Here are my initial impressions of the poem which, scattered as they may seem, will be developed further before class. The poem exaggerates the toils of domestic life, particularly condemning the chore of washing clothes. Something that is so seemingly mundane is directly compared to images of torture, more specifically, martyrdom. Marriage is described as a "yoke" and the hearth, the center of the home, is "reeking." Guests are unwelcomed. Meals, an act of daily fellowship, a communion, a bond, are described as "silent" and "anxious." Women are compared to the Muses (the metaphorical spirits of creativity that allow poets to speak the language of the gods), but have been reduced to gossip and menial labor. Barbauld mentions the dread of a rainy washing day, which interestingly enough, conveys two literary images of cleansing.
After describing the day to day suffering of women, the second stanza shifts to a description of childhood wonder: hot air balloons, bubbles, and the magic of the written word (see the final line along with Barbauld's description of "thrilling tale[s]"). The innocent mind cannot understand the oppression of the adult women who surround her (who are described as ethereal protectors). Instead, she turns her mind to things children understand.