13 Matching Annotations
  1. Mar 2021
    1. ‘Don’t be ashamed of me,’ she replied, ‘and you will have more than paid all.’ ‘It would require a life, Lizzie, to pay all; more than a life.’ ‘Live for that, then; live for me, Eugene; live to see how hard I will try to improve myself, and never to discredit you.’ ‘My darling girl,’ he replied, rallying more of his old manner than he had ever yet got together. ‘On the contrary, I have been thinking whether it is not the best thing I can do, to die.’

      This scene is really interesting. Lizzie is still feeling slightly insecure in their relationship due to their social differences. It is clear though, how much Eugene has changed. He originally pushed away his feelings due to pressure of social standards, and now he would rather die than live and eventually do something to hurt or disappoint Lizzie.

    2. Her old bold life and habit instantly inspired her. Without vain waste of breath in crying for help where there were none to hear, she ran towards the spot from which the sounds had come. It lay between her and the bridge, but it was more removed from her than she had thought; the night being so very quiet, and sound travelling far with the help of water.

      It's really telling of Lizzie's character that she ran into a potentially dangerous situation in order to save someone that she thought was a stranger. She truly is one of the most kind-hearted people in this novel.

    3. Mr Boffin descended with an air of resignation, and gave himself up, after taking friendly leave of Mr Venus. Once more, Inspector and Inspected went through the streets together, and so arrived at Mr Boffin’s door.

      I wonder what Boffin has up his sleeve considering he knew that this would happen thanks to Venus. I think it's possible that Boffin could be testing the hearts of the people close to him.

    4. ‘That proposal, sir, was a conspiring breach of your confidence, to such an extent, that I ought at once to have made it known to you. But I didn’t, Mr Boffin, and I fell into it.’

      This is one of the few instances within this story in which morality outweighs the promise of money. It's interesting this is to save him, especially considering Boffin is said to be turning into the worst version of himself as a result of gaining wealth.

    5. ‘Shall I tell you,’ asked Lizzie, ‘what I see down there?’ ‘Limited little b?’ suggested Bella with her eyebrows raised. ‘A heart well worth winning, and well won. A heart that, once won, goes through fire and water for the winner, and never changes, and is never daunted.’ ‘Girl’s heart?’ asked Bella, with accompanying eyebrows. Lizzie nodded. ‘And the figure to which it belongs—’ ‘Is yours,’ suggested Bella. ‘No. Most clearly and distinctly yours.’

      It's nice to see these that these women get along so well in such a chaotic story. It's a really interesting friendship because both women are in complicated romantic situations due to their social standing, although they are on opposite sides of the same issue.

    6. And yet, Pa, think how terrible the fascination of money is! I see this, and hate this, and dread this, and don’t know but that money might make a much worse change in me. And yet I have money always in my thoughts and my desires; and the whole life I place before myself is money, money, money, and what money can make of life!’

      It's sad that Bella is able to recognize this own change in herself, but is unable, or unwilling, to change. It seems the poor people in this story spend their lives obsessing over how to get rich and the rich people spend their lives obsessing over how to stay rich or get even more money.

    7. Oh she looked very pretty, she looked very, very pretty! If the father of the late John Harmon had but left his money unconditionally to his son, and if his son had but lighted on this loveable girl for himself, and had the happiness to make her loving as well as loveable!

      It's interesting the way this relationship plays out. John spends his life rejecting the idea of being with Bella because it was his dad's idea and not his own, but once he gets to know her as not-John he comes to love her. It makes me wonder if he would still love her in the same way had things gone as planned and they had their arranged marriage.

    8. On the grateful impulse of the moment, Mr Sloppy kissed Mrs Boffin’s hand, and then detaching himself from that good creature that he might have room enough for his feelings, threw back his head, opened his mouth wide, and uttered a dismal howl. It was creditable to his tenderness of heart, but suggested that he might on occasion give some offence to the neighbours: the rather, as the footman looked in, and begged pardon, finding he was not wanted, but excused himself; on the ground ‘that he thought it was Cats.’

      Here Sloppy combines good etiquette and just being a child. He makes sure to be respectful and show he's grateful then immediately loses his composure for a second to celebrate in a very silly and child-like manner. It's quite a funny scene in a novel that deals with a lot of intense topics.

    9. ‘Eugene, do you design to capture and desert this girl?’ ‘My dear fellow, no.’ ‘Do you design to marry her?’ ‘My dear fellow, no.’ ‘Do you design to pursue her?’ ‘My dear fellow, I don’t design anything. I have no design whatever. I am incapable of designs. If I conceived a design, I should speedily abandon it, exhausted by the operation.’ ‘Oh Eugene, Eugene!’

      This part is interesting because it shows two sides of morality within the upper-class. Wrayburn is interested in Lizzie, but doesn't take her seriously due to her social standing, so he just intends to toy with her for a bit for his own benefit. Here, Mortimer is representative of the moral high ground and lets him know that this is immoral although Wrayburn doesn't seem to care.

  2. Feb 2021
    1. Tradesmen’s books hunger, and tradesmen’s mouths water, for the gold dust of the Golden Dustman. As Mrs Boffin and Miss Wilfer drive out, or as Mr Boffin walks out at his jog-trot pace, the fishmonger pulls off his hat with an air of reverence founded on conviction. His men cleanse their fingers on their woollen aprons before presuming to touch their foreheads to Mr Boffin or Lady. The gaping salmon and the golden mullet lying on the slab seem to turn up their eyes sideways, as they would turn up their hands if they had any, in worshipping admiration. The butcher, though a portly and a prosperous man, doesn’t know what to do with himself; so anxious is he to express humility when discovered by the passing Boffins taking the air in a mutton grove. Presents are made to the Boffin servants, and bland strangers with business-cards meeting said servants in the street, offer hypothetical corruption.

      At the beginning of the novel we know Mr and Mrs Boffin come into considerable wealth, but here we actually see the effects of that and the way in which they are now actually treated as members of the upper class. Dickens describes this interestingly here with the line about how all the workers' "mouths water for the gold dust of the Golden Dustman." They all desperately yearn for the rags to riches transformation of the Boffins.

    2. ‘I asked Veneering.’ ‘And Veneering knew as much of me as he knew of you, or as anybody knows of him.’ After more silent walking, the bride stops short, to say in a passionate manner: ‘I never will forgive the Veneerings for this!’ ‘Neither will I,’ returns the bridegroom.

      It's interesting to compare society in this story to our current society in terms of love and marriage. Most people now would say they would marry for love, but it seems most people here marry for status, to the point that these people are marrying without knowing anything about each other really.

    3. ‘Morning, sir! Morning! Morning!’ (‘Calls me Sir!’ said Mr Wegg, to himself; ‘he won’t answer. A bow gone!’)

      This section is very interesting because it's telling of Victorian society's interactions with the lower class. Mr. Wegg is taken aback at begin called sir, something not customarily afforded to the lower class. It's also telling that the man isn't well versed in these kinds of societal standards.

  3. Jan 2021
    1. Mr and Mrs Veneering were bran-new people in a bran-new house in a bran-new quarter of London. Everything about the Veneerings was spick and span new. All their furniture was new, all their friends were new, all their servants were new, their plate was new, their carriage was new, their harness was new, their horses were new, their pictures were new, they themselves were new,

      Dickens often critiques Victorian society in his writing and I believe that the start of chapter two works to describe people that are considered new money. This directly contrasts to the first chapter in which the father and daughter duo of chapter one are described as poor and dirty. The first two chapters work to set up characters in vastly different social classes.