How will a definition of technical writingaccommodate new technology?
Great point - it can't. (can it?)
How will a definition of technical writingaccommodate new technology?
Great point - it can't. (can it?)
bridgebetween the sciences and humanities,
subtly brilliant
Even if we addsomething about &dquo;technological subject matter&dquo; to the equation, westill have to concede that journalists wrote quite ably about the tech-nical aspects of the Challenger disaster.
But why would you be worried if that was cross-classified as technical writing?
h the teacher is not... a member&dquo
More of the disconnect from Week Two - engineers, teachers, writers, students.
ars and bullfight
both of which involve technology...
All writingabout technology, after all, is certainly not technical writing.
Examples?
Somedefinitions stress only subject matter, some style, and some stillother variables.
Exactly. They have digressed to simply defining their field by the genres they enact because it's easier (and more cognitable).
what the writing is about (afocus that would lead to a stagnant definition) rather than on whatthe writing does (a focus that would lead to an active definition).
Why is this distinction important?
egardless of whether the process or the subjectconcerns technology.
Exactly. You could write a series of how-to's or tutorials for "how to think about racism" that don't involve ANY technology, but still fit the definition (and replace "racism" with any other word you want) - how to walk? how to look at jello? C'mon, let's have a contest. What topic could not be technically broken down? How to hear watermelon? How to smell the sun?
hesejudges seem to require some kind of highly specialized subjectmatter
Exactly. Like I said, they want microchips.
Is it technical writing, implying that wewrite about technology as the sole subject matter, or is it technicalwriting, implying that we follow stringent rules in the practice ofwriting, regardless of subject matter?
What a wonderful way to parse. It's both? Right?
are undermined by his own, often too complex, prose.
Wow, what an attack!
ike the definitions he criticizes,Dobrin’s definition stems from untested observations that presentno evidence of any kind of systematic study.
Having just read this piece, I'm a bit shocked by this summation. I think Dobrin's point is trying to complicate the definition, not pin it down.
Those who argue against Britton’s defini-tion point out-quite obviously, I think-the unlikeliness of any ut-terance meaning exactly the same thing to all readers; after all,readers bring a wealth of experiences and background variables totheir understanding of utterances that necessarily affect all their in-terpretations of meaning-as those who have attempted to create amathematical language have found.
Such an interesting point - and one we've run into across multiple readings now. We can't control the meaning for everyone, yet TC strives to control the potential meanings... because? Clarity (of some degree) is needed by the reader? Lack of clarity will lead to misuse of tech? Help me out here.
definition could provide the basis for establishing the pro-fessional status of technical communication
and why is that valuable?
arguing that we should abandon the search for one altogether.
What an honest and thorough framing statement here.
showing why a definition would be useful;
Great question... can we take this up briefly? Like, why are definitions of fields useful in general? Psychology is the study of the mind and human behavior. How does that titration of meaning help us? I don't get it.
Ironically, the board membersdropped this objective when differences about the definition couldnot be reconciled.
Pffffffffffffffft.... wow. Cowards.
microwave oven
but cooking utensils are as much technology as a microwave - what's the distinction? a microchip?
Arguing that the cookbook is technical writing,
How could it not be?
but it is also true that he who holds in mind an alternativedefinition can never quite be his slave
Remind me of Frederick Douglass and the time he heard his slave master say "reading will make him unfit to be a slave" - it will, he thinks to himself, then my goal is to learn to read. He literally derived the opposite conclusion that his master intended (though, it is of note, Master Hugh Auld was talking with his wife, not Frederick).
one- or two-sentencecatch-all definition,
begs the question: "what is the right size of focus for a field?"
examples: Psychology? Ed Psych? Psychology of Amnesia?
We can widen or close the lens in other, major fields and find entire subfields within those foci. Is tech comm not a subfield at the end of the day (or is that what this is all about: TC thinks it is its own province).
failure to get interventions towork in different contexts
I want to double down here because this feels key.
There's a paradox at work here. Let's focus on pedagogy research, but know that it applies across the board.
You pilot a study in your class and it works. But that's not enough data - sure you can approach it ethnographically, bolster the 'narrative' of why it works ad nauseum, but it has to be tested at scale to accrue the validity and attention to be taken up widely. That is, it HAS to work across contexts. That is a major problem because we are immediately and inherently introducing variation - the enemy of quality, remember - and so this is no small hurdle. My point feels really salient and not talked about nearly enough - if your intervention isn't successful at scale, it could be that it doesn't transfer across contexts OR that the variation introduced by hosting it in other contexts derided the quality - that is, it changed how it was implemented. That's scary because you can only teach so much. You need others. And - how many? - is a serious question.
I guess the pushback or remedy would be to really vest yourself in training those who are going to scale it for you. Like, you have to set them up to do what you did exactly. So it can't be too complex (I guess?) and it has to be really well explicated (so they understand it). The main paradox here is the tension between knowing something works for you and knowing something works at scale - but I also think that there's a paradox within this notion of outward facing explication.
That is, there's a gain here. We can learn to know more about our own interventions... by focusing not just on how we perform them, but how we might express that performance to others. One of my dad's "tricks" (so to say) in business was to find someone who had been doing their job for a really long time (think TPS reports for 20+ years) and then ask them to explain their process. Spoiler alert: they often couldn't articulate it. It was so ingrained into thier mind they don't think about it as a process. And, of course, getting them to think about it, to chart it, to write it down - it's the same self-reflexive move we use in writing at large - and it works ffs. By thinking more about how you do what you do you not only heighten your own sense of what you know and how you know it, but you also prepare others to try to do it as well (another beauty of the trick - it helps with cross-training and preparing others to take over the TPS reports should one day you leave, die, or get fired).
composition and rhetoric
I don't buy this. They should be in the Communication department. And with the size of their budget, why wouldn't they want to be? Is TC in English because... it's easier to push around?
what about the question of whether thisfield as a whole contributes something unique, something no other commu-nication field does so well?
Bingo!
particularly in relation to texts used toget work done
This seems like the rallying call. But "texts used to get work done" is a bit flimsy, no? What texts don't purport, in some way, to get something done? I can't get into this - and maybe that's the point of the article. The field is still emerging such that it's hard - even for Rude - to stake out what really makes TC what it is.
How do textsðprint, digital, multime-dia; visual, verbalÞand related communication practices mediate knowl-edge, values, and action in a variety of social and professional contexts?A key word in this question istexts. Our communication work is usuallyinscribed in some manner, whether in print, online, or in multimedia,including video and sound recordings such as podcasts. Although the workof technical communication is not exclusively about texts, so much of ourexpertise concerns texts that a research project that did not consider textswould be rare.
so... it's rhetorical?
still not happy with this definition
how else might she have framed or approached this?
I have not tried to provide a comprehensive literature review but ratherto sample representative texts to foreground the questions asked and theirrelationship to the central question
Another great disclaimer. If all the great academics are great at disclaimers (a heinous claim, but work with me here), what does that say about the need for disclaimers in research?
in the prefaces or introductions to 109 books that address technicalcommunication in whole or in part and have sampled the contents of those
This is fire.
Because it's actual data. Instead of digressing into semantic hair-splitting and tired anecdotes of conversations with colleagues, Rude actually has a data set. That, to me, takes this article to a new level.
My map focuses on the past 18 years. It begins with the 1990s
why? why is this the era chosen, and what does it risk excluding?
It may encourage collaboration. It maymake explicit the potential of the field to contribute to the world’s knowl-edge beyond its own pedagogy and practice. It may reveal the significanceand focus of the field’s research in ways that encourage new research. Afield that has a sense of itself through its research questions is also a moresustainable field than is one in which the research is ad hoc andopportunistic
How do we feel about the repeated "it may" here?
I am launching an issue for discussion, not presenting a finishedstudy. I have tried to be candid throughout about the limitations of this work.
I love epic disclaimers like this (side note: Moffett is amazing at these). And it seems so much more real than articles which portend to be offering some divine unassailable truth.
The questionalso identifies the gaps in knowledge that necessitate the research
This seems like the bigger gain to me. By staking out we actually scaffold ourselves to fill in the gaps - that's the ambrosia here.
Commonquestions suggest the coherence of the field.
Great point - but how common do we want them to be?
Identifying unique research questions for technical communication ischallenging because it overlaps with other communication fields
What other fields might we say have dealt with this same overlap (in their emergence)?
couple of years ago, when a colleague in engineering met me andlearned of an academic field in technical and professional communi-cation, he asked me, ‘‘What are the research questions in your field?’’ Thequestion surprised me. I could have easily said what my own questionswere, but to speak for the field demanded more. I wondered how manyof us who do or use research in technical communication would answer hisquestion in a way that suggested the purpose and coherence of our separateprojects. Would we agree about our overriding research questions?
What an amazing anecdote. I love how this shows a portal into how an everyday interaction can provoke serious thought, work, and research.
is a political act
I love this. Weird truth about TC: it's new, and as a new discipline, the staking of its 'territory' or 'turf' - both implicitly taken up by research questions and methods (the focus of this article) have implications for English, Communication, and perhaps IT. The point being: by laying claim to an area of inquiry, TC is usurping power from someone or somewhere. It isn't distinct enough imho to manifest its own space out of ether.
The central research questionthis article poses foregrounds texts, broadly defined as verbal, visual, andmultimedia, and the power of texts to mediate knowledge, values, and actionin a variety of contexts.
This definition is a bit soft (to me). "Mediate knowledge, values, and action" is key here - the attempt, to me, is to try to differentiate TC from other textually-focused pursuits. Is it not fair to say that great literature mediates knowledge? values? action? How about journalism? In fact, I'm a bit hard-pressed to understand what exactly is soooo different about TC - what I see are two things: an expanded definition of 'text' - okay, neat. And then a focus on 'action' - the notion that TC leads to action, that it's for people looking to do something (with technology). And that's probably valid on some level I don't really grasp (yet), but I don't really see the clear lines between TC and the broader disciplines it seems to sit on the precipice of - my question for my peers is: how would you paraphrase this definition? How else could you say this? And what do we really need to make distinct? Boil it down to "directions" or "tutorials" (something I'm sure Rude would object to) - how are they different than other genres? And, dare I ask, are they different enough (or, perhaps, in demand enough) to warrant their own distinct, discreet field?