1,900 Matching Annotations
  1. Jul 2019
    1. The king, enraged at this delay, hastily demanded the name of the bold man that had married a woman of her degree without his consent

      The King is furious that Imoinda is trying to deny him and demands that she reveal the name of her husband.

    2. She told him, as she was a maid, how proud of the divine glory she should have been, of having it in her power to oblige her king; but as by the laws he could not, and from his royal goodness would not, take from any man his wedded wife; so she believed she should be the occasion of making him commit a great sin if she did not reveal her state and condition, and tell him she was another’s, and could not be so happy to be his.

      Imoinda explains that she is still a virgin, and says that she would gladly give her virginity to the King, except that it is not hers to bestow on any man but her husband. She also reminds the King that their country’s laws and his own sense of honor would prevent him from sleeping with her.

    3. But Imoinda, all in tears, threw herself on the marble, on the brink of the bath, and besought him to hear her.

      Seeing the King sitting in the tub waiting for her arrival, Imoinda starts crying and falls to the edge of the bathtub, pleading with the King to listen to her.

    4. for she expressed her sense of the present the prince had sent her, in terms so sweet, so soft and pretty, with an air of love and joy that could not be dissembled, insomuch that ’twas past doubt whether she loved Oroonoko entirely. This gave the old king some affliction; but he salved it with this, that the obedience the people pay their king was not at all inferior to what they paid their gods; and what love would not oblige Imoinda to do, duty would compel her to.

      The King is upset to discover that Imoinda is truly in love with Oroonoko, but he reassures himself that Imoinda will surely accept his proposition. He knows that his people must obey their king like a god, so Imoinda’s sense of duty will surely override her love for Oroonoko.

    5. he loved when he came from war, to see all the English gentlemen that traded thither; and did not only learn their language, but that of the Spaniard also, with whom he traded afterwards for slaves

      Oroonoko learns English and Spanish by mingling with the English and Spanish slave traders he sold his prisoners to.

    6. I have already said, the old general was killed by the shot of an arrow by the side of this prince in battle; and that Oroonoko was made general.

      The narrator reminds readers that the death of Oroonoko’s foster-father has huge consequences other than just bringing Oroonoko back to court.

    7. His face was not of that brown rusty black which most of that nation are, but of perfect ebony, or polished jet. His eyes were the most awful that could be seen, and very piercing; the white of ’em being like snow, as were his teeth. His nose was rising and Roman, instead of African and flat. His mouth the finest shaped that could be seen; far from those great turned lips which are so natural to the rest of the negroes. The whole proportion and air of his face was so nobly and exactly formed that, bating his color, there could be nothing in nature more beautiful, agreeable, and handsome.

      The narrator gives detailed description on Oroonoko's features, which are all the more remarkable to the narrator because they are not exactly like what she has seen of his race. His skin is “perfect ebony” instead “brown rusty black,” and his nose is “Roman, instead of African and flat.” Based on his fine appearance, she guesses he must be a good ruler with a beautiful soul.

    8. This great and just character of Oroonoko gave me an extreme curiosity to see him, especially when I knew he spoke French and English, and that I could talk with him.

      The narrator is excited to get to see Oroonoko after hearing so much about him.

    9. Some part of it we may attribute to the care of a Frenchman of wit and learning, who, finding it turn to very good account to be a sort of royal tutor to this young black

      Oroonoko grew up with a background in Western education due to his French tutor.

    10. ’twas amazing to imagine where it was he learned so much humanity: or, to give his accomplishments a juster name, where ’twas he got that real greatness of soul, those refined notions of true honor, that absolute generosity, and that softness that was capable of the highest passions of love and gallantry, whose objects were almost continually fighting men, or those mangled or dead, who heard no sounds but those of war and groans.

      Like many heroes, Oroonoko is great in all areas.

    11. He had scarce arrived at his seventeenth year, when, fighting by his side, the general was killed with an arrow in his eye, which the Prince Oroonoko (for so was this gallant Moor called) very narrowly avoided; nor had he, if the general who saw the arrow shot, and perceiving it aimed at the prince, had not bowed his head between, on purpose to receive it in his own body, rather than it should touch that of the prince, and so saved him. ’Twas then, afflicted as Oroonoko was, that he was proclaimed general in the old man’s place: and then it was, at the finishing of that war, which had continued for two years, that the prince came to court

      Oroonoko's foster-father saves his life in battle, taking a fatal arrow in the eye that had been aimed at him. Oroonoko then becomes the new general, finishes the war, and comes back to court.

    12. Oroonoko coming from the wars (which were now ended), after he had made his court to his grandfather he thought in honor he ought to make a visit to Imoinda, the daughter of his foster-father, the dead general; and to make some excuses to her, because his preservation was the occasion of her father’s death

      So Oroonoko is trained by the country’s best and oldest general, the father of Imoinda, who becomes his foster-father.

    13. Those who want slaves make a bargain with a master or a captain of a ship, and contract to pay him so much apiece, a matter of twenty pound a head, for as many as he agrees for, and to pay for ’em when they shall be delivered on such a plantation: so that when there arrives a ship laden with slaves, they who have so contracted go aboard, and receive their number by lot; and perhaps in one lot that may be for ten, there may happen to be three or four men, the rest women and children. Or be there more or less of either sex, you are obliged to be contented with your lot. Coramantien, a country of blacks so called, was one of those places in which they found the most advantageous trading for these slaves, and thither most of our great traders in that merchandise traffic; for that nation is very warlike and brave: and having a continual campaign, being always in hostility with one neighboring prince or other, they had the fortune to take a great many captives: for all they took in battle were sold as slaves; at least those common men who could not ransom themselves. Of these slaves so taken, the general only has all the profit; and of these generals our captains and masters of ships buy all their freights.

      This detailed account of how the slave trade works reveals how the institution of slavery dehumanizes everyone involved.

    14. Those who want slaves make a bargain with a master or a captain of a ship, and contract to pay him so much apiece, a matter of twenty pound a head, for as many as he agrees for, and to pay for ’em when they shall be delivered on such a plantation

      The narrator then goes on to explain how the slave trade works. Those looking to purchase slaves make a deal with a ship’s captain to pay him so much per slave.

    15. we find it absolutely necessary to caress ’em as friends, and not to treat ’em as slaves, nor dare we do other, their numbers so far surpassing ours in that continent. Those then whom we make use of to work in our plantations of sugar are negroes, black slaves altogether, who are transported thither in this manner.

      The narrator explains that because the natives cannot be enslaved, the colony imports African slaves to work the sugar plantations.

    16. And these people represented to me an absolute idea of the first state of innocence, before man knew how to sin. And ’tis most evident and plain that simple Nature is the most harmless, inoffensive, and virtuous mistress. ’Tis she alone, if she were permitted, that better instructs the world than all the inventions of man. Religion would here but destroy that tranquillity they possess by ignorance; and laws would but teach ’em to know offense, of which now they have no notion.

      The narrator proclaims that religion would only destroy the natives' peace, which they naturally possess through “ignorance,” and laws would only teach them how to cause offense.

    17. Some of the beauties, which indeed are finely shaped, as almost all are, and who have pretty features, are charming and novel; for they have all that is called beauty, except the color, which is a reddish yellow; or after a new oiling, which they often use to themselves, they are of the color of a new brick, but smooth, soft, and sleek. They are extreme modest and bashful, very shy, and nice of being touched. And though they are all thus naked, if one lives forever among ’em there is not to be seen an undecent action, or glance: and being continually used to see one another so unadorned, so like our first parents before the Fall, it seems as if they had no wishes, there being nothing to heighten curiosity; but all you can see, you see at once, and every moment see; and where there is no novelty, there can be no curiosity.

      The narrator details what the natives look like. She says that the natives “have all that is called beauty, except the color” and are “extreme modest and bashful, very shy, and nice of being touched.” They are also mostly naked, but because they are so used to seeing each other this way, partial nudity does not excite sexual feelings between men and women: “where there is no novelty, there can be no curiosity.”

    18. those they make use of there not being natives of the place: for those we live with in perfect amity, without daring to command ’em; but, on the contrary, caress ’em with all the brotherly and friendly affection in the world

      The white colonists in Suriname apparently live with the natives in “perfect amity,” and don’t “command” them.

    19. But before I give you the story of this gallant slave, ’tis fit I tell you the manner of bringing them to these new colonies; those they make use of there not being natives of the place: for those we live with in perfect amity, without daring to command ’em; but, on the contrary, caress ’em with all the brotherly and friendly affection in the world; trading with them for their fish, venison, buffalo’s skins, and little rarities; as marmosets, a sort of monkey, as big as a rat or weasel, but of marvelous and delicate shape, having face and hands like a human creature; and cousheries, a little beast in the form and fashion of a lion, as big as a kitten, but so exactly made in all parts like that noble beast that it is it in miniature.

      Behn gives detailed description on Suriname's native people and animals. See her style of using long sentences here.

    20. I was myself an eye-witness to a great part of what you will find here set down; and what I could not be witness of, I received from the mouth of the chief actor in this history, the hero himself, who gave us the whole transactions of his youth

      She makes it clear in the beginning of the novel that she is “an eye-witness,” that this story is not heresy.

    21. I do not pretend, in giving you the history of this Royal Slave, to entertain my reader with adventures of a feigned hero, whose life and fortunes fancy may manage at the poet’s pleasure; nor in relating the truth, design to adorn it with any accidents but such as arrived in earnest to him: and it shall come simply into the world, recommended by its own proper merits and natural intrigues; there being enough of reality to support it, and to render it diverting, without the addition of invention.

      Because Behn states that she is writing about true events, she begins her novel with this statement defending the legitimacy in order to make it believable to the reader.

    1. Augustus Cæsar

      Augustus was a Roman statesman and military leader who was the first emperor of the Roman Empire, reigning from 27 BC until his death in AD 14. His status as the founder of the Roman Principate has consolidated an enduring legacy as one of the most effective and controversial leaders in human history.

    2. .

      I enjoyed these essays a lot! There's tons of wisdom in them. He is so inspirational and has so many unique ideas that I could listen to him speak for days. I also love his writing style. His sentences achieve a carefully constructed balance and he uses parallelism and comparisons a lot, which helps readers understand his ideas easily.

    3. Abeunt studia in mores;” nay, there is no stond or impediment in the wit, but may be wrought out by fit studies: like as diseases of the body may have appropriate exercises; bowling is good for the stone and reins, shooting for the lungs and breast, gentle walking for the stomach, riding for the head, and the like

      Wit is a God-given gift. It is present in everybody. However, it can be sharpened by selective studying. This is similar to the way certain weaknesses of the human body are cured by appropriate physical exercises.

    4. if his wit be no apt to distinguish or find differences, let him study the schoolmen, for they are “Cymini sectores

      This line is Latin for “hairsplitters” or literally “dividers of cumin seed.” Basically, Bacon is using an English idiom meaning that Schoolmen (that would be teachers) like to closely examine small, unimportant details as if they were the most important thing around.

    5. What is truth? said jesting Pilate; and would not stay for an answer. Certainly there be that delight in giddiness; and count it a bondage to fix a belief; affecting free-will in thinking, as well as in acting.

      Oh I like his plain style - simple, direct, and straightforward!

    1. .

      I guess I like Wroth's sonnets more than her prose romance Urania, which is somewhat difficult to understand. Many of her sonnets show the notion of one sided or unrequited love and deal with the themes of love and betrayal, which are quite intriguing to me.

    2. Love what art thou? Causeless cursed Yet alas these not the worst, Much more of thee may be said But thy law I once obeyed Therefore say no more at first

      The speaker concludes the poem by stating that they would like to continue to say far worse things about love, but since they have been in love before as well, they will refrain from this.

    3. .

      In the second and third stanzas the speaker slightly changes their tune. While they still emphasize that love will eventually turn bad, they compare the initial feeling of love to a fresh morning as well as a beautiful flower.

    4. A sweet flower Once full blown, dead in an hour

      The speaker is saying love is wonderful and does exist, but only for a short time towards the beginnings of a relationships and then dies like “a sweet flower / Once full blown, dead in an hour.”

    5. Leave the discourse of Venus and her son* To young beginners, and their brains inspire With stories of great love, and from that fire Get heat to write the fortunes they have won,

      Her muse cannot be responsible for teaching young lovers about passion; they must turn to "the discourse of Venus and her sun (pun of "son," referencing Venus's son, Cupid, the Roman god of love.

    6. Thus let me take the right, or left hand way; Go forward, or stand still, or back retire; I must these doubts endure without allay Or help, but travail* find for my best hire; Yet that which most my troubled sense doth move Is to leave all, and take the thread of love.

      The speaker decides that she must simply choose a way and move on, enduring her doubts, the "travail" or suffering the only reward on which she can depend.

    7. the thread of love.

      This is an allusion to the Greek myth in which Ariadne, defying her father, gave Theseus a thread to unwind behind him in the labyrinth at Crete. After killing the Minotaur, he was able to find his way out by following the thread; shortly thereafter, he abandoned Ariadne.

    8. Unseen, unknown, I here alone complain To rocks, to hills, to meadows, and to springs, Which can no help return to ease my pain, But back my sorrows the sad Echo brings.

      Is the speaker lamenting the absence of a loved one?

    9. Mary Wroth

      Lady Mary Wroth (1587-1651 or 53) was an English poet of the Renaissance. A member of a distinguished literary family, Lady Wroth was among the first female British writers to have achieved an enduring reputation. She is perhaps best known for having written The Countess of Montgomery's Urania.

    1. F I N I S.

      I think “The Description of Cookham” is so beautifully written! The poem is a farewell to the beloved estate Cookham and its lady, the Countess of Cumberland. The imagery she uses embodies a great sense of femininity. The elements of nature such as flowers and fruits are personified to resemble women. In "Eve's Apologie," Lanyar portrays Eve from a feminine angle, which is quite different from the classical Biblical depiction. In the poem, Eve is like God's gift to Adam, rather than a seductress or sinner. Lanyar suggests that Adam’s inability to stop himself from eating the apple has been wrongly blamed on Eve. It's a very interesting angle and after reading this poem, I'm totally convinced by Lanyar that Eve should not be responsible for the fall of all mankind!

    2. worthy wife

      Pilate's wife pleaded with him to have nothing to do with Jesus (Matt 27:19). Apocryphal texts name Pilate's wife Claudia Procla or Procula, and there is a tradition that she may have been a secret follower of Jesus. Pilate and Claudia were killed under Tiberius, and are recognized as saints by some Christian churches.

    3. Passeouer

      The most important festival of the Jewish year. Commemorates the night of the tenth plague of Egypt when the firstborn of Israelite slaves who followed divine instructions were "passed over'" and spared from being slain by the Angel of Death.

    4. Eccho

      Echo, a nymph in classical mythology. She was cursed to speak only when spoken to, in repetition of others. Echo's love, Narcissus, spurned her since she only repeated his words. In her grief, Echo wasted away to a shadow, leaving only her voice.

    5. But surely Adam cannot be excus’d, Her fault, though great, yet he was most too blame; What Weaknesse offred Strength might haue refus’d, Being Lord of all the greater was his shame:

      She argues that Adam shares the guilt, as he is shown in the Bible as being stronger than Eve, and so capable of resisting the temptation.

    6. Our Mother Eue, who tasted of the Tree, Giuing to Adam what she held most deare, Was simply good, and had no powre to see, The after-comming harme did not appeare: The subtile Serpent that our Sex betraide, Before our fall so sure a plot had laide.

      Lanyar defends Eve and women in general by arguing that Eve is wrongly blamed for Original Sin and no blame attached to Adam.

    7. Aemilia Lanyar

      Aemilia Lanyar was an English poet in the early modern English era. She was the first Englishwoman to assert herself as a professional poet, through a single volume of poems, Salve Deus Rex Judaeorum (1611)

    1. .

      These poems are fascinating and beautiful. I like his use of imagery, paradoxes, ironies, and metaphors in various songs and sonnets. Among them I particularly like "The Relic" and "Death Be Not Proud" (Sonnet 10), in which Donne addresses the theme of death, because how he deals with this theme is quite different in each poem. It's also interesting that he often has different attitudes toward love and uses different metaphors to describe love. For example, in "A Valediction Forbidding Mourning," he compares his lover to a compass, and depicts that no matter how far they're from each other, they're always connected through their love.

      "If they be two, they are two so As stiff twin compasses are two; Thy soul, the fix’d foot, makes no show To move, but doth, if th’ other do."

    2. If they be two, they are two so As stiff twin compasses are two ; Thy soul, the fix’d foot, makes no show To move, but doth, if th’ other do.

      Interesting! He compares their love to dying old men, earthquakes, stars, gold, and a compass.

    3. A Selection of Holy Sonnets

      The Holy Sonnets are a series of nineteen poems by the John Donne. The sonnets were first published in 1633—two years after Donne's death. The poems are sonnets and are predominantly in the style and form prescribed by Renaissance Italian poet Petrarch (or Francesco Petrarca) (1304–1374) in which the sonnet consisted of two quatrains (four-line stanzas) and a sestet (a six-line stanza).

    4. Who thought that this device might be some way To make their souls at the last busy day Meet at this grave, and make a little stay?

      Referring to the day of judgement, people need all their body parts to get into heaven/hell, if he has some of her hair they'll need to meet so she'll have all her parts.

    5. I will give you There to another friend, whom we shall find As glad to have my body as my mind.

      In London, he would give his heart to such friends as would be glad to have his body as well as his mind. True love relationship is both of the body and the spirit. It is only such relationship that gives satisfaction.