while the male characters are cheerfully two-dimensional—not unlike the “beautiful fighting girls” discussed by Saitō (2011)—completely removed from the reality of homosexual men.[5] The specter of gender switching hangs over the story as both potential and threat.
This makes the story different because it is not focused on the guys as much as on this female character, Ira. Kind of like how the husband was depicted in "All My Darling Daughters".