27 Matching Annotations
  1. Last 7 days
    1. BEAN COUNTING

      6 stanzas; 3 lines each; 18 lines total

      Enjambment: * lines 2-3: cry / Took * lines 5-6: nakedness / Shadows * lines 7-8: mother / Than * line 8-9: slow / Effacement * line 10-11: moth-breath / Flickers * lines 13-14: floral / In * lines 15-16: square // Whitens * lines 16-17: try / Your

      Line length: variable

      Punctuation: periods, commas, colon (line 11); semi-colon (line 17), hyphen (lines 13, 16), apostrophes (line 7, 15) Pronouns: you (baby?), your, its (cry, window square), our, We, I'm, I, my

      SOUNDING AND SENSING/MAKING SENSE

  2. Feb 2025
    1. a well excavated grave

      The connection of the sea to death makes sense. But the wording here trips me up... not in a bad way. But it does beckon me to become curious about the phrasing.

  3. Feb 2023
    1. It is one of the attractions of the unknown, their multitude, their vastness; for, instead of keeping their identity separate, as remarkable people do, they seem to merge into one another, their very boards and title-pages and frontispieces dissolving, and their innumerable pages melting into continuous years so that we can lie back and look up into the fine mist-like substance of countless lives, and pass unhindered from century to century, from life to life

      death

  4. Dec 2021
    1. For centuries the writing-desk has contained sheets fit precisely for the communications of friends. Masters of language, poets of long ages, have turned from the sheet that endures to the sheet that perishes, pushing aside the tea-tray, drawing close to the fire (for letters are written when the dark presses round a bright red cave), and addressed themselves to the task of reaching, touching, penetrating the individual heart

      Högberg 2020: 39 [excised: "turned from the sheet that endures to the sheet that perishes, pushing aside the tea-tray, drawing close to the fire (for letters are written when the dark presses round a bright red cave), and"]

    2. For centuries the writing-desk has contained sheets fit precisely for the communications of friends. Masters of language, poets of long ages, have turned from the sheet that endures to the sheet that perishes, pushing aside the tea-tray, drawing close to the fire (for letters are written when the dark presses round a bright red cave), and addressed themselves to the task of reaching, touching, penetrating the individual heart. Were it possible! But words have been used too often; touched and turned, and left exposed to the dust of the street

      Högberg 2020: 37 [excised: "turned from the sheet that endures to the sheet that perishes, pushing aside the tea-tray, drawing close to the fire (for letters are written when the dark presses round a bright red cave), and"]

    3. Slowly welling from the point of her gold nib, pale blue ink dissolved the full stop; for there her pen stuck; her eyes fixed, and tears slowly filled them

      Högberg 2020: 37

  5. Jul 2021
    1. If we tried to formulate our meaning in one word we should say that these three writers are materialists. It is because they are concerned not with the spirit but with the body that they have disappointed us,

      Fulker (WSA 1.3 epi);