WandaVision is a loving and well-done parade through TV history , but it also seems inevitable that it will climax in an episode that looks like a Marvel movie on its way to becoming a small part of some future Marvel movie, effectively positioning Marvel as the climax of all televisual progress.
This explains that WandaVision is part of the Marvel movie series and might link to upcoming films.
The first three episodes, at about 90 minutes combined, are probably the longest Marvel has ever devoted to characters without including a fight scene. This may not pertain to future Marvel series—the forthcoming The Falcon and the Winter Soldier will probably be a more rock ’em, sock ’em affair
This tells us that WandaVision takes extra time to explore characters before introducing action.
The gags are tame, corny, and adorable. Vision carries Wanda over the threshold, but after accidentally apparating through the front door, he leaves her on the threshold. That silly Vision! Housewife Wanda accidentally breaks a flying dish over her hubby’s head. Handy Wanda can zap it back together!
This sentence shows that WandaVision features funny and light-hearted moments similar to classic sitcoms.
This is the premise of WandaVision, in which the Marvel Cinematic Universe gets serious about the small screen and deposits two secondary Avengers, Wanda Maximoff (Elizabeth Olsen), the sorceress known as the Scarlet Witch, and her husband Vision (Paul Bettany), a debonair android, into sitcom history, two superheroes adrift in TV Land.
This sentence highlights how WandaVision places superhero characters into a 1950s TV show setting.