Where’n hell dja think Hell was, Anyhow?
A powerful twist that truly illustrates the horror of the south through the experiences of Black people, a subject matter of many poems we've read throughout the semester
Where’n hell dja think Hell was, Anyhow?
A powerful twist that truly illustrates the horror of the south through the experiences of Black people, a subject matter of many poems we've read throughout the semester
Sing us ’bout de hard luck Roun’ our do’; Sing us ’bout de lonesome road We mus’ go. . . .
Also like Hughes, there is an emphasis on the cultural significance of the blues
Ma Rainey
Like Langston Hughes, Brown likes to include the vernacular of the "low-down" folks
The thinking Negro even has been induced to share this same general attitude, to focus his attention on controversial issues
This is the other side of the coin that Langston Hughes was talking about, that to focus on racial issues is actually perpetuating the view that Black people are a "social problem" instead of individual people.
“I want to be a poet–not a Negro poet,” meaning, I believe, “I want to write like a white poet”; meaning subconsciously, “I would like to be a white poet”; meaning behind that, “I would like to be white.”
That seems like a slippery slope, do those assumptions necessarily follow?
An’ jail wit’ no bail
Theme of entrapment/ no escape from the cycle, like in The Wasteland and The Yellow Wallpaper
Alive in a marble tomb,
Like in The Wasteland and Spoon River there are multiple narrators who are dead, who still have something to say. This line, like most of our previous readings, feels zombie-like.
Mark their names well: their death
Similar to the other poems we've been reading, like "The Wasteland," this poem talks about commemoration and refusal to be forgotten (to live on in memory).
nymphs
Continuous allusion to Greek myth throughout the poem
HURRY UP PLEASE ITS TIME
The repetition of this phrase really adds to the eeriness and suspense of the section
Those are pearls that were his eyes.
Alluding to the Phoenician sailor again
Unguent, powdered, or liquid—troubled, confused And drowned the sense in odours
It's an overwhelming atmosphere, you feel like you're almost choking on the oppressive smells
Hofgarten
a garden in Munich
Starnbergersee
a big lake in Germany, near Munich
wildcarrot leaf

Often confused with poison hemlock.
viburnum
This flower symbolizes “delicate attention,” which could be taken to mean caution or restraint
that sense of sudden liberation; that sense of freedom from time limits and space limits; that sense of sudden growth, which we experience in the presence of the greatest works of art
But this might happen for some and not for others with different works
at least as much right, as a number of French “schools”
He's definitely being sarcastic, he obviously has some disdain for the new discourse
in the sequence of the musical phrase, not in sequence of a metronome
Is he being a little sarcastic here?
these faces
Is he talking about specific people? Maybe he's saying that the Metro is the dreary black bough, through which so many people (petals) drift quickly and aimlessly through
riveted pride he wore
Is this talking about armor? Is this poem saying something about the futility of war?
I do not think I would.
No matter how useless/futile it seems to her, she still wouldn't trade it for practicalities
Or trade the memory of this night for food. It well may be. I do not think I would.
The poem is a Shakespearean sonnet: it has 14 lines, is in iambic pentameter, has two quatrains and ends in a couplet.
to whom I was like to give offense
Oh the speaker is offended that the neighbor put up the wall in the first place?
“Stay where you are until our backs are turned!”
I wonder what the significance of the 'spell' is? Maybe having fun with the futility of fixing the wall?
And spills the upper boulder in the sun
Is this about an actual wall that is crumbling due to weathering?
Be sure, they met me with an ancient air
This poem is pretty depressing, the classic story of small town people having big dreams but ending up working at the drug store on the corner anyway, reliving the "good old days".
And passed to a sweet repose. What is this I hear of sorrow and weariness, Anger, discontent and drooping hopes?
This seems to be the only poem where the speaker was not only satisfied but really happy with her life. She wants others to share in her contentedness.
Were really the power in the village
He believes knowledge is true power and the library represented knowledge to him. So I think he feels that they took away the only power of sincerity in Spoon River and now that it's gone, Spoon River is doomed.
Seeds in a dry pod, tick, tick, tick, Tick, tick, tick, what little iambics,
This line is repeated from the beginning I think to show just how boring and repetitive this same old poetry really gets, on top of the already dry and monotonous seed noise metaphor
with the same old thought: The snows and the roses of yesterday are vanished; And what is love but a rose that fades?
Seems like he's mocking the common tropes in basic poetry, that the popular imagery of snow and roses is way overplayed
I kept on creeping just the same, but I looked at him over my shoulder. “I’ve got out at last,” said I, “in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!” Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time!
This last bit gave me the chills, she's so creepy!
I wonder if they all come out of that wall-paper as I did?
I wonder what this means, does she believe she came out of the wallpaper?
I tried to lift and push it until I was lame, and then I got so angry I bit off a little piece at one corner—but it hurt my teeth.
So earlier she noticed that the bed was gnawed in places, and yet she takes a bite out of it. Everything she seems to have noticed about the room that made her uneasy at first, she is beginning to do, like ripping up the wallpaper. Making me think more so that this room probably housed mental patients, as she's clearly going off the deep end at this point.
He asked me all sorts of questions, too, and pretended to be very loving and kind. As if I couldn’t see through him!
She's finally showing some bitterness toward John, now that, in her mind, he's preventing her from "seeing through" the wallpaper to find the woman.
an impressionable little thing
Ironic since she's so affected by the wall paper as well
it is nailed down
The fact that the bed is nailed down, that the windows are barred, and that there are scratches on the wall and floor makes me feel like this room once housed someone against their will. Maybe another "patient" like the main character
Nobody would believe what an effort it is to do what little I am able,—to dress and entertain, and order things.
This is so clearly depression, and from the next line, it looks like postpartum
more society and stimulus—but
She even cuts herself off here! She knows exactly what her husband would say
excitement and change
Her romantic side comes out here, she's certain that a little excitement would do her some good, but because she's a woman (whose husband and brother are doctors) she knows her opinion matters very little, if at all.
scoffs openly at any talk of things not to be felt and seen and put down in figures
John is not a nice husband, he not only doesn't listen to her but he openly laughs at her thoughts as well. This really shows how little the woman's opinion matters, how little respect they garner, which we see throughout the rest of this piece.
reach the height of romantic felicity
She already seems very romantic, maybe unsatisfied with her life, foreshadowing her downward spiral
The would-be black savant was confronted by the paradox that the knowledge his people needed was a twice-told tale to his white neighbors
an unfair perpetual advantage
Opportunity
I wonder what he meant by capitalizing opportunity, is he making it an entity/ a physical space instead of a concept? Why?
That sky was bluest when I could beat my mates at examination-time, or beat them at a foot-race, or even beat their stringy heads.
Foreshadowing for how he later dedicates himself to being better ?
To the real question, How does it feel to be a problem?
His frankness in this first paragraph, as well as throughout the whole chapter, is powerful. It's shocking in its honesty, forcing the reader to confront head on something that might be difficult to consider.
harmless and beneficent; but Radium denied its God
Continually uses language like this, giving science a more human feel, trying to get over how alien/fictional it all feels.
No more relation could he discover between the steam and the electric current than between the Cross and the cathedral.
Does he keep relating religion to technology because he sees but does not understand the attracting forces that pull so many people to each?
forces
the power that motivates intellectual advancement
Nothing in education is so astonishing as the amount of ignorance it accumulates in the form of inert facts.
This is such a powerful line, and this sentiment is definitely echoed throughout time as one of the main issues people have with public education
From the ferocity of pig driven to holiness
like from necessity to political gain?
Earth is eating trees, fence posts, Gutted cars, earth is calling in her little ones, “Come home, Come home!” From pig balls,
Talking about the pollution that comes with progress ?