27 Matching Annotations
  1. Oct 2022
    1. site-specific performance

      Merging the idea of having a "set" but without pulling together resources to create one. Site-specific performances also usually connect directly to the space they are held in, and the two serve each other.

    2. being involved in the Hawaiian community,

      I saw somebody explaining recently how there is a right way to visit Hawaii and it is to interact with the community and learn about the culture.

    3. iterature on visual sovereignty

      Interesting how literature and art can intersect, and improving skills or comprehension in literature can teach you about art.

    4. bodies of law which form Indigenous legalsystems—both in the creation of performances and performances themselves

      A performance law? I'm a little confused as to what this means but it sounds super interesting.

    1. may well be accustomed to visual culture norms

      Although they don't have vision, they have been brought into a world that prioritizes human vision many times, so they are as used to that way of life as anybody else.

    2. different kind of haptic engagement

      At museums, art can be interpreted in so many different ways, but it is usually engaged with in the same way, where you can just stand in front of it.

    3. visitor behaviour were introduced forbidding touch

      When you see something, even when you focus on something specific you can see the rest in your peripheral, When you touch something, for me at least, once my hands aren't on it, I don't know how to map out or create that memory in my head, so I can only focus on what I'm focusing on at that moment

    4. I talk about touch I fall back on sets of binary adjectives: hard/soft, smooth/rough, warm/cool, etc. I crave greater complexity and precision

      we don't have words for so many things that exist today

    5. Why not employ blind docents to conduct tours where they touch the art and describe the experience to people who are not allowed to touch? F

      I would totally do that and I think the author knows that it is a curiosity many people have, and would be a success.

    6. sometimes even ask me what it feels like to touch the art

      It's gaining access to experiencing a sense that is usually not catered to in museums- but to access it another sense has to be impaired.

    7. I was familiar with the media, techniques and tools of my parents' works

      Interesting that as a blind person they were still more familiar with visual art than most people are growing up.

    8. as protocols to meet baseline access obligations - rather than being valued for their contributions to public cultural discourse.

      It's not about the experience of touching artwork, it's about equal access

  2. Sep 2022
    1. there is the globalpatchwork of different drug-using populations, often physicallyproximate,

      I think the differences in drug usage also comes down to societal and political factors. We all know the statistics of people using at similar rates and being criminalized for them at much different rates. Drugs in particular seem so hard to find concrete data on because there are cultural stereotypes and expectations in place.

    2. The standardization ofexperience on such a large scale, he argues, entails a loss ofsubjective identity and singularity;

      I really think this is dependent on what the unified experience is, I think finding relatability in our experiences can be extremely valuable. Especially thinking about our conversation about the pandemic today, and how that experience has universally caused us all to look inwards and grow as individuals, while we were all having the same experience of isolation.

    3. could become famil iarenough to constitute merely the background elements of one'slife

      This quote really made me think about the role phones play in our lives. If we had been satisfied with the older models of phones and learned to live in harmony with those, where we all used them for the same purpose, maybe they wouldn't take up so much of our lives. The constant advancements in our phones has meant that there's always more to do, and more to see, and they can't be in the background because then we may miss out on something, or become "out of touch".

    4. how to eliminate the uselesstime of reflection and contemplation

      This is making me think about what we read today in class, and how we often overlook the importance of observation and patience. It is something we are taught is useless, and being slow is often seen as a weakness.

    5. a virtual screen will be identical with one's field of vision.

      This makes me think of Klara and the Sun and the questions we talked about in those discussions, is it actually possible to recreate a human experience? Can sight specifically be perfectly copied by any forms of technology?

    6. Was it ten years, fifteenyears, or even fifty years ago, before television?

      Interesting to bring up television here because television is something that has enabled people to see new parts of the world, and explore different circumstances and stories through observation.

    7. absolute unliveability

      As reading this, I've been questioning if it is possible to have something ongoing 24/7. My first thought was human life, breathing etc. but I realize now that no human, and potentially nothing that we're aware of can outlive 24/7. Maybe there is no such thing as that kind of permanence.

    8. 24n simultaneously incites an unsustainable and self-liquidating identificationwith its fantasmatic requ irements

      Are there any examples of something that can be ongoing 24/7?

    9. deprecation of the weakness and inadequacyof hu man time,

      This sticks out to me because 24/7 is an ongoing amount of time, infinite yet still limited to 7 days. It also demonstrates human error because a day on earth is not actually 24 hours, so the numbers we use are not technically correct.