15 Matching Annotations
  1. Jul 2018
    1. He offered them to Hennie. Hennie gave me a swift look—it must have been satisfactory—for he took a chocolate cream, a coffee eclair, a meringue stuffed with chestnut and a tiny horn filled with fresh strawberries.

      This juxtaposition of decadence and decay is a theme that I'm beginning to notice in these short stories. There is always a group of characters that are 'otherized', thrown into the margins, reduced to an auxiliary position. This auxiliary position is in service to those privileged to be seated at the dinning table.

    2. A tiny boy with a head like a raisin and a chocolate body came round with a tray of pastries—row upon row of little freaks, little inspirations, little melting dreams.

      Is this passage describing a slave servant?? The use of language that appeals to the sense of taste mixes with the visual description of the tiny boy serving pastries. ('chocolate body', 'head like a rasin') This is a stunning and problematic passage of the short story. Don't know how this makes me feel... I'm unsure, but surely uncomfortable.

    3. They won’t let her in. I swore she was twenty-one. But they won’t believe me. I showed the man my purse; I didn’t dare to do more. But it was no use.

      This is interesting, that the daughter was trying to be snuck into the casino by her own mother, even by ways of bribery! ('I showed the man my purse; I didn't dare to do more.') I asked myself 'what kind of mother encourages her own children to gamble'?

    4. The ancient, withered creature, wearing a green satin dress, a black velvet cloak and a white hat with purple feathers, jerked slowly, slowly up the steps as though she were being drawn up on wires.

      This description of the gambling woman is very rich in imagery and motion words. I am commenting only because I love the words used to paint this grotesque and cracking portrait of a miserly old woman. GREAT!!!!

    5. Indeed, she was bored—bored as though Heaven had been full of casinos with snuffy old saints for croupiers and crowns to play with.

      It's interesting to note how bored Mrs. Raddick's daughter as she awaits to enter the casino. It intrigues me that this radiantly beautiful young girl is about to enter this playground of sin and temptation. How will she change? Will we get to experience her change with her as the reader?

    6. Oh, what a difference it would have made, what a difference to their memory of him, how much easier to tell people about it, if he had only opened both! But no—one eye only. It glared at them a moment and then... went out.

      This imagery is quite ominous. The speaker gives the reader a sense that the Father, in his last dying moments, would want to express any final sentiments towards his two daughters, but instead there is silence. Going further into this description of the dying Father, he opens only one eye to glare at the living before passing away. If one opens their eyes fully, it may symbolize truth or being awakened by a revelation. Maybe since the Colonel in his final living moments was not fully honest with himself or his daughters, and perhaps has regrets.

    7. For when they had gone in to say good-bye Nurse Andrews had sat beside his bed the whole time, holding his wrist and pretending to look at her watch.

      I although Nurse Andrews has the characteristics of an annoying and picky roommate, this action reveals how tender and compassionate person towards the end of the Colonel's life.

    8. “But whey?” asked Nurse Andrews, beaming through her eyeglasses. “No one, surely, would take more buttah than one wanted—would one?”

      In her older age, Nurse Andrews in this response to Josephine's question reveals an interesting dimension to her character. Andrews poses the claim that any person wouldn't take more butter than one wanted. She is speaking about desire and fulfilling one's appetite. Even butter itself can be considered luxurious, a fatty and flavorful spread which enhances the taste of foods its added to. I wonder if this motif of decadence and extravagance will be further developed.

    9. “When I was with Lady Tukes,” said Nurse Andrews, “she had such a dainty little contrayvance for the buttah.

      The distinct ways words that Nurse Andrews uses such as 'buttah' or 'silvah' are obviously in reference to 'butter' and 'silver'. I am curious if the author's choice to give Nurse Andrews this unique diction is telling of her characteristics. Perhaps she is from a different generation and is much older than the two daughters. Is there more evidence in the text to support that Nurse Andrews is a bit senile? How will this unwanted guest affect the girl's situation?

  2. course-computational-literary-analysis.netlify.com course-computational-literary-analysis.netlify.com
    1. sacred regard for truth forbids me to hazard a guess in a matter of this kind

      Miss Clack mentions her "sacred regard for truth", it is interesting to see this vocalization of her moral code. In relation to Betteredge as narrator, is Miss Clack more of a reliable narrator?

    2. “If you were in my place,” answered the Sergeant, “you would have formed an opinion–and, as things are now, any doubt you might previously have felt about your own conclusions would be completely set at rest.

      Sergeant Cuff challenges Gabriel here, "If you were in my place... you would have formed an opinion". The relationship between these two is tense. The suspense builds.

    3. This direct interaction between the author and the reader is interesting to me because it assumes the reader to be "gentle". In other instances the word gentle is used by the author critically and loathsomely, so I can't help but wonder if the author may have a somewhat condescending attitude towards his audience?

    4. At the turn of the tide, something goes on in the unknown deeps below, which sets the whole face of the quicksand shivering and trembling in a manner most remarkable to see, and which has given to it, among the people in our parts, the name of the Shivering Sand.

      This passage describing the characteristics of the Shivering Sand echoes the point of physical language being used in the text mentioned by Marc Vasquez. Betteredge's account of somethings entering the sands and not coming out echoes the sentiments of secrecy and the fear of losing something precious. This quicksand motif operates as this sort of black hole that almost tries to absorb truth.

    5. There was riot and confusion enough in the treasury, but no violence that I saw. The men (if I may use such an expression) disgraced themselves good-humouredly.

      The narrator makes an interesting implication concerning the state of man, or what it means to be human, in this passage. I find it hypocritical though that he is criticizing his fellow soldiers but he himself was part of the siege.