21 Matching Annotations
  1. Apr 2021
    1. The words were but out of his mouth when John Harmon lifted his finger, and Sloppy, who was now close to Wegg, backed to Wegg’s back, stooped, grasped his coat collar behind with both hands, and deftly swung him up like the sack of flour or coals before mentioned.

      After the commotion and the heated debate, Sloppy grabs Wegg by the collar and literally throws him out of the house. Weggs' body lands right into some sort of trash cart that's out in the street. Charles Dickens brilliance for metaphors is hilarious and yet accurate to the story and the situation yet again, basically this moment basically illustrates a good bye or at least a aggressive see you later to Mr. Wegg.

  2. Mar 2021
    1. The winds and tides rose and fell a certain number of times, the earth moved round the sun a certain number of times, the ship upon the ocean made her voyage safely, and brought a baby-Bella home. Then who so blest and happy as Mrs John Rokesmith, saving and excepting Mr John Rokesmith! ‘Would you not like to be rich now, my darling?’

      As time has progressed, Bella has given birth to a baby girl. Once this happened, her husband John began to show more signs of stress. Oddly he makes comments about how things would be better if they were rich and Bella ask why he would ask this. This short interaction tells me of Charles Dickens understanding of the reality of the world and how it would never change of real adulthood. People today in present time will think of things like this when times are hard. This was worthy to note because of the authenticity of John and how relatable it was.

    2. The purity with which in these words she expressed something of her own love and her own suffering, made a deep impression on him for the passing time. He held her, almost as if she were sanctified to him by death, and kissed her, once, almost as he might have kissed the dead. ‘I promised that I would not accompany you, nor follow you. Shall I keep you in view? You have been agitated, and it’s growing dark.’ ‘I am used to be out alone at this hour, and I entreat you not to do so.’ ‘I promise. I can bring myself to promise nothing more tonight, Lizzie, except that I will try what I can do.’ ‘There is but one means, Mr Wrayburn, of sparing yourself and of sparing me, every way. Leave this neighbourhood to-morrow morning.’ ‘I will try.’ As he spoke the words in a grave voice, she put her hand in his, removed it, and went away by the river-side.

      In my opinion this is one of the most romantic scenes in the entire novel. The conversation between the two leading up to this is filled with such tenderness and pity that it is hopelessly romantic. The sad and unfortunate truth is that Lizzie really is very fond of Eugene. But according to dickens writing she knows he has no intention of marrying her, mainly because of the society that they live-in and since she's so far beneath him socially. What got me the most is right before Eugene leaves he has in my opinion a important question to ask, Eugene wanted to know what Lizzie would think of him if the two of them were on equal terms socially. She gives a wordy but vague answer, and then he kisses her once before keeping his promise and leaving. This was so touching and yet so fitting due to what happens next. What moment that was, Charles Dickens nocked out of the park with his high level of romance.

    3. ‘Dearest Ma, I hope you won’t be angry, but I am most happily married to Mr John Rokesmith, who loves me better than I can ever deserve, except by loving him with all my heart. I thought it best not to mention it beforehand, in case it should cause any little difference at home. Please tell darling Pa. With love to Lavvy, Ever dearest Ma, Your affectionate daughter, Bella (P.S.—Rokesmith).’

      When reading I was surprise to see that Bella was not going to have her mother at her own wedding. In a way of making up for it, Bella gives John a letter to mail to her mother. I pointed this out because not only is she not inviting her mom but in the letter, it also says nothing about Mr. Wilfer being there. So not only is she not inviting her mother she is not telling her mother about her father being there. This is sad that the family is not unified.

    4. Plashwater Weir Mill Lock looked tranquil and pretty on an evening in the summer time. A soft air stirred the leaves of the fresh green trees, and passed like a smooth shadow over the river, and like a smoother shadow over the yielding grass. The voice of the falling water, like the voices of the sea and the wind, were as an outer memory to a contemplative listener; but not particularly so to Mr Riderhood, who sat on one of the blunt wooden levers of his lock-gates, dozing. Wine must be got into a butt by some agency before it can be drawn out; and the wine of sentiment never having been got into Mr Riderhood by any agency, nothing in nature tapped him.

      The opening was very comical for me and I love Dickens comedic style. As the chapter open Mr. Riderhood has obtained a new job working at a lock along the river. I feel that Riderhood is kind of lonely because the job is a solo job, since he spends a lot of time just sitting around and waiting for a boat to pass by. But Riderhood is also lazy so this job fits him very well.

    5. rushed at Bella and caught her in his arms, with the rapturous words ‘My dear, dear girl; my gallant, generous, disinterested, courageous, noble girl!’ And not only that even, (which one might have thought astonishment enough for one dose), but Bella, after hanging her head for a moment, lifted it up and laid it on his breast, as if that were her head’s chosen and lasting resting-place! ‘I knew you would come to him, and I followed you,’ said Rokesmith. ‘My love, my life! You are mine?’ To which Bella responded, ‘Yes, I am yours if you think me worth taking!’ And after that, seemed to shrink to next to nothing in the clasp of his arms, partly because it was such a strong one on his part, and partly because there was such a yielding to it on hers.

      This is a touching moment when Mr. Rokesmith shows up and I quote "takes Bella in his arms."

      Charles Dickens is incredible for his eye for romance, he explains in the writing that Rokesmith realizes that Bella has given up her life of fortune for him, and the two of them decide they'll be together forever. This is a big scene and shoulf be noted as such. Obviously with Mr, Wilfer standing right there witnessing everything, the two of them turn to him first and ask his consent, which he gives and after reading I was filled with joy.

    6. John Harmon, gives to Nicodemus Boffin the Little Mound, which is quite enough for him, and gives the whole rest and residue of his property to the Crown.’

      This was interesting that Wegg began to show Venus out to the dust mounds. Wegg begins to discuss about him digging up an old hat box. Inside the box was the hidden piece of the Harmons fortune. Harmon discuess in the paper about his will, that all of his money will go to the government and not to Mr. Boffin. Charles dickens ability of plot twist is brilliant. This is significant because if Wegg were to ever show the document to the authorities, Boffin would lose literally everything.

    7. The entry being low, and the staircase being low, they so took up the burden they had set down, as to carry that low. The recumbent figure, in passing, lay hardly as high as the half door. Miss Abbey started back at sight of it. ‘Why, good God!’ said she, turning to her two companions, ‘that’s the very man who made the declaration we have just had in our hands. That’s Riderhood!’

      This whole chapter was very interesting but this situation is one I will remember the most. Dickens approach to bringing a situation from mellow to intense is outstanding. While Riah was at Jenny Wren's bar and the wild conversation regarding the letter was coming to a close a random person comes charging into the bar and franticly tells of a steamer that has ran over someone. What is even crazier is that its Riderhood!! I pointed this out in this chapter for the simple fact that this is another person who has something to do with the Harmon murder. Charles Dickens way of surprising the reader is unparalleled but his way of connecting everything is brilliant.

      It looks like the people connected to the Harmon murder are dropping like flies.

    8. I know I evade it, as many men—perhaps most men—do evade thinking their way through their greatest perplexity. I will try to pin myself to mine. Don’t evade it, John Harmon; don’t evade it; think it out!

      OK WHOA! The guy is obviously taking a lonely stroll by himself and he is taking about the things in his head. He goes over different things that have happened to him and then he talks to himself in third person and IT'S JOHN HARMON! He is the heir of the Harmon fortune and we all thought that he was dead. This is a huge moment and my jaw dropped.

    9. First of all, that I have grown timid of reviving John Harmon’s name. It’s an unfortunate name, and I fancy I should reproach myself if I gave it to another dear child, and it proved again unlucky.’

      This scene had me giggling a little with Mrs. Boffin because of the paranoia. The boffins decided to keep searching for someone else to take the thrown but what was kind of funny was how they were against giving anyone else the name because they believed it to be cursed since two other people with the name have died. It make me wonder about naming my future children.

    10. What did you think of Georgiana?’ asked Mr Lammle. ‘Why, I’ll tell you,’ said Fledgeby, very deliberately. ‘Do, my boy.’ ‘You misunderstand me,’ said Fledgeby. ‘I don’t mean I’ll tell you that. I mean I’ll tell you something else.’ ‘Tell me anything, old fellow!’ ‘Ah, but there you misunderstand me again,’ said Fledgeby. ‘I mean I’ll tell you nothing.’

      So Lammle came by for breakfast with Mr, Fledgeby. In the conversation Lammle ask Mr. Fledgeby what he thinks of Georgiana. I wanted to point this conversation out mainly because of Mr. Fledgebys' response. He says that he doesn't care to tell him what he thinks because he basically doesn't want to be Lammles' puppet when it comes to girls. I love this because this discussion shows how independent Fledgeby is and wants to meet someone on his own terms.

  3. Feb 2021
    1. Even in this temple of good intentions, an exceptionally sharp boy exceptionally determined to learn, could learn something, and, having learned it, could impart it much better than the teachers; as being more knowing than they, and not at the disadvantage in which they stood towards the shrewder pupils. In this way it had come about that Charley Hexam had risen in the jumble, taught in the jumble, and been received from the jumble into a better school.

      Charlie ran away from his father Gaffer in order to get into a school and be able to obtain knowledge himself. From what I read , Charley's school is filled with teachers who are actually nice and kind but are extremely incompetent.

    2. when a man with a wooden leg lies prone on his stomach to peep under bedsteads; and hops up ladders, like some extinct bird, to survey the tops of presses and cupboards; and provides himself an iron rod which he is always poking and prodding into dust-mounds; the probability is that he expects to find something.

      The image of Mr. Wegg laying down on his stomach and peeping under the beds in Boffin's house. It seems like he is looking through the whole place all over, though I have know idea what he is looking for. Its scenes like these that build up this story and I look forward to discovering the answers.

    3. I don’t know Mr Lightwood, I have a disagreeable association connected with him. It is not his fault; he is not at all to blame for it, and does not even know my name.’

      This is small but to me packs a interesting punch. As you might recall, Mr. Rokesmith is Julius Handford and so it makes since that he wouldn't want to run into Mr. Lightwood who would most likely remember him from the police station.

    4. Do I mean to tell you what?’ ‘That you are a man of property?’ ‘No.’ ‘Then you married me on false pretences?’ ‘So be it. Next comes what you mean to say. Do you mean to say you are a woman of property?’ ‘No.’ ‘Then you married me on false pretences.’

      In the middle of being reading about the wedding between Alfred Lammle and Sophronica. I began to laugh in surprise historicalness by the realization of the two figuring out that they both thought the other was rich. In reality both of them have no money to themselves. It seems to me that veneering has had a lot to do with making both of them think the other had wealth. The dude just wanted to get them to be together romantically and made all of it up...classic (haha).

    5. ‘But I was his pardner. Mind you, Miss Abbey, I was his pardner. As such I know more of the ins and outs of him than any person living does. Notice this! I am the man that was his pardner, and I am the man that suspects him.’

      So the guy is mad that he gets turned out of the bar when men like Gaffer Hexam are allowed to stay as long as they want. So then he tells Potterson that he used to be Gaffer's partner along the river. The reason I thought this was probably the most interesting moment of all was that this should ring a bell, since Gaffer's former partner "Riderhood" also showed up in the first chapter of this story.

  4. Jan 2021
    1. ‘Rumty iddity, row dow dow, Sing toodlely, teedlely, bow wow wow.’ Thus he was constantly addressed, even in minor notes on business, as ‘Dear Rumty’; in answer to which, he sedately signed himself, ‘Yours truly, R. Wilfer.’

      I laughed or giggled more than anything with this. With everything happening it seemed to be that Dickens decided to throw some light comedy in the mix by giving us a brilliant backstory on the nicknames.

    2. You missed a friend, you know; or you missed a foe, you know; or you wouldn’t have come here, you know. Well, then; ain’t it reasonable to ask, who was it?’ Thus, Mr Inspector.

      This is a big moment in the book. We're in the post John Harmon death and my draw dropped with the response here. But more importantly what was really intriguing was when he said, " you missed a friend". What does he mean by that? Is he trying to imply something?

    3. There was a curious mixture in the boy, of uncompleted savagery, and uncompleted civilization. His voice was hoarse and coarse, and his face was coarse, and his stunted figure was coarse; but he was cleaner than other boys of his type; and his writing, though large and round, was good; and he glanced at the backs of the books, with an awakened curiosity that went below the binding. No one who can read, ever looks at a book, even unopened on a shelf, like one who cannot.

      This is so pure and so brilliant. As the reader I am already at a emotional high but words of choice and Dickens genius way of articulating and painting the picture really does bring you in. I love how he uses the word "coarse" to describe not just one part of his body but as a multi purpose word to capture the reader and aid us in our attempt to create this in our minds.

    4. Mr and Mrs Veneering, for example, arranging a dinner, habitually started with Twemlow, and then put leaves in him, or added guests to him

      I am intrigued by how Mr, Dickens is using an example within an example to describe the scenario. At first it was confusing but knowing the style of writing and re-reading it starts to make since. But the biggest question is why is he really using these two as an example?

    5. Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still there was a business-like usage in his steady gaze. So with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage.

      It's always interesting how certain words provoke a deeper feel to a situation. For example, how Dickens said, " to the bottom of the river than the surface..". For me that was a huge attention grab to what he was about to describe. The entire paragraph is filled with an unusual methodical description of the girl and I thought it was worth noting because it's the beginning of something and thus makes it important to remember for future reference.