unless naked women go to him.”
If you're in fear of being slaughtered, unleash the naked women.
unless naked women go to him.”
If you're in fear of being slaughtered, unleash the naked women.
the wild deer behind his chariot, and the flock of swans flying over it, and the three heads in his chariot.
Quite the epic return.
“to have them dead or alive?”
Symbolic repetition of this phrase-he aims to please & impress.
”Here is the javelin for him to confuse him, so that it may make a red-sieve of him,”
A javelin is a spear meant for throwing, in this case a weapon meant to put a hole in his opponent-hence "red-sieve"
and his head.
Taking the head of an opponent as a trophy and proof of victory is a common theme in stories of this era.
“for unless you reach him in the first thrust, you will not reach him till evening.”
He is in for a long battle unless he is able to immediately kill him on his first attempt.
for this was a breach of geis
A breach of contract.
“To try my hand and the straightness of my throw,” said Cuchulainn;
Cuchulainn is an expert hurler.
He broke twelve chariots in this way.
Emphasizing Cuchulainn's great strength.
“provided I be famous, I am content though I were but one day in the world.”
A modernized euphemism of this could be thought of as, "fifteen minutes of fame"
learning magic from him.
Magic is a concept often emphasized in early British Literature, with particular Irish influence, (i.e, Merlin)
Connacht.
Connacht is a province of West Ireland.
after killing Culann’s fierce guard-dog in self-defense and offered to take its place until a replacement could be reared.
Culann was a smith in Irish Mythology and was friends with (Setanta)'s Uncle, the king of Ulster Conchobor mac Nessa. During a feast between the two, Setanta was outside playing & when the two men realized they'd forgotten about him, Culann released his watchdog which Setanta killed in self-defense. For this he was renamed Cu Chulainn-"Culann's hound".
where he has to fight off a knight that he cannot seem to kill and fight off the many advances of a married lady that he cannot seem to quell
Is this in reference to Sir Gawain & The Green Knight, perhaps?