28th chapter of Deuteronomy
These are the "Blessings for Obedience"
13 Matching Annotations
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scuppernon’
A type of grape
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Mrs. Stowe, let me hasten to say, attacked the possibilities of slavery with all the eloquence of genius; but the same genius painted the portrait of the Southern slave-owner, and defended him.
- This is a reference to Harriet Beecher Stowe's Uncle Tom's Cabin, which was a prominent abolitionist text. Here, Harris is suggesting that it was actually a kind portrait of slavery.
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Hon. Pompey Smash
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soupçon
A trace
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She wore no mourning garments; she had none.
This is a final indignity-- to not be able to mourn one's family properly.
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“That you, a Northerner and a soldier, should presume to ask for the hand of a Southern lady, shows, sir, that you have not the least comprehension of us or of our country.”
A suggestion that the South is a different country, despite Reconstruction.
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“I can wear my old muslin cape, but my arms will have to show, and my feet too,”
There is an intimation here that the poverty brought on from the Civil War is actually an offense to Southern women's modesty.
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noblesse oblige!
Literally means "noble obligation." In practice, it means that if someone claims to be noble, they must act generously like a noble.
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“Are they not our enemies, and the enemies of our country? Vandals? Despots?”
For folks like Gardis, the War has not entirely ended.
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I shall be proud to constitute myself the one to rescue it for the benefit of posterity
Cousin Copeland is still holding on to vestiges of the past. While he is a historian, his work is decidedly self-possessed.
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The Gardiston spirit was hospitable to the core; but these—these were the Vandals, the despots, under whose presence the whole fair land was groaning. No; she would not ask them in.
A reminder that the Civil War created circumstances straining and obliterating tradition.
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She would have preferred to hold parley from the window over the doorway, like the ladies of olden time, but she feared it would not be dignified, seeing that the times were no longer olden, and therefore she went down to the entrance where the two were awaiting her. “Shall I ask them in?” she thought. “What would Aunt Margaretta have done?
Her worry about propriety and call back to "olden times" highlights the "ancient" nature of the family and house. It reminds the reader of her lineage and the family's longevity in the South.
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