2 Matching Annotations
- Sep 2022
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mleddy.blogspot.com mleddy.blogspot.com
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The casting director Marion Dougherty, in the documentary Casting By (dir. Tom Donahue, 2012): “I would keep the three-by-five card. I would put down anything that hit my mind.” The card for Dustin Hoffman (whose first screen appearance was in an episode of Naked City) notes Bob Duval’s (Robert Duvall’s) judgment that Hoffman is “v.g.” — very good. Notice the name of Blair Brown in the third screenshot. The Days and Nights of Molly Dodd is an Orange Crate Art and Musical Assumptions favorite.
The documentary Casting By (2012) shows casting director Marion Dougherty's 3 x 5" index card collection which she used for casting notes. In particular they show an example card for Dustin Hoffman with his details. In Hoffman's case, his card included the older telephone numbers with exchanges (EN2-6933 or Endicott2 6933), so these cards may have also served a contact purpose similar to more modern rolodexes. Different from them however, Dougherty's also included heights, credits, and other observations relevant to the casting process.
Screen capture from the movie
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- Dec 2021
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www.newyorker.com www.newyorker.com
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Cox, a classically trained British stage actor, has a “turn it on, turn it off” approach to acting, and his relationship with Strong recalls a famous story about Laurence Olivier working with Dustin Hoffman on the 1976 film “Marathon Man.” On learning that Hoffman had stayed up partying for three nights before a scene in which he had to appear sleep-deprived, Olivier said, “My dear boy, why don’t you try acting?”
Brian Cox
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