54 Matching Annotations
  1. Nov 2020
    1. there is paucity of research that identifies and analyses the factors that influence customers’ intention to generate and leave big data digital footprints on social media.

      We do it all the time, but why?

    2. These digital trails exhibit their interests, social and cultural identities, and occupational and geographical attachments

      Social media footprint can describe many aspects of a customer.

    3. customers are found to be connected to smart devices (smartphones, tablets, smartwatches, Cortana, Siri and Alexa etc.) 24/7, generating and leaving behind huge digital trails for service providers.

      Information is collected about you whether you know it or not.

    4. However, research on customers’ perceptions of and attitude towards generating big social data digital footprints is still in its infancy.

      This analysis is likely deemed less important, and focuses more on the psychology of the consumer than debating whether their choice is valid or not.

    5. In doing so, this paper conducts a systematic review of extant literature from 2002 to 2017 to identify and analyse the underlying factors that influence customers’ willingness to leave digital footprints on social media.

      This study has analyzed other scholarly works of literature to find the commonalities between them and get the bigger picture.

  2. Aug 2020
    1. how do you learn how to use the genres that function in your particular writing environment with greater competence and fluency?

      It seems as though it all comes down to experience. If you have experience writing for a particular genre in order to create a specific outcome or purpose, then you will have a better understanding of the genre.

    2. it is one of a number of genres that work together to create a whole “biosphere of discourse.”

      Could this be considered an interacting genre-set?

    3. “genre sets,” which are a “collection of types of texts someone in a particular role is likely to produce.”

      Genre sets are a way to categorize genres based on a common situation or use-case.

    4. One thing an approach like this—looking at the genre as a formulaic, standalone artifact—does not show very well is how the genre actually functions in an environment.

      Genres exist in many cases because of necessity, and they are necessary because of their effect. Therefore, you will get the best understanding of genre by understanding the intended effect.

    5. Often students cast about for a formula, thinking that a genre can be understood simply almost as a template.

      This is something that is fueled by high schools who often guide their students to follow a strict format for each type, or genre, of writing. For example, there is a format and structure that must be followed for an argumentative essay, which differs completely from that of an analytical short-response.

    6. writers learn to use genres best within contexts where they use the genres regularly

      In the world of genres, there seems to be a recurring theme of, well, recurrence.

    7. the narrative strategy is a way that you might imagine your audience and that audience’s response, aiming for a livelier and more engaged response.

      This common thread of narrative strategy is interesting to consider in this context.

    8. Each time a writer takes up a genre, the writer reaffirms, in a way, the stable features of the genre.

      Genre is defined as recurring, and so exists because people continue to repeatedly use it.

    9. what genres are typically used in that situation.

      If a genre categorizes any use of language, then this can be exemplified by the different things that one would say around different people. You might use your language differently in front of your parents, versus when you are speaking with your friends.

    10. typical ways of using language that recur in the situation

      An example genre might be a professional email. You use a completely different vocabulary and structure when emailing your superiors or co-workers, than you do when emailing your friends and family.

    11. don’t precisely choose that genre, nor its formal characteristics—in a way, the situation chooses those for you, and all the people who are doing similar work to you use the same genre

      A common genre does not necessarily exist because it is something that has recurred by choice; it could be something that has recurred by necessity in a more procedural fashion.

    12. Genres take their shape in recurrent situations because the communications that occur in recurrent situations tend to be remarkably similar.

      Recurrent situations = routines?

    13. So a genre is an act of language—for our purposes here, mostly acts of writing, in particular—that behaves in typical or characteristic ways, which we can observe in repeated or persistent situations.

      So, genre is used to classify an act of language that is used commonly in the same themes or situations?

    14. Genre is a word we use when we want to classify things

      This goes along with the idea that all different types of writing tasks that people do, are different genres. If genre is a way to classify things, then a college application would surely be classified differently than a Facebook post.

    15. But another way to think of these compositions is as predictable and recurring kinds of communication—in a word, genres.

      The idea that writing for different applications and in different styles, could be considered different genres, is very interesting!

    1. The pandemic has thrown so much of our world into chaos and uncertainty.

      I appreciate this sentiment as we are in unprecedented times. However, it does sadden me a bit to think that the reason for giving grace is because of COVID-19, not solely because it is the right thing to do. In other words, we should all be graceful and empathetic, even when there is not the threat of a global pandemic.

    2. hese responses are natural parts of intellectual growth.

      Growth only comes with growing pains, and intellectual growth is no different. This is especially true when it comes to the things that need to be discussed.

    3. If you believe that you will not be able to complete an assignment on time, please do your best to contact me BEFORE thedeadline to discuss alternate arrangements.

      Asking for an extension, before the assignment's deadline, demonstrates that you at least are attempting to find time to do the assignment. If you ask for more time after you've missed it, that simply demonstrates poor planning at best, and at worst, a lack of responsibility and indifference to the class.

    4. Use chat, nonverbal reactions, and poll responses to engage in live sessions, even if you choose not to speak

      I appreciate that there are accommodations made for those who are uncomfortable or unable to share their video, to still remain actively engaged with the class.

    5. all people feel safe andrespected and all voices are honored

      This is extremely important in a class like this, and in general. Everyone has experiences that they can share, and everyone deserves to be heard. Often, the ones most afraid to share, are the ones that we would benefit and learn from the most.

    6. ask questions and answer them, and expect to learn from everyone else in the class

      Asking questions is something that I used to find very difficult, and I know that it is hard for a lot of people. I hope now that by asking questions, I am able to help others who might also be confused.

    7. keep your focus on WRT 109, using your mind and your devices only for the business at hand

      This responsibility is upheld much more easily when we meet in-person, than when we meet virtually. There are fewer distractions in-person.

    8. Module 1 (rhetorical analysis):10%Module 2 (analytical storytelling):15%Module 3 (visual analysis)20%Module 4 (research& writing for action):25%Discussions/Homework/Notes:30%

      Expectations appear to increase as the course progresses.

    9. Close reading helps us to identify and appreciate the tactics of other skilled writers, and it gives us new ideas to respond to. W

      When I am annotating a text, I feel like there are two annotating "modes" that I can be in. Either analyzing the text for important ideas, or analyzing the text for the authorship. I hope to be able to combine these better.

    10. relationships that we’ll build with our community partners in this service learning section of WRT 109.

      This is the portion of WRT 109 that makes me most excited. I love the idea of learning from real-world scenarios, and becoming invested in education through interactions with the community.

    11. portable skills

      I really appreciate this concept of teaching skills that will be useful in multiple different scenarios, rather than in a singular, usually academic, context.

    12. personal lives

      Communication is key in all relationships, especially those that we hold most dear. The best relationships occur when all parties involved are able to communicate freely and effectively with each other.

    13. these are skills that transfer to many different writing situations

      WRT 109 is not only an academically useful course, but directly relates to many other aspects of life.

    1. Organizing the past into a narrative isn’t just a way to understand the self, but also to attempt to predict the future

      This automatic attempt to predict the future may be a product of our natural survival instincts. How better to ensure that you remain safe and sound, than to be able to accurately predict the outcome of situations that have not yet happened?

    2. But I wondered: Though agency may be good for you, does seeing yourself as a strong protagonist come at a cost to the other characters in your story? Are there implications for empathy if we see other people as bit players instead of protagonists in their own right?

      It seems to me that a strong personal narrative in which you perceive yourself as the main character, could possibly verge on psychopathy if there is an extreme lack of regard for others (empathy).

    3. (There’s something about the narrative form, specifically—while expressing thoughts and feelings about negative events seems to help people’s well-being, one study found that writing them in a narrative form helped more than just listing them.)

      Personally, writing things down in the form of a narrative can be beneficial to making sense of life experiences and coming to logical conclusions. It also can truly make you feel better.

    4. That said, there are better and worse ways of doing that narrative process for our mental health.

      The use of a personal narrative is not necessarily only beneficial or only detrimental. It is the way in which one processes and internalizes their story that determines whether is is helpful or not.

    5. She thinks that people may repress traumatic events in a way that, while not ideal, is still “healthy enough.”

      This is something that seems to be thought of as a negative approach, at least in the view of the public. You are always told to talk about what is bothering you, and that bottling it up can be dangerous and harmful.

    6. They both have this crappy story that’s hanging on, but they also can’t tell it and get acceptance or validation from people.

      It becomes difficult to accept and relate to stories that do not have any sense of redemption, in my opinion, this is sometimes because people do not want to believe that bad things happen for no reason at all.

    7. The stories speak of heroic individual protagonists—the chosen people—whose manifest destiny is to make a positive difference in a dangerous world, even when the world does not wish to be redeemed.

      This seems to relate very well to the individualistic values that are sometimes instilled in people under the guise of American patriotism.

    8. Having redemption themes in one’s life story is generally associated with greater well-being, while contamination themes tend to coincide with poorer mental health.

      The way that you construct your own narrative, can demonstrate a lot about your mental state and overall well-being. Your story is shaped by your outlook on life, and so your story's theme may become one of contamination if you are not having a good day.

    9. they stigmatize anyone who doesn't follow them to a T, and provide unrealistic expectations of happiness for those who do.

      This is an idea that can be difficult to deal with, especially for those who ascribe to do those very things. It's a slippery slope because when you really consider why you should do each thing that you have been told you must do, the sound reasons are few and far between.

    10. If you don’t tell, “your memory for that event may be less flexible and give you less chance for growth.”

      This sounds as if it is what is at the root of the philosophy that talking about things will make you feel better in the end. Talking helps to give the narrator perspective that they lose when considering themselves at the center of their own story.

    11. And rehearsal strengthens connections between some pieces of information in your mind and diminishes connections between others.

      This seems to make sense scientifically as well as philosophically. When memories are thought of repeatedly, especially in an active way, it strengthens connections between neurons in the brain.

    12. older adults had more thematic coherence, and told more stories about stability, while young adults tended to tell more stories about change.

      This relates to the idea that one's story is shaped by their own outlook on life.

    13. The ability to create a life narrative  takes a little while to come online—the development process gives priority to things like walking, talking, and object permanence.

      I wonder if this has anything to do with the general fact that the majority of children especially enjoy hearing stories. Whether that be orally or not, children seem to crave stories.

    14. Stories are life, life is stories.

      This is interesting, because in Spanish, the word for history, is the same as the word for story. They are both "historia".

    15. She might have narratives within each realm that intersect, diverge, or contradict each other, all of them filled with the micro-stories of specific events.

      This is another way that someone might analyze their own life through a personal narrative - by using that narrative to divide their life into easy-to-process sections.

    16. The way we do that is by structuring our lives into stories.

      It can be difficult to make sense of things that happen in real life, especially when they involve complex interactions and events that occurred in an extremely unexpected timing or manner. When translating real-life into one's personal narrative, it is imperative to organize events into some sort of chronological order. This in and of itself could be an aspect that would help someone to better extract meaning from the world around them.

    17. it’s hard to be a human being and have relationships without having some version of a life story floating around

      Relationships are built upon mutual trust and understanding, and so it makes sense that one might offer up parts of their own life story in order to connect with others.

    18. A life story doesn’t just say what happened, it says why it was important, what it means for who the person is, for who they’ll become, and for what happens next.

      In contrast to other forms of a story, the tale of a person's life focuses much more on meaning and each event's impact on that person, than it does on anything else. Rather than describing vivid setting and fantastical events, a person's own life story is built around that person, and that person alone.

    19. In telling the story of how you became who you are, and of who you're on your way to becoming, the story itself becomes a part of who you are.

      From an external point of view, it is very easy to understand the facts about someone's life - where they went to school, where they worked, what they were recognized for. However, it is often the motivations behind those facts and their undocumented struggles, that really define who they are. A person's life is a story that only they can share, it is not simply a history of facts and figures.

    20. It’s just not how I expected my life would be

      This is a remarkable statement, because I think that this is a struggle that almost every human being goes through at some point in their lifetime. The idea that your time here is finite and that we have to work hard every day to shape our lives into what we want them to be, can be very disconcerting.