And over the head of the master is always an image of felt, like a doll or statuette,which they call the brother of the master;
This passage reveals the deeply spiritual and symbolic nature of Mongol domestic life, with each dwelling containing felt figures that represent both personal and household guardians. It’s notable that Rubruck focuses on these figures not as mere decorations, but as part of daily ritual life, emphasizing how the Mongols integrated their belief system into the structure of their homes. This challenges Western stereotypes of the Mongols as purely nomadic warriors, showing instead a rich and organized spiritual culture that informed their everyday routines.