Variations on Some of Dante’s Last Lines
This ending broadens the perspective, only to reveal another journey ahead, much like Dante’s transitions between realms.
Variations on Some of Dante’s Last Lines
This ending broadens the perspective, only to reveal another journey ahead, much like Dante’s transitions between realms.
Variations on Some of Dante’s Last Lines
A sense of exhaustion from existential struggle, where effort goes beyond winning or losing, evoking Dante’s relentless journey through Hell.
Variations on Some of Dante’s Last Lines
This fall into helplessness evokes Dante's imagery of sin and damnation.
Variations on Some of Dante’s Last Lines
The descent into darkness mirrors the Inferno, with sleep symbolizing an unconscious state or even death
Variations on Some of Dante’s Last Lines
The speaker approaches something profound with both hesitation and courage, entering a new realm “through the words.” This recalls Dante’s journey into the unknown through language and exploration.
If You’re So Smart, Why Ain’t You Rich?
Lines “I’ve squandered every crying dime:” This line could be seen as an ironic comment on society's valuation of material wealth versus experiential richness. By "squandering" his money, Whalen implies that he has chosen experiences or insights over financial gain, a choice that resonates with Levertov's notion of poetry emerging from a deep, intuitive perception rather than practical or commercial concerns.
If You’re So Smart, Why Ain’t You Rich?
Lines: “immediate, inescapable / and invaluable:” These lines highlight Whalen's focus on the present moment's significance. Drawing from Levertov's idea of "organic form," where poetry stems from direct perception and experience, Whalen seems to suggest that true wealth lies not in material possessions but in the unmediated experience of life. This moment is "inescapable" because it's all we have—an idea that aligns with the poem's meditation on transient yet invaluable experiences.
Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.
final lines emphasize silence and mystery in nature, showcasing Romantic awe for the serene and mystical beauty of the natural world
Methinks, its motion in this hush of nature Gives it dim sympathies with me who live,
attributes human emotions to inanimate elements, reflecting romantic subjectivity and the way in which emotions are projected onto nature. Reflects the belief in an interconnected universe where all things resonate with human feelings
The inmates of my cottage, all at rest, Have left me to that solitude, which suits Abstruser musings
Solitude mention here ties into the Roman tic theme of individual introspection and solitude, which allows for deep, complex thoughts.
secret ministry,
suggests that nature has its own spiritual or mysterious function, an idea tied to Romantic reverence for the supernatural and the unseen workings of the world
The frost performs its secret ministry, Unhelped by any wind.
Reflects the romantic fascination with nature and its quiet transformative powers.
A single violet transplant, The strength, the colour, and the size, (All which before was poor and scant) Redoubles still, and multiplies.
Uses the violet as a metaphor for the lovers' union, suggesting that through their connection, they grow stronger and more vibrant.
If any, so by love refin’d
Introduces the idea of purification, as if the lovers are distilled to their purest form.
But as all several souls contain Mixture of things, they know not what, Love these mix’d souls doth mix again And makes both one, each this and that.
Alliteration on "M" (mixture, mix'd, makes) creates a merging sound effect that aligns with the poem's theme of unity and fusion
Our hands were firmly cemented With a fast balm, which thence did spring; Our eye-beams twisted, and did thread Our eyes upon one double string;
The soft "s" sounds in cemented, spring, and string contribute a whispering quality, reinforcing the poems intimacy and the physical sensation of closeness
As ‘twixt two equal armies fate Suspends uncertain victory, Our souls (which to advance their state Were gone out) hung ‘twixt her and me. And whilst our souls negotiate there, We like sepulchral statues lay;
The speaker's voice is introspective and solem, capturing the depth and spiritual nature of the "ecstasy" they experience. Shows how this experience is beyond physical, it's almost otherworldly, elevating love to a spiritual plane
So to’intergraft our hands, as yet Was all the means to make us one, And pictures in our eyes to get Was all our propagation.
These lines are slightly enjambed, allowing the phrases to flow into each other fairly smooth. The flow mirrors the merging of souls, with each line joining the next, much like the lovers' connection
Where, like a pillow on a bed A pregnant bank swell’d up to rest The violet’s reclining head, Sat we two, one another’s best.
The Iambic tetrameter here establishes a steady, calming rhythm, reflecting peaceful unity of lovers. The image of the pillow on the bed creates a sense of comfort and intimacy- physical closeness
Awe bleteþ after lomb lhouþ
Mirrors the musical and onomatopeic qualities of the poem, reinforcing the playful and celebratory tone
The ewe bleats after the lamb, The cow lows after the calf. ,
animal imagery emphasizes the natural harmony of life, also linking the animals to their young
Cuckoo!-
repetition of Cuckoo blends lyrics with the sounds of the natural world, shows Old English's tendency toward sensory and tactile language
Summer has arrived,
theme of nature's renewal, joyous celebration of the season's arrival
middungeard
Translates to middle earth (between heaven and hell) offers an etymological link to ideas of human life and the physical world- significant concept in Old English poetry, positioning humans within a divinely ordered universe - this term also suggests an interconnectedness between humans and divine creation.
beginning of wonders;
Introduces a theme of creation. Seeing creation as a concrete act of divine wonder
architect,
God's power as an "architect" reflect the value of divine craftsman ship. He's been referred to as plenty of terms including Lord and Creator- suggesting depth in God's intention
Now [we] must honour the guardian of heaven,
Reflects the theme of divine reverence, a crucial part of Old English Christian poetry. The honorific "guardian of heaven" positions God as a protector, reflecting the cultural shift of pagan to Christian values
and Miss Stillwagon (first name Linda I once heard)
shows how mundane day-to-day interactions continue despite significant events. This illustrates the disconnect between the speakers inner turmoil and the indifference of the outside world
It is 12:20 in New York a Friday
opening line sets a specific time and place, anchoring the poem in reality
The Day Lady Died
written in free verse- flow between thoughts without being constrained by traditional meter or rhythm
Sourdough Mountain Lookout
weaves personal reflection, vivid nature imagery, and philosophical musings to explore themes of existence, aging, and the fluidity of perceptions
Sourdough Mountain Lookout
glass house symbolizes transparency and openness to the environment
Sourdough Mountain Lookout
opening sentence convey a sense of reluctance and resignation about returning to nature.
If You’re So Smart, Why Ain’t You Rich?
Lines: "Better than a sirloin steak? / A screen by Korin?" juxtaposes aesthetic experience with consumer goods while questioning societal values - also highlighting the idea that beauty and artistic experiences may hold greater value than material wealth
If You’re So Smart, Why Ain’t You Rich?
Poem shows desperation and value of experience, the repetition of "everything else" emphasizes a feeling of emptiness and desperation for a deeper meaning
Some said
lots of repetition of the word some said- emphasizes the multiplicity of perspectives
One was quite certain that for a long part of his being one being living he had been trying to be certain that he was wrong
highlights the struggle with self-doubt and search for validation - repetition of "certain" emphasizes the tension between certainty and uncertainty
No cut in pennies and little dressing and choose wide soles and little spats really little spices.
Juxtaposes mundane items with whimsical descriptors- highlights how trivial details can gain significance
A little called anything shows shudders.
sets the tone of uncertainty, suggesting the notion of identity is fluid and can evoke discomfort. Lack of specificity, which reflects complexity of defining oneself
I could not see to see.
building tension throughout the poem, the overall prosody builds emotional tension. tension underscores the uncertainty and fear of death, as the mundane fly becomes a symbol of life's interruption
buzz,
buzzing vs. stillness- contrasting sound of the fly's buzz against the stillness of death create a jarring effect
and then
repetition of "and then" creates a sense of inevitability and builds tension as the speaker approaches death
I heard a fly buzz when I died; The stillness round my form Was like the stillness in the air Between the heaves of storm.
sentences flow very easily into the next without pause, which reflects the continuity of thoughts and the fluidity of life and death
The stillness round my form Was like the stillness in the air
Enjambment here emphasizes the comparison, enhancing the stillness.
I heard a Fly buzz—when I died
The poem predominantly uses Iambic meter, creating a natural conversational tone that contrasts with the seriousness of death as the subject matter
Exactly the value of one and exactly the value of two, and which is ahead?
the finality and open-endedness challenges readers to contemplate ambiguity and the complexity of existence, creating open-ended reflection on identity and self-worth
Lack one lacks both, and the unseen is proved by the seen,
Enjambment here creates a sense of fluidity, encouraging reader to move quickly through the text, reflection the interconnectedness of ideas
Clear and sweet is my soul, and clear and sweet is all that is not my soul.
The contrasts and juxtaposition highlights the relationship between self and the external world, reinforcing unity while also acknowledging difference
I see, dance, laugh, sing;
Imagery and concrete language creates vivid images of joy and presence , the tangible quality of these images helps readers connect with the speaker's immediate experience grounding abstract concepts in sensory reality
Urge and urge and urge,
use of repetition creates a rhythmic insistence, emphasizing the ongoing nature of life and desire- creates sense of urgency and vitality
We are selfish men;
also critiques moral decay and the self-centered nature of contemporary society
voice whose sound was like the sea:
Implies Miltons poetry had a profound impact and were very powerful
Thy soul was like a Star
suggests that Milton was a guiding light whose values should inspire contemporary society
We are selfish men;
shows urbanization and a decline in traditional rural values. Shows his longing for the past that reflects critique of modernity and desire to return to a more connected way of life
Milton
reference to Milton highlights the Romantic ideal of the poet as a moral guide and critic of society
London, 1802
Written in 1802 during political unrest marked by the after mart of the French Revolution / rise of romanticism - emphasized individualism and a return to nature and moral values
extreme silentness
almost an unsettling silence, creates a meditative dreamlike setting
sweet birthplace
nostolgic longing for rural and simplier life, nature-filled childhood, contrasting with the urban up-brining
Great universal Teacher
Refers to God as ultimate teacher giving wisdom and nurturing the soul beyond education
secret ministry of frost
Here Coleridge personifies frost as quietly active and influential- suggesting natures subtle power to shape human experience and perception
Therefore all seasons shall be sweet to thee,
Written during the romantic period where poets like Coleridge celebrated nature
Thou art my life, my love, my heart,
Brings the speakers declarations, position Anthea as his life, love, and heart and affirming that his purpose is to live and die solely for her
protestan
Religious undertone at the beginning of the poem can imply a sense of dedication and faithfulness- bring it back to his devotion to Anthea
A heart as soft, a heart as kind, A heart as sound and free,
personification of the heart, as though it has a life of its own, with Anthea as its commander
To Anthea, Who May Command him Anything
Tone of obedience and devotion throughout the poem
Bid me
Repetition of "Bid Me" throughout the the stanzas establishes a ritualistic tone and the obedience. It seems like the speaker is ready to fulfill any role Athena might assign, showing their commitment.
Bid me to live, and I will live Thy protestant to be; Or bid me love, and I will give A loving heart to thee.
The meter is primarily iambic, making it flow smoothly
To Anthea, Who May Command him Anything
Rhyme scheme is ABAB
Modern English
Comparison to the Old English poem's cadence which relies heavily on a mix of stressed syllables and alliteration, while the modern's version leans more toward standard english rhythm
Sing cuccu
Also a noise birds make, symbolizing the departure of winter and the forthcoming of warm seasons
Cuccu cuccu
Repetition of the word Cuccu giving it a chant-like feel. Feels like it is using it for memorability and musicality- seems very common with Old English poems
Svmer is icumen in
The two introductions to the poem, although saying the same thing ultimately have a different feel. The Old English has a raw vibrant feel in comparison to the modern english
the lands for men, the Lord almighty.
this version clearly prioritizes clarity, making it smooth clearer and easier to follow. However, although it's clearer, it looses some of the power and condenses intricate ideas into few words
heben til hrōfe
This version uses lofty imagery, elevating the poem and establishing a clear hierarchy where God oversees both heaven and earth
Modern English
This version of the poem seems to prioritize clarity over musicality
Modern English
The Old English version uses extensive alliteration which was a core feature of Old English Poetry. In the modern translation, the alliteration is mostly absent, instead it's more straight forward.