10 Matching Annotations
  1. Mar 2021
    1. Venus complying with the invitation while it was yet being given, Silas pegged at him with his wooden leg, to call his particular attention to Mr Boffin standing musing before the fire, in the space between the two settles.

      I think this is an important representation of Mr. Venus and his character. Though he does not want Mr. Boffin to find the box that Wegg has hidden he also does not want to disrupt the peace. He complies with every command or suggestion that Wegg gives him, even if he thinks it is not a good idea. I feel that Mr. Venus' character is smarter than this though, this act of compliance seems to be a way to mediate a given situation (almost as a form of manipulation), especially since later on in the chapter Mr. Venus and Wegg get into a fight, thus, showing that he remains docile and dormant until aggression is needed.

    2. ‘I suppose,’ he said, taking one up to eye it closely, ‘you haven’t been lightening any of these; but it’s a trade of your people’s, you know. You understand what sweating a pound means, don’t you?’

      Even though Fledgeby has plotted and schemed throughout the novel entirety, his verbal abuse towards Riah is one that stood out to me the most. His blatant disrespect for her culture and the stereotypes that are associated with him are excessively used by Fledgeby in the form of cheap shots against Riah. I especially hate the way he says, "your people" as if she were not another human being just as he is.

    3. Another consequence that he had never foreshadowed, was the implication of an innocent man in his supposed murder.

      Throughout this novel I felt that many of the characters never throughout their actions in regards to their respected consequences. His "plan of deception" had many flaws from the very beginning and yet he did not think to stop and evaluate his plan until it was too late.

    4. There was grief in the aristocratic house, and there was joy in the Bower.

      I think this sentence really showcases the lack of empathy that is prevalent within this community as well as reinforcing the notion that no one can be trusted in this town. Not only was John brutally betrayed, beaten, and left to die from his injuries by someone that he had built an emotional connection with, his death was also celebrated by Silas Wegg.

    5. ‘Look here,’ said Fledgeby. ‘You’re deep and you’re ready. Whether I am deep or not, never mind. I am not ready. But I can do one thing, Lammle, I can hold my tongue. And I intend always doing it.’

      I find it almost noble of Fledgeby to no pursue Georgiana as much as his peers would have. Her fortune alone makes her a commodity within her community and it is admirable that Fledgeby refuses to go back to the unhappy lifetsyle that he once had.

  2. Feb 2021
    1. But, all the place was pervaded by a grimly ludicrous pretence that every pupil was childish and innocent.

      I find this sentence particularly interesting. The reoccurring theme of pretending to be someone that the characters are not is still adamantly expressed through the characters. The child-like innocence seems impossible to attain given the environment and circumstances, and yet despite everyone being aware of how "ludicrous" these expectations are, they are still expected nonetheless.

    2. ‘Don’t you fear me no more, ma’am,’ said Betty; ‘I thought of it for good yesterday. I don’t know what come over me just now, but it’ll never come again.’

      Betty seems to be a personification of the unjust contrast between the social classes. Betty is one of the few women that did not need assistance to make a living on her own, but her fear of not being enough to fit into the wealthier classes succumbs her in every way. This can be seen by her phrase choice, "Fear me no more."

    3. This was such an entirely new view of the Terpsichorean art as socially practised, that Mrs Lammle looked at her young friend in some astonishment. Her young friend sat nervously twiddling her fingers in a pinioned attitude, as if she were trying to hide her elbows. But this latter Utopian object (in short sleeves) always appeared to be the great inoffensive aim of her existence.

      The ongoing feeling of deceit is prevalent in this chapter; in this passage specifically the young girl is trying to fit in with her upper-class peers. This highlights the selfish theme in this book that showcases the characters' need for acceptance, regardless of how far they go to get it. Nothing seems to be good enough and yet every character seeks more than they can offer.

    4. ‘“A literary man—with a wooden leg—and all Print is open to him!” That’s what I thought to myself, that morning,’ pursued Mr Boffin, leaning forward to describe, uncramped by the clotheshorse, as large an arc as his right arm could make; ‘“all Print is open to him!” And it is, ain’t it?’

      This short passage highlights one of the themes that is more present throughout this chapter: wealth/class. The astonishment that Mr. Boffin showcases in regards to Mr. Wegg's intelligence seems to be a commentary on how the wealthier classes viewed the lower classes. How can this man be poor and disabled, and yet have such intelligence? Despite this fact, Mr. Boffin seems to be very accepting of Mr. Wegg.

  3. Jan 2021
    1. Lizzie took her right hand from the scull it held, and touched her lips with it, and for a moment held it out lovingly towards him: then, without speaking, she resumed her rowing, as another boat of similar appearance, though in rather better trim, came out from a dark place and dropped softly alongside.

      This short paragraph seems to be a commentary on the questionable ethics that go into Lizzie's upbringing. While it is admirable that her father would go through such great lengths to keep his family alive and well, he is also introducing Lizzie to his occupation at such a young age. Despite his occupation, Lizzie seems grateful for her father's sacrifices.