50 Matching Annotations
  1. Sep 2017
    1. Well, sir, and you, witty lady, who gave me quite a turn with your strange talk, my name is Vincentio, my hometown Pisa, and I am traveling to Padua to visit a son of mine whom I haven’t seen in a long while.

      what a strange scene

    1. Tell me, sweet Kate, and tell me truly, have you ever seen a young gentlewoman blooming more with health? The way the shades of white and red compete in her complexion.

      interesting

    1. Master, if ever I said “ loose-bodied gownGrumio acts if “loose-bodied” meant intended for a loose womanloose-bodied gown ,” sew me into the skirts of it and beat me to death with a bobbin of brown thread. I said “a gown.”

      haha

    1. your father has consented for you to become my wife. Your dowry is agreed upon, and whether you like it or not, I will marry you. I tell you, I’m the man for you, Kate.

      this is quite forward

    1. I’ll give up my combCock = rooster. The comb was the symbol of a rooster’s masculinity, so Petruchio is willing to be “unmanned” for her.comb, if you’ll be my hen. 220 KATHERINE No cock of mine. You crow too like a craven. KATHERINE Your cock is not for me. It has no fighting spirit.

      this is gross

    1. Liar. In fact, you’re called Kate, plain Kate—and pretty Kate, and sometimes Kate the shrew. But it’s definitely Kate—the prettiest Kate in the world, Katie, Kitty, Kat-woman, the Kate-ster—and so, Kate, here’s my pitch: that having heard your charming disposition praised—

      that's an interesting way to woo a girl

    1. No, but she’s taught me a thing or two! All I said was that she was using the wrong frets and tried to adjust her fingering. And she jumps up and says, “Frets? I’ll give you frets!” With that, she clobbers me with the lute so that my head goes right through,

      oh kate

    1. You and he are both welcome, sir. As for my daughter Katherine, this much I know: she’s not for you—more’s the pity.

      Baptista is very certain that no one will like Katherine

    1. GREMIO enters with LUCENTIO, dressed as a poor man; PETRUCHIO enters with HORTENSIO, disguised as a musician; TRANIO, disguised as LUCENTIO, enters with BIONDELLO, who is carrying a lute and books.

      What a mess