12 Matching Annotations
  1. Feb 2021
    1. Let me know your thoughts on the piece!

      I chose to include this statement at the end of my post because it allows others to the opportunity to engage with my post and facilitate further discussion on the topic, which plays into the purpose of Reddit as a digital culture. Other ways in which discussion is facilitated on reddit would be through questions (as seen in the title of the example below).

      Example: https://www.reddit.com/r/streetwear/comments/ljdorz/wdywt_a_cult_classic_film_anyone_got_any_more/

    2. Sources: https://year12visualartssja.weebly.com/case-study-two.htmlhttps://introductiontovisualculturefall2017.wordpress.com/2017/11/30/basquiat-a-postmodern-representation/https://americansuburbx.com/2013/12/five-key-basquiat-works.html

      I chose to include my sources in the post to allow for users to see where I got my information from as I was doing my research on the artist. This also allows users the ability to be redirected to these sites that not only contain information and analyses about the piece but it also provides information about some of Basquiat's other works.

      This not only applies to my chosen digital culture but it also applies to several other digital cultures that implement the use of hyperlinks such as Wiki pages, social media pages etc. The example enclosed below demonstrates the use of hyperlinks within a subreddit post.

      Example: https://www.reddit.com/r/hiphopheads/comments/lickh4/rb_artist_spotlight_jorja_smith/

    1. In terms of where next for Trav... I really enjoyed ASTROWORLD and I think artists need to explore and evolve their sound. Becoming a global superstar his music was naturally going to be more chart-focused than that of Days or Rodeo, yet I think it still showcased his unique sound to a wider audience while keeping the OGs happy. A part of me hopes in his next project he can bring back those beautiful outros, the seamless transitions between songs that allowed Rodeo to flow so fluidly (almost reminiscent of MBDTF). Tracks like STOP TRYING TO BE GOD show he is still more than capable. I wouldn’t mind a shorter, more focused project (10-12 songs) if it was more fleshed out and conceptual, and then remove some of the unnecessary fillers (i.e. NC-17 and WHO? WHAT! off of the last album).This right here. Astroworld was definitely more mainstream sounding than rodeo but he still pushed his spacey vibe that he became known for and had more out there songs for the his older fans. I feel like people forget that songs like Astrothunder, stop trying to be god, skeletons are on it I agree though I hope he pushes his premium space sound to perfection in Utopia just like he did with his raw autotune drugged sound in rodeo

      In response to the comment above, I feel like both this response and the initial comment made above reflect the ethical appeal aspect of a rhetorical analysis. The way in which ethical appeal is demonstrated in this particular comment is through the commentator being in agreement with the person who made the initial comment, in which it involves how Travis Scott can perfect his sound in future projects. Furthermore, because the comments look at particular aspects of his artistry, ethical appeal is demonstrated by pointing out different aspects of his album and giving insight into the atmosphere that it creates, whether it would be cohesive nature of the concept at hand, the nature of the use of autotune etc. Overall, it demonstrates the level of knowledge that users have on the artist's sound.

    2. Rodeo allowed Travis Scott to carve his own corner of hip-hop, especially in the time it was released while trap was finally evolving into the go-to sound of hip-hop. With this project, he showed that it's possible to do a trap-based sound in a melodic way while also projecting the grit that the hi-hats and 808s possess. On top of that, he really pushed the idea of "Rodeo" as a concept and created an environment for the listener to immerse themselves into and I think that is what made it so special.

      For this comment, in terms of rhetorical analysis, I feel that it fits best with the aspect of logical appeal. The logical appeal can be found in the commentator's remarks on the aspects of what makes the album so memorable not just within the trap sub genre, but hip hop as a whole such as the overall concept behind the album as well as its production. In turn, these aspects also allowed Travis Scott to distinguish himself as an artist among his contemporaries.

    3. Rodeo has become one of those albums I have a physical connection to from seeing the songs in concert--a concert that seemed like it should have never been allowed to happen like it did. For that reason Rodeo is easily my favorite Travis album, as well as easily the most insane concert experience I have ever had. For me Rodeo is the most "Travis Scott" album, and in retrospect the album that I think was really a turning point in his eventual super-stardom.

      This comment along with the paragraph above it provides a clear demonstration of the emotional appeal aspect within a rhetorical analysis. Emotional appeal is demonstrated within these paragraphs because the purpose of emotional appeal is to evoke emotion from the readers, and the way in which the commentator does this is by telling a story that recounts their experiences with the album through a pop up concert and the way in which that event, and the album itself, had impacted their life and their view of Travis Scott as an artist.

  2. Jan 2021
    1. “Touchstones” is an ongoing interactive series in which New Yorker writers guide us through the works that shaped them as critics and as people.

      In reference to our exercise on rhetorical analysis, this speaks to the pathos of the article, because this statement demonstrates the way in which this series of essays creates a personal appeal because it focuses on how certain bodies of work, in this case being Nevermind, has made a personal impact on the author. However, despite this article being more of a personal essay, there are instances where the author does display knowledge of the music industry at the time (refer to the next annotation), which also provides some kind of ethical appeal as the author demonstrates a degree of credibility on the topic.

    2. Cobain used his platform admirably, to promote underground bands from America and abroad. In interviews and liner notes, he stuck to his principles, and decried the casual sexism, racism, and homophobia of American culture.

      This speaks to the authenticity of the band as well as its lead singer, Kurt Cobain which also ties back to what made them such a unique figure during this period in music culture because it demonstrates how they remained true to themselves in the sense that they remained grounded in reality and refused to sell out for the sake of conforming to industry standards. But, in reference to the way in which Kurt Cobain used his platform to advocate on various issues, it does raise the question of how he would view the world today, given the current social and political climate.

    3. You can hear a similar dynamism in the opening of Nirvana’s “Smells Like Teen Spirit,” in which Cobain’s low-key guitar suddenly gives way to Grohl’s end-of-days drumming.

      This demonstrates how the author is speaking about the composition of Smells Like Teen Spirit and I also admired how they provided a visual representation below of the song's composition and arrangement.

    4. Nirvana had a reputation for writing surprisingly catchy songs and for putting on chaotic live shows, such as the band’s performance in Denver on the “Bleach” tour. These shows revolved around its charismatic lead singer and guitarist, Kurt Cobain. He had presence. In the eyes of major-label executives, perhaps he could even be positioned as a new kind of anti-rock star. Slash in the Guns N’ Roses video for “November Rain,” 1991. At the time, I knew none of this. I was just a teen-ager in Cupertino, California, turning the dial, looking for something different. Back then, the divide between mainstream and alternative music—a designation that had only recently emerged—still seemed meaningful. My local rock station was dominated by bands like Guns N’ Roses, Skid Row, and Van Halen, which were indebted to a hard, heavy, and theatrical style, full of big guitar solos and even bigger hair. Slash in the Guns N’ Roses video for “November Rain,” 1991. Mainstream rock seemed to fit within a limited gradient of American machismo, from fun-loving buffoonery to the serious and virtuosic. This isn’t to say that there were no other options: college radio had fuelled the rise of U2, Depeche Mode, and R.E.M., and punk had seeded small, intrepid, alternative scenes in places like Boston, Minnesota’s Twin Cities, and Athens, Georgia. But from my perch in suburban California those other options were still a challenge to find. And it seemed self-evident that musicians who rejected mainstream professionalism would remain on the fringes.

      I think this is an important part of the essay because it establishes the context into the setting of both the mainstream rock music scene as well as the Seattle rock music scene in which Nirvana had been coming up in. In turn, by providing the context, it also allows us to get an initial understanding as to what made Nirvana so unique at this time.