13 Matching Annotations
  1. Apr 2021
    1. ‘Come in, sir,’ said Miss Wren, who was working at her bench. ‘And who may you be?’ Mr Sloppy introduced himself by name and buttons. ‘Oh indeed!’ cried Jenny. ‘Ah! I have been looking forward to knowing you. I heard of your distinguishing yourself.’ ‘Did you, Miss?’ grinned Sloppy. ‘I am sure I am glad to hear it, but I don’t know how.’ ‘Pitching somebody into a mud-cart,’ said Miss Wren. ‘Oh! That way!’ cried Sloppy. ‘Yes, Miss.’ And threw back his head and laughed. ‘Bless us!’ exclaimed Miss Wren, with a start. ‘Don’t open your mouth as wide as that, young man, or it’ll catch so, and not shut again some day.’ Mr Sloppy opened it, if possible, wider, and kept it open until his laugh was out.

      It's a little funny that Sloppy happened to meet Jenny on accident but they almost immediately seem to get along really well. It's possible that at the end of the story Jenny gets to find the romance she's been "looking" for.

  2. Mar 2021
    1. ‘There, young man!’ said the dolls’ dressmaker. ‘Now I hope you feel pretty comfortable?’ Apparently, Mr Fledgeby did not, for he cried by way of answer, ‘Oh—h how I do smart!’ Miss Jenny got his Persian gown upon him, extinguished his eyes crookedly with his Persian cap, and helped him to his bed: upon which he climbed groaning. ‘Business between you and me being out of the question to-day, young man, and my time being precious,’ said Miss Jenny then, ‘I’ll make myself scarce. Are you comfortable now?’ ‘Oh my eye!’ cried Mr Fledgeby. ‘No, I ain’t. Oh—h—h! how I do smart!’ The last thing Miss Jenny saw, as she looked back before closing the room door, was Mr Fledgeby in the act of plunging and gambolling all over his bed, like a porpoise or dolphin in its native element.

      This part is just so great. I absolutely love how Jenny kicks Fledgeby when he's down, adding more pepper to the plasters and making him suffer even more. A very well deserved punishment for "the meanest cur existing with a single pair of legs".

    2. He looked full at her handsome face, and in his own handsome face there was a light of blended admiration, anger, and reproach, which she—who loved him so in secret whose heart had long been so full, and he the cause of its overflowing—drooped before. She tried hard to retain her firmness, but he saw it melting away under his eyes. In the moment of its dissolution, and of his first full knowledge of his influence upon her, she dropped, and he caught her on his arm. ‘Lizzie! Rest so a moment. Answer what I ask you. If I had not been what you call removed from you and cut off from you, would you have made this appeal to me to leave you?’ ‘I don’t know, I don’t know. Don’t ask me, Mr Wrayburn. Let me go back.’ ‘I swear to you, Lizzie, you shall go directly. I swear to you, you shall go alone. I’ll not accompany you, I’ll not follow you, if you will reply.’ ‘How can I, Mr Wrayburn? How can I tell you what I should have done, if you had not been what you are?’ ‘If I had not been what you make me out to be,’ he struck in, skilfully changing the form of words, ‘would you still have hated me?’ ‘O Mr Wrayburn,’ she replied appealingly, and weeping, ‘you know me better than to think I do!’ ‘If I had not been what you make me out to be, Lizzie, would you still have been indifferent to me?’ ‘O Mr Wrayburn,’ she answered as before, ‘you know me better than that too!’ There was something in the attitude of her whole figure as he supported it, and she hung her head, which besought him to be merciful and not force her to disclose her heart. He was not merciful with her, and he made her do it.

      I find this moment rather beautiful but rather sad and somber still. It is very obvious Lizzie loves Eugene even though she believes they could not be together due to status. Eugene believes this yet wanting one last time almost as an act of closure, he asks her that perhaps in a different life could they be together. Although the answer Lizzie gives is vague, I think Eugene believes it to be true. He follows on his promise and leaves her with a bittersweet feeling having grown so much after meeting with Lizzie.

    3. ‘Wish I may die,’ said Riderhood, smiting his right leg, and laughing, as he sat on the grass, ‘if you ain’t ha’ been a imitating me, T’otherest governor! Never thought myself so good-looking afore!’ Truly, Bradley Headstone had taken careful note of the honest man’s dress in the course of that night-walk they had had together. He must have committed it to memory, and slowly got it by heart. It was exactly reproduced in the dress he now wore. And whereas, in his own schoolmaster clothes, he usually looked as if they were the clothes of some other man, he now looked, in the clothes of some other man or men, as if they were his own.

      I think this part is interesting and a little funny. For Headstone to not just wear similar clothes as Riderhood but rather completely copying his attire is something that is comical yet a little unsettling. It even goes further on later when Riderhood tests Headstone's resolve in this by changing his scarf which Headstone later notices as they are eating.

    4. ‘I said,’ was the reply, made with that former gleam of determination, ‘that I would find her out by any means, fair or foul. These are foul, and I’ll take them—if I am not first tempted to break the head of Mr Dolls with the fumigator. Can you get the direction? Do you mean that? Speak! If that’s what you have come for, say how much you want.’ ‘Ten shillings—Threepenn’orths Rum,’ said Mr Dolls. ‘You shall have it.’ ‘Fifteen shillings—Threepenn’orths Rum,’ said Mr Dolls, making an attempt to stiffen himself.

      I think it's really interesting how we get to see two men being rather despicable with each other in different but similar forms. Jenny's father wishes to sate his desire for more alcohol and is willing to go long and somewhat evil ways to do so, providing information about Lizzie that Eugene shouldn't have for beer money. Eugene on the other hand wishes to sate his desire to find and speak to Lizzie and similarly is welcome to oblige in the somewhat evil ways of fueling a drunkard's addiction and paying for information on the girl he wishes to speak to.

    5. ‘You are still sanguine, Hexam.’ ‘Certainly I am, sir. Why, we have everything on our side.’ ‘Except your sister, perhaps,’ thought Bradley. But he only gloomily thought it, and said nothing. ‘Everything on our side,’ repeated the boy with boyish confidence. ‘Respectability, an excellent connexion for me, common sense, everything!’ ‘To be sure, your sister has always shown herself a devoted sister,’ said Bradley, willing to sustain himself on even that low ground of hope. ‘Naturally, Mr Headstone, I have a good deal of influence with her. And now that you have honoured me with your confidence and spoken to me first, I say again, we have everything on our side.’ And Bradley thought again, ‘Except your sister, perhaps.’

      This conversation really shows how low Headstone has gotten. He knows all too well that when he asks Lizzie to marry him she will say no, but even still there is a little to hang on to. Without Charley, Headstone would have likely given up by now yet he still is going to try. Even though he clings on to the very little hope he has left and he knows she'll say no, he still tries. Even after she says no later, even though he expected it, he is still outraged and even gets physical. I can't say I necessarily pity him after all this time, but there is still something to be said about how upset he gets after it all.

    6. The schoolmaster went his way, brooding and brooding, and a sense of being vanquished in a struggle might have been pieced out of his worried face. Truly, in his breast there lingered a resentful shame to find himself defeated by this passion for Charley Hexam’s sister, though in the very self-same moments he was concentrating himself upon the object of bringing the passion to a successful issue. He appeared before the dolls’ dressmaker, sitting alone at her work. ‘Oho!’ thought that sharp young personage, ‘it’s you, is it? I know your tricks and your manners, my friend!’

      I find it somewhat humorous that Headstone, already feeling defeated and somber, just wanting to speak with Lizzie, comes to arrive at Lizzie and Jenny's home only to be met with Jenny by herself again with no Lizzie to be seen. It's like putting salt in the wound, just piling on the frustration for Headstone at this point.

    7. The respected Mr Lammle was a bully, by nature and by usual practice. Perceiving, as Fledgeby’s affronts cumulated, that conciliation by no means answered the purpose here, he now directed a scowling look into Fledgeby’s small eyes for the effect of the opposite treatment. Satisfied by what he saw there, he burst into a violent passion and struck his hand upon the table, making the china ring and dance.

      I think it is interesting to look at how the tension rises so high as for Mr. Lammle to come to physically threatening Fledgeby by slamming his hand onto the table. In the beginning of the chapter, Fledgeby is called the meanest person to ever walk on two legs, and it shows as Fledgeby is able to bring Lammle to such an aggressive nature after such a short conversation.

  3. Feb 2021
    1. ‘I have been thinking,’ Jenny went on, ‘as I sat at work to-day, what a thing it would be, if I should be able to have your company till I am married, or at least courted. Because when I am courted, I shall make Him do some of the things that you do for me. He couldn’t brush my hair like you do, or help me up and down stairs like you do, and he couldn’t do anything like you do; but he could take my work home, and he could call for orders in his clumsy way. And he shall too. I’ll trot him about, I can tell him!’ Jenny Wren had her personal vanities—happily for her—and no intentions were stronger in her breast than the various trials and torments that were, in the fulness of time, to be inflicted upon ‘him.’ ‘Wherever he may happen to be just at present, or whoever he may happen to be,’ said Miss Wren, ‘I know his tricks and his manners, and I give him warning to look out.’ ‘Don’t you think you are rather hard upon him?’ asked her friend, smiling, and smoothing her hair. ‘Not a bit,’ replied the sage Miss Wren, with an air of vast experience. ‘My dear, they don’t care for you, those fellows, if you’re not hard upon ‘em. But I was saying If I should be able to have your company. Ah! What a large If! Ain’t it?’

      I find this part kind of funny. It seems as though Jenny's ideal man would be a maid or slave of some sort. Not caring much for personality or romance or any of the likes of a typical relationship, just how much they can do for her in her work. I like how Dickens even has Lizzie point out that she might be thinking a little too harshly.

    2. Many disordered papers were before him, and he looked at them about as hopefully as an innocent civilian might look at a crowd of troops

      I like the analogy that is made here comparing looking at accounting papers to looking at a crowd of troops as a civilian. Both loom with a lot of uncertainty. Why are they here? There's something important if they're here right? What am I supposed to do? Many questions arrise simply from this uncertainty to the point of anxiety.

    3. In its own despite, in a constant conflict with itself and them, it had done so. And this is the eternal law. For, Evil often stops short at itself and dies with the doer of it; but Good, never.

      I really enjoy this quote and the sort of implicatiions behind it. It says that Evil will always die with the person that is doing Evil but Good always exists, surpasing those who do it. Even with the "ten thousand weaknesses and absurdities" that they have done in life, they still manage to keep on the path of Good. Should they live in their weaknesses, they will be dragged down by them in the end. In doing Good, whether by choice or by their nature, their actions live on and positively affect others forever.

  4. Jan 2021
    1. The bar of the Six Jolly Fellowship Porters was a bar to soften the human breast. The available space in it was not much larger than a hackney-coach; but no one could have wished the bar bigger

      Dickens describes here that although the Six Jolly Fellowship Porters bar was about as small as a horse carriage, no one who went there complained. It was perfect the way it was. Dickens continues this description further by explaining just how cramped it was yet the patrons loved the atmosphere regardless. As stated at the beginning, it was a bar that softened the chests and hearts of its patrons.

    2. He spoke in a dropped voice, and with more than one glance at Lizzie who had pulled on her hood again. Both men then looked with a weird unholy interest in the wake of Gaffer’s boat. ‘Easy does it, betwixt us. Shall I take him aboard, pardner?’ ‘No,’ said the other. In so surly a tone that the man, after a blank stare, acknowledged it with the retort: ‘—Arn’t been eating nothing as has disagreed with you, have you, pardner?’ ‘Why, yes, I have,’ said Gaffer. ‘I have been swallowing too much of that word, Pardner. I am no pardner of yours.’ ‘Since when was you no pardner of mine, Gaffer Hexam Esquire?’ ‘Since you was accused of robbing a man. Accused of robbing a live man!’ said Gaffer, with great indignation.

      All of the build up to this moment and the resolution after is all so well written. The tension on the line where Gaffer exclaims to Lizzie's father why he is so offputting with them really digs in whenever Gaffer continuously pushes on this and cuts off Lizzie's father over and over. It really adds good exposition while also providing a good rise and fall in such a short conversation.