical process.

      Personally, I think this sentence sounds a little too reflective. I am not sure if it necessarily flows with the rest of what you are saying, as it is more of an observation, as opposed to facts and analysis like you have done previously. You honestly may not even need this, and would be okay eliminating it.

    3. The argument that Broadway's blending of genres was an important cultural benchmark is compelling, particularly when examining how this new approach revitalized Broadway and expanded its audience base.

      This is so fascinating

    4. In the chapter "Chart Toppers to Show Stoppers" from The Routledge Guide to Broadway, Matthew Lockitt describes the growing intersections between pop music and Broadway

      Might want a different starting sentence, before entering right into the central idea. But, this could also be a stylistic choice.

    1. The song’s universal themes of self-worth and identity cross boundaries of race and class, particularly as many women in abusive relationships, especially women of color, experience barriers to reclaiming their sense of self.

      This sentence might benefit from a semicolon. It is somewhat long, but I see how the ideas connect, and you need to maintain that- so a semicolon might be good here.

    2. This gradual revelation is crucial for audiences, especially young women, who might see themselves in Jenna’s story and recognize the importance of valuing their own needs.

      Beautiful!!!!

    3. Bareilles' raw vocals and performance reflect the vulnerability of Jenna’s story

      As a personal fan of this song/musical (good choice!!!), I know that Sara Bareilles played Jenna. But, up until this point, you have only referred to Bareilles as the writer, and not the actor. It might make sense to include that she also played Jenna.

    4. This message is particularly impactful for young people as they grow into adulthood, reminding them of their inherent strength and value regardless of life's hardships.

      This is an amazing sentence. I think you can make it even more impactful if you split it up/eliminate some words. The end, after the comma, gets a bit wordy, and could "punch" a bit more if you said something like, reminding them of strength and value even in hardships. Something like that...

    5. comes

      I may be totally wrong here, but I don't think you need the extra s on the end here. You may be able to just say, the power and vitality of this song come from its layered....

    6. When Sara Bareilles writes,

      I may have missed it, but you have not yet introduced Sara Bareilles. For someone who does not know the song, it may be important to give a contextual statement of who she is (the writer).

    7. Through her journey, the audience witnesses her grappling with her hopes and dreams in the face of intense personal hardship.

      There are a lot of times that you say "her" in the one sentence. Consider making it more concise, like saying- Through her journey, the audience witnesses Jenna grapple with her hopes and dreams.... or something along those lines to eliminate the extra "her."

    1. Music ReviewPlaylist and Listening GuideFinal Major EssayBibliography

      I am not sure if you just haven't gotten to this yet, but make sure your introduction is also included in the table of contents, and the names under the table of contents reflect the creative titles that you have given your pieces.