76 Matching Annotations
  1. Nov 2024
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    1. Variations on Some of Dante’s Last Lines

      A sense of exhaustion from existential struggle, where effort goes beyond winning or losing, evoking Dante’s relentless journey through Hell.

    2. Variations on Some of Dante’s Last Lines

      The speaker approaches something profound with both hesitation and courage, entering a new realm “through the words.” This recalls Dante’s journey into the unknown through language and exploration.

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    1. If You’re So Smart, Why Ain’t You Rich?

      Lines “I’ve squandered every crying dime:” This line could be seen as an ironic comment on society's valuation of material wealth versus experiential richness. By "squandering" his money, Whalen implies that he has chosen experiences or insights over financial gain, a choice that resonates with Levertov's notion of poetry emerging from a deep, intuitive perception rather than practical or commercial concerns.

    2. If You’re So Smart, Why Ain’t You Rich?

      Lines: “immediate, inescapable / and invaluable:” These lines highlight Whalen's focus on the present moment's significance. Drawing from Levertov's idea of "organic form," where poetry stems from direct perception and experience, Whalen seems to suggest that true wealth lies not in material possessions but in the unmediated experience of life. This moment is "inescapable" because it's all we have—an idea that aligns with the poem's meditation on transient yet invaluable experiences.

    1. Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.

      final lines emphasize silence and mystery in nature, showcasing Romantic awe for the serene and mystical beauty of the natural world

    2. Methinks, its motion in this hush of nature Gives it dim sympathies with me who live,

      attributes human emotions to inanimate elements, reflecting romantic subjectivity and the way in which emotions are projected onto nature. Reflects the belief in an interconnected universe where all things resonate with human feelings

    3. The inmates of my cottage, all at rest, Have left me to that solitude, which suits Abstruser musings

      Solitude mention here ties into the Roman tic theme of individual introspection and solitude, which allows for deep, complex thoughts.

    4. secret ministry,

      suggests that nature has its own spiritual or mysterious function, an idea tied to Romantic reverence for the supernatural and the unseen workings of the world

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    1. A single violet transplant, The strength, the colour, and the size, (All which before was poor and scant) Redoubles still, and multiplies.

      Uses the violet as a metaphor for the lovers' union, suggesting that through their connection, they grow stronger and more vibrant.

    2. But as all several souls contain Mixture of things, they know not what, Love these mix’d souls doth mix again And makes both one, each this and that.

      Alliteration on "M" (mixture, mix'd, makes) creates a merging sound effect that aligns with the poem's theme of unity and fusion

    3. Our hands were firmly cemented With a fast balm, which thence did spring; Our eye-beams twisted, and did thread Our eyes upon one double string;

      The soft "s" sounds in cemented, spring, and string contribute a whispering quality, reinforcing the poems intimacy and the physical sensation of closeness

    4. As ‘twixt two equal armies fate Suspends uncertain victory, Our souls (which to advance their state Were gone out) hung ‘twixt her and me. And whilst our souls negotiate there, We like sepulchral statues lay;

      The speaker's voice is introspective and solem, capturing the depth and spiritual nature of the "ecstasy" they experience. Shows how this experience is beyond physical, it's almost otherworldly, elevating love to a spiritual plane

    5. So to’intergraft our hands, as yet Was all the means to make us one, And pictures in our eyes to get Was all our propagation.

      These lines are slightly enjambed, allowing the phrases to flow into each other fairly smooth. The flow mirrors the merging of souls, with each line joining the next, much like the lovers' connection

    6. Where, like a pillow on a bed A pregnant bank swell’d up to rest The violet’s reclining head, Sat we two, one another’s best.

      The Iambic tetrameter here establishes a steady, calming rhythm, reflecting peaceful unity of lovers. The image of the pillow on the bed creates a sense of comfort and intimacy- physical closeness

    1. middungeard

      Translates to middle earth (between heaven and hell) offers an etymological link to ideas of human life and the physical world- significant concept in Old English poetry, positioning humans within a divinely ordered universe - this term also suggests an interconnectedness between humans and divine creation.

    2. architect,

      God's power as an "architect" reflect the value of divine craftsman ship. He's been referred to as plenty of terms including Lord and Creator- suggesting depth in God's intention

    3. Now [we] must honour the guardian of heaven,

      Reflects the theme of divine reverence, a crucial part of Old English Christian poetry. The honorific "guardian of heaven" positions God as a protector, reflecting the cultural shift of pagan to Christian values

  5. Oct 2024
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    1. and Miss Stillwagon (first name Linda I once heard)

      shows how mundane day-to-day interactions continue despite significant events. This illustrates the disconnect between the speakers inner turmoil and the indifference of the outside world

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    1. Sourdough Mountain Lookout

      weaves personal reflection, vivid nature imagery, and philosophical musings to explore themes of existence, aging, and the fluidity of perceptions

    2. If You’re So Smart, Why Ain’t You Rich?

      Lines: "Better than a sirloin steak? / A screen by Korin?" juxtaposes aesthetic experience with consumer goods while questioning societal values - also highlighting the idea that beauty and artistic experiences may hold greater value than material wealth

    3. If You’re So Smart, Why Ain’t You Rich?

      Poem shows desperation and value of experience, the repetition of "everything else" emphasizes a feeling of emptiness and desperation for a deeper meaning

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    1. One was quite certain that for a long part of his being one being living he had been trying to be certain that he was wrong

      highlights the struggle with self-doubt and search for validation - repetition of "certain" emphasizes the tension between certainty and uncertainty

    2. No cut in pennies and little dressing and choose wide soles and little spats really little spices.

      Juxtaposes mundane items with whimsical descriptors- highlights how trivial details can gain significance

    3. A little called anything shows shudders.

      sets the tone of uncertainty, suggesting the notion of identity is fluid and can evoke discomfort. Lack of specificity, which reflects complexity of defining oneself

    1. I could not see to see.

      building tension throughout the poem, the overall prosody builds emotional tension. tension underscores the uncertainty and fear of death, as the mundane fly becomes a symbol of life's interruption

    2. I heard a fly buzz when I died; The stillness round my form Was like the stillness in the air Between the heaves of storm.

      sentences flow very easily into the next without pause, which reflects the continuity of thoughts and the fluidity of life and death

    3. I heard a Fly buzz—when I died

      The poem predominantly uses Iambic meter, creating a natural conversational tone that contrasts with the seriousness of death as the subject matter

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    1. Exactly the value of one and exactly the value of two, and which is ahead?

      the finality and open-endedness challenges readers to contemplate ambiguity and the complexity of existence, creating open-ended reflection on identity and self-worth

    2. Lack one lacks both, and the unseen is proved by the seen,

      Enjambment here creates a sense of fluidity, encouraging reader to move quickly through the text, reflection the interconnectedness of ideas

    3. Clear and sweet is my soul, and clear and sweet is all that is not my soul.

      The contrasts and juxtaposition highlights the relationship between self and the external world, reinforcing unity while also acknowledging difference

    4. I see, dance, laugh, sing;

      Imagery and concrete language creates vivid images of joy and presence , the tangible quality of these images helps readers connect with the speaker's immediate experience grounding abstract concepts in sensory reality

    1. We are selfish men;

      shows urbanization and a decline in traditional rural values. Shows his longing for the past that reflects critique of modernity and desire to return to a more connected way of life

    2. London, 1802

      Written in 1802 during political unrest marked by the after mart of the French Revolution / rise of romanticism - emphasized individualism and a return to nature and moral values

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    1. Thou art my life, my love, my heart,

      Brings the speakers declarations, position Anthea as his life, love, and heart and affirming that his purpose is to live and die solely for her

    2. Bid me

      Repetition of "Bid Me" throughout the the stanzas establishes a ritualistic tone and the obedience. It seems like the speaker is ready to fulfill any role Athena might assign, showing their commitment.

    1. Modern English

      Comparison to the Old English poem's cadence which relies heavily on a mix of stressed syllables and alliteration, while the modern's version leans more toward standard english rhythm

    2. Svmer is icumen in

      The two introductions to the poem, although saying the same thing ultimately have a different feel. The Old English has a raw vibrant feel in comparison to the modern english

    1. the lands for men, the Lord almighty.

      this version clearly prioritizes clarity, making it smooth clearer and easier to follow. However, although it's clearer, it looses some of the power and condenses intricate ideas into few words

    2. Modern English

      The Old English version uses extensive alliteration which was a core feature of Old English Poetry. In the modern translation, the alliteration is mostly absent, instead it's more straight forward.