12 Matching Annotations
  1. Apr 2021
    1. ‘Poof! Yes,’ said Riderhood, withdrawing his attention from the smoke. ‘I spoke to her. I didn’t say much to her. She was put in a fluster by my dropping in among the young ladies (I never did set up for a lady’s man), and she took me into her parlour to hope as there was nothink wrong. I tells her, “O no, nothink wrong. The master’s my wery good friend.” But I see how the land laid, and that she was comfortable off.’

      Riderhood says that he spoke to the mistress. This is kind of strange since he is not the ladies man. I wonder if it was good or bad because that paragraph does not make a lot of sense to me. I think that there was not a lot of talking and more of doing. I might be wrong but this paragraph kind of threw me off.

  2. Mar 2021
    1. With a start, Bella directed a hurried glance towards Mr Boffin. But, he was sitting thoughtfully smiling at that broad brown hand of his, and either didn’t see it, or would take no notice of it.

      We can see that in this little paragraph that something is off about Mr. Boffin when Bella starts to look at him. He is doing some weird action which makes me wonder what is actually going on with him.

    2. For a City man, John certainly did appear to care as little as might be for the looking up or looking down of things, as well as for the gold that got taken to the Bank. But he cared, beyond all expression, for his wife, as a most precious and sweet commodity that was always looking up, and that never was worth less than all the gold in the world. And she, being inspired by her affection, and having a quick wit and a fine ready instinct, made amazing progress in her domestic efficiency, though, as an endearing creature, she made no progress at all. This was her husband’s verdict, and he justified it by telling her that she had begun her married life as the most endearing creature that could possibly be.

      I think that this paragraph is very interesting because it shows that John might care a lot for the money but he still cares a lot about his wife. He was inspired by her and helps her in any way possible which is a huge thing in my opinion.

    3. There was abundant place for gentler fancies too, in her untutored mind. Those gentlefolks and their children inside those fine houses, could they think, as they looked out at her, what it was to be really hungry, really cold? Did they feel any of the wonder about her, that she felt about them? Bless the dear laughing children! If they could have seen sick Johnny in her arms, would they have cried for pity? If they could have seen dead Johnny on that little bed, would they have understood it?

      I really like this passage because it shows the comparison between the rich and the others. Would they know what it feels like to not have food? It is interesting because she is putting herself in their shoes and she automatically says that they would react differently. It makes a lot of sense to me because they are living in a different situation. Money is not an issue for them and they do not have to worry about food, or living a nice and comfortable environment. The part that was mostly hard for me was when she talked about Johnny, what would be their reaction and would they understand. We will all die someday but some might lose a love one sooner than others.

    4. ‘I said,’ he began, ‘when I saw you last, that there was something unexplained, which might perhaps influence you. I have come this evening to explain it. I hope you will not judge of me by my hesitating manner when I speak to you. You see me at my greatest disadvantage. It is most unfortunate for me that I wish you to see me at my best, and that I know you see me at my worst.’

      I think that this passage is important because it shows that he is willing to open and have conversations with her. She has seen him at his worst and also at his best. I think that it is a way to show her how much he appreciates her. There is a lot of passion that is being shown in this one passage and I think it is a very big part in my opinion.

    5. ‘What would I have? If the dead could know, or do know, how the living use them, who among the hosts of dead has found a more disinterested fidelity on earth than I? Is not that enough for me? If I had come back, these noble creatures would have welcomed me, wept over me, given up everything to me with joy. I did not come back, and they have passed unspoiled into my place. Let them rest in it, and let Bella rest in hers.

      I think that this paragraph is interesting because once one might think someone is dead and is actually alive, the behaviors within the people around you will change dramatically. Being generous and welcoming will be something that one who is not used to it will have to get accustomed to that. It is weird but it is how it works. When one dies, we feel sorrow and sadness for that person and his or hers family. If they came back we would be blown away and very aware of what happened and would want to give him or her more attention than if he or her hadn't passed. I find that very interesting. That is why when someone goes, we have to learn to let go because life moves on for us and we cannot do anything but honor the time when that person was present.

    6. It was a public holiday, and Fledgeby did not recover his spirits or his usual temperature of nose until the afternoon. Walking into the City in the holiday afternoon, he walked against a living stream setting out of it; and thus, when he turned into the precincts of St Mary Axe, he found a prevalent repose and quiet there. A yellow overhanging plaster-fronted house at which he stopped was quiet too. The blinds were all drawn down, and the inscription Pubsey and Co. seemed to doze in the counting-house window on the ground-floor giving on the sleepy street.

      As I mentioned earlier in the book, it still amazes me how much detail Dickens put into the scenery. It makes me wonder if he has been there and wants to write was he has seen into a story or if it all comes just from his brain. The details are immaculate.

  3. Feb 2021
    1. The schools—for they were twofold, as the sexes—were down in that district of the flat country tending to the Thames, where Kent and Surrey meet, and where the railways still bestride the market-gardens that will soon die under them. The schools were newly built, and there were so many like them all over the country, that one might have thought the whole were but one restless edifice with the locomotive gift of Aladdin’s palace. They were in a neighbourhood which looked like a toy neighbourhood taken in blocks out of a box by a child of particularly incoherent mind, and set up anyhow; here, one side of a new street; there, a large solitary public-house facing nowhere; here, another unfinished street already in ruins; there, a church; here, an immense new warehouse; there, a dilapidated old country villa; then, a medley of black ditch, sparkling cucumber-frame, rank field, richly cultivated kitchen-garden, brick viaduct, arch-spanned canal, and disorder of frowziness and fog. As if the child had given the table a kick, and gone to sleep.

      Dickens describes the schools very well and the surroundings which in my head makes me think that I am there and seeing it with my own eyes. It is very interesting and fascinating how good he describes it for the readers.

    2. ‘Well!’ said Mr Boffin, after considering the point; ‘suppose you keep as you are for the present, and we’ll decide by-and-by. You’ll begin to take charge at once, of all that’s going on in the new house, will you?’ ‘Most willingly. I will begin this very day. Will you give me the address?’

      In my opinion, it feels like they are enjoying their time with the lifestyle that they have accommodated. They wish to have someone be there with them at the new house. They are very good people and want the best for everyone unlike other people. I think it is great that they are doing actions like this. People will help Mr. Boffin as much as they are willing to help and be at his disposability. The new house is not to show off or anything but more to be present with their economical status.

    3. ‘Now, I’ll tell you what I want, Noddy,’ said Mrs Boffin, smoothing her dress with an air of immense enjoyment, ‘I want Society.’

      I wonder why she says that. Maybe they live in a society that isn't up to their high standards. I want to say that they want to live in a beautiful and successful society with people that work hard. The only thing is that nobody is perfect and within that society it won't be. They are living now in a society with fortune and one thinks that being rich should need changes in their llives.

    4. ‘Nothing, dear father. On my knees, I am certain, in my heart and soul I am certain, nothing! But it was too dreadful to bear; for it looked—’ her hands covering her face again, ‘O it looked—’

      They are scared about something that they are unsure about. Maybe a ghost or a creature but they are uncertain of the situation. "it was too dreadful to bear" had to have a lot of impact on them. The only problem is that they have no clue what "it" is.

  4. Jan 2021
    1. The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror.

      Dickens does a extremely good job of portraying the "figures" that are in the boat. He explains with little details and the reader can almost picture the man and the woman on the boat.