46 Matching Annotations
  1. Mar 2021
    1. Of my whole course of love; what drugs, what charms,What conjuration and what mighty magic,For such proceeding I am charged withal,I won his daughter.

      He defends himself against Brabantio. He has done no sorcery, and has simply won her over himself.

    2. Brabantio. O thou foul thief, where hast thou stow’d my daughter?Damn’d as thou art, thou hast enchanted her;For I’ll refer me to all things of sense,If she in chains of magic were not bound,285Whether a maid so tender, fair and happy,So opposite to marriage that she shunnedThe wealthy curled darlings of our nation,Would ever have, to incur a general mock,Run from her guardage to the sooty bosom290Of such a thing as thou, to fear, not to delight.Judge me the world, if ’tis not gross in senseThat thou hast practised on her with foul charms,Abused her delicate youth with drugs or mineralsThat weaken motion:

      Brabantio showing his racist beliefs. He cannot believe a black person is with his daughter so he accuses Othello of sorcery.

  2. Feb 2021
    1. Demand me nothing: what you know, you know

      He said the same thing to Othello before when he was trying to convince him that Cassio was with Desdemona.

      Also, rather than admitting everything he has done, Iago remains silent which sort of keeps him in control of the situation still (even though he is captured).

    2. Othello. Are there no stones in heavenBut what serve for the thunder?—Precious villain![He runs at IAGO IAGO, from behind, stabs EMILIA, and exit]Gratiano. The woman falls; sure, he hath kill’d his wife.

      Othello realizes the truth and Iago stoops so low as to kill his own wife.

    3. Emilia. Do thy worst:This deed of thine is no more worthy heaven3495Than thou wast worthy her.Othello. Peace, you were best.Emilia. Thou hast not half that power to do me harmAs I have to be hurt. O gull! O dolt!As ignorant as dirt! thou hast done a deed—3500I care not for thy sword; I’ll make thee known,Though I lost twenty lives.—Help! help, ho! help!The Moor hath kill’d my mistress! Murder! murder!

      Emilia realizes what her husband has been doing and is standing up for the truth behind her friends death. Even in the face of a murderous military general she still wants the truth to be known to the public.

    4. .Othello. She’s, like a liar, gone to burning hell:‘Twas I that kill’d her.3460Emilia. O, the more angel she,And you the blacker devil!

      Othello sort of proudly says that he has killed her- almost as if he was looking for some kind of affirmation from Emilia who he thought knew that she was cheating.

      Also, while Othello is looked at as a man of honor and a successful military general, as soon as his honor is tainted she mentions his race again.

    5. .Emilia. Cassio, my lord, hath kill’d a young VenetianCall’d Roderigo.Othello. Roderigo kill’d!And Cassio kill’d!3440Emilia. No, Cassio is not kill’d.Othello. Not Cassio kill’d! then murder’s out of tune,And sweet revenge grows harsh.Desdemona. O, falsely, falsely murder’d!Emilia. Alas, what cry is that?3445Othello. That! what?Emilia. Out, and alas! that was my lady’s voice.

      The moment Iago's plan starts to fall apart

    6. Othello. Yes, presently:Therefore confess thee freely of thy sin;3365For to deny each article with oathCannot remove nor choke the strong conceptionThat I do groan withal. Thou art to die

      Othello is not looking for her to prove her innocence to him but rather he wants her to admit she is guilty and that he was right all along.

    7.  [To BIANCA] What, look you pale? O, bear him outo’ the air.[CASSIO and RODERIGO are borne off]Stay you, good gentlemen. Look you pale, mistress?Do you perceive the gastness of her eye?3270Nay, if you stare, we shall hear more anon.Behold her well; I pray you, look upon her:Do you see, gentlemen? nay, guiltiness will speak,

      Even though she is genuinely concerned for Cassio and loves him, Iago uses her low status to flip the situation and make her seem guilty of something.

    8. And your unblest fate hies: strumpet, I come.Forth of my heart those charms, thine eyes, are blotted;Thy bed, lust-stain’d, shall with lust’s blood be spotted

      Now that he thinks that he saw Iago finish Cassio he goes on with the plan and is going to kill Desdemona. He is being manipulated by Iago and his character has severely changed from the first act.

    9. [IAGO from behind wounds CASSIO in the leg, and exit]Cassio. I am maim’d for ever. Help, ho! murder! murder![Falls]

      Iago once again shows he has no honor and chooses to sneakily attack Cassio from behind without him noticing (kind of like how he has been secretly plotting against everyone without notice)

    10. Get you to bed on the instant; I will be returnedforthwith: dismiss your attendant there: look it be done.

      Is he going to strangle her after saying this? Othello has turned into a different person whereas before he was in love with her and now he is often dismissing her.

    11. .Roderigo. With nought but truth. I have wasted myself out ofmy means. The jewels you have had from me todeliver to Desdemona would half have corrupted a2960votarist: you have told me she hath received themand returned me expectations and comforts of suddenrespect and acquaintance, but I find none.Iago. Well; go to; very well.

      Roderigo is finally catching on but bringing it up to Iago is a mistake. Now Iago will lie to him again to flip the situation in his favor.

    12. Emilia. I will be hang’d, if some eternal villain,Some busy and insinuating rogue,Some cogging, cozening slave, to get some office,Have not devised this slander; I’ll be hang’d else.2900Iago. Fie, there is no such man; it is impossible.

      His own wife nails it on the head, maybe partly because of the handkerchief scene between the two earlier.

    13. Emilia. He call’d her whore: a beggar in his drink2885Could not have laid such terms upon his callat.Iago. Why did he so?Desdemona. I do not know; I am sure I am none such.Iago. Do not weep, do not weep. Alas the day!

      It is crazy how he can carry this conversation to make himself look innocent when right before he told Othello to kill her in her sleep.

    14. Othello. [Striking her] Devil!Desdemona. I have not deserved this.Lodovico. My lord, this would not be believed in Venice,Though I should swear I saw’t: ’tis very much:Make her amends; she weeps.2685

      Othello is completely blinded by jealousy and now is acting completely out of character; Lodovico even says so.

    15. Othello. Hang her! I do but say what she is: so delicatewith her needle: an admirable musician: O! shewill sing the savageness out of a bear: of so high2620and plenteous wit and invention:—Iago. She’s the worse for all this.Othello. O, a thousand thousand times: and then

      Othello is having a hard time thinking negatively of his wife and does not really want to kill her no matter how mad he is but Iago is perfectly pulling the strings for the situation to play out as he likes.

    16. Othello. By heaven, that should be my handkerchief!

      While this was not Iago's plan, this adds yet another fold to his story allowing Othello to presumably think Iago is telling the truth.

    17. Now will I question Cassio of Bianca,A housewife that by selling her desiresBuys herself bread and clothes: it is a creatureThat dotes on Cassio; as ’tis the strumpet’s plagueTo beguile many and be beguiled by one:2525He, when he hears of her, cannot refrainFrom the excess of laughter. Here he comes:

      His plan is coming along perfectly. When Cassio laughs about Bianca it will aggravate Othello who assumes they are talking about his wife

    18. Iago. With her, on her; what you will.

      Iago always slowly builds the conversation by planting the thought in the persons head at first ( in this case when he mentions the handkerchief ) and then saying vague statements like this which portray him as a good guy who doesn't actually want to talk behind these peoples backs.

    19. . Alas the day! I never gave him cause.Emilia. But jealous souls will not be answer’d so;They are not ever jealous for the cause,2355But jealous for they are jealous: ’tis a monsterBegot upon itself, born on itself.

      There actually is a cause and it is Iago

    20. Iago. Can he be angry? I have seen the cannon,When it hath blown his ranks into the air,And, like the devil, from his very armPuff’d his own brother:—and can he be angry?2330Something of moment then: I will go meet him:There’s matter in’t indeed, if he be angry.

      Iago is always in others people's business trying to "solve" the situation for them while playing nice. In reality he deceives everyone.

    21. Desdemona. Come, come;You’ll never meet a more sufficient man.Othello. The handkerchief!Desdemona. I pray, talk me of Cassio.2280Othello. The handkerchief!Desdemona. A man that all his timeHath founded his good fortunes on your love,Shared dangers with you,—Othello. The handkerchief!2285Desdemona. In sooth, you are to blame.Othello. Away!

      This interaction is the turning point in their relationship. Othello is totally out of character and has let the jealousy consume him.

    22. Desdemona. I have sent to bid Cassio come speak with you.Othello. I have a salt and sorry rheum offends me;Lend me thy handkerchief.2230

      Othello is trying to force her to admit she is cheating and is clearly jealous which is ironic because of what they were just talking about.

    23. Desdemona. Where should I lose that handkerchief, Emilia?Emilia. I know not, madam.

      Why does she lie for her husband even though she is talking to a good friend? Even in the scene before she seems to know he is not going to return the handkerchief.

    24. Haply, for I am blackAnd have not those soft parts of conversation1925That chamberers have, or for I am declinedInto the vale of years,—yet that’s not much—She’s gone. I am abused; and my reliefMust be to loathe her. O curse of marriage,That we can call these delicate creatures ours,1930And not their appetites! I had rather be a toad,And live upon the vapour of a dungeon,Than keep a corner in the thing I love

      Iago's manipulation makes Othello question his manhood and even brings up his darker skin which he seemed unphased by before when others tried to use it as a negative aspect of him.

    25. Did Michael Cassio, when you woo’d my lady,Know of your love?Othello. He did, from first to last: why dost thou ask?1735

      Another instance of Iago purposely planting thoughts into Othello's head and making things seem like Cassio is cheating

    26. Desdemona. Why, this is not a boon;‘Tis as I should entreat you wear your gloves,Or feed on nourishing dishes, or keep you warm,Or sue to you to do a peculiar profit1715To your own person: nay, when I have a suitWherein I mean to touch your love indeed,It shall be full of poise and difficult weightAnd fearful to be granted.

      While in her eyes she is defending him because he truly wants to gain his honor back in the eyes of Othello but in Othello's eyes she is making herself seem more suspicious of cheating with Cassio

    27. Iago. Ha! I like not that.Othello. What dost thou say?1665Iago. Nothing, my lord: or if—I know not what.

      Iago instigating the situation and planting thoughts into Othello's head

    28. Othello. These letters give, Iago, to the pilot;And by him do my duties to the senate:

      Othello fully trusts Iago with no questions asked or doubts about him

    29. Iago. I’ll send her to you presently;And I’ll devise a mean to draw the MoorOut of the way, that your converse and business1590May be more free.

      Everybody trusts Iago and accepts his advice willingly but h]little do they know he is always looking to cause the most damage to the situation as possible

    30. Clown. Marry. sir, by many a wind-instrument that I know.But, masters, here’s money for you: and the generalso likes your music, that he desires you, for love’ssake, to make no more noise with it.1560

      Cassio is trying his hardest to gain his honor back even with the smallest extra actions that he can manage such as hiring musicians for Othello to hear

    31. I fear the trust Othello puts him in.On some odd time of his infirmity,Will shake this island.

      Iago once again manipulating the situation to cause the most chaos

    32. Iago. What an eye she has! methinks it sounds a parley of1155provocation.Cassio. An inviting eye; and yet methinks right modest.Iago. And when she speaks, is it not an alarum to love?Cassio. She is indeed perfection.Iago. Well, happiness to their sheets! Come, lieutenant, I1160have a stoup of wine; and here without are a braceof Cyprus gallants that would fain have a measure tothe health of black Othello.

      When he tries to get him to say something wrong he fails but then he turns to alcohol to get the trouble started.

    33. Iago is most honest.

      This has been repeated a lot in the play. Iago is secretly the least trustworthy person in the play but every character perceives him to be a honest person.

    34. All offices are open, and there is fullliberty of feasting from this present hour of five1125till the bell have told eleven. Heaven bless theisle of Cyprus and our noble general Othello![Exeunt]

      There will be a feast/celebration for Othello

    35. It is Othello’s pleasure, our noble and valiantgeneral, that, upon certain tidings now arrived,importing the mere perdition of the Turkish fleet,every man put himself into triumph; some to dance,some to make bonfires, each man to what sport and1120revels his addiction leads him: for, besides thesebeneficial news, it is the celebration of hisnuptial.

      Othello is a very successful military power despite being plotted against by Iago in the play

    36. Act II, Scene 2A street.[Enter a Herald with a proclamation; People following]

      The purpose of this scene is to let the audience know Othello's military success

    37. Besides, theknave is handsome, young, and hath all those1045requisites in him that folly and green minds lookafter: a pestilent complete knave; and the womanhath found him already.Roderigo. I cannot believe that in her; she’s full ofmost blessed condition. 1050

      Iago is slowly turning Roderigo against Othello

    38. He takes her by the palm: ay, well said,955whisper: with as little a web as this will Iensnare as great a fly as Cassio. Ay, smile uponher, do; I will gyve thee in thine own courtship.You say true; ’tis so, indeed: if such tricks asthese strip you out of your lieutenantry, it had960been better you had not kissed your three fingers sooft, which now again you are most apt to play thesir in. Very good; well kissed! an excellentcourtesy!

      Iago is always plotting against people and looking for his own self gain/ others loss

    39. Desdemona. To do what?Iago. To suckle fools and chronicle small beer.

      Desdemona and Iago are sort of joking around. Iago is expressing his views of women (kind of playfully/jokingly) and Desdemona is snapping back at his comments