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  1. Last 7 days
    1. Best methods for mixing: - Same number, same letter - Same number, different letter This is the absolute best method for mixing compatibility for a tonal shift - Same letter, 1 difference in number (+1/-1)

      Other Methods (less reliable but still useful at times): - Semitone Shift (+7 number, same letter) - Full tone shift (+/- 2 number, same letter) - Compatible tone shift: -3 number, different letter - Diagonal switch (+/- 1 number, different letter


      All this is due to the overlap in notes within the respective scales. Most of this is also dependent on the tracks being played and their notes.

    2. Best video I have seen on the camelot wheel and mixing keys.

    1. An example of this would be if you were mixing in F-major, which is 7B on the Camelot Wheel, you can transition by 3 spaces to its counterpart to F-minor, which is 4A on the Camelot system. In other words, to get from F-Major to F-minor, you subtract 3 and switch letters.

      Subtract (or add) 3 and switch letters

    2. A simple technique when it comes to harmonic mixing is by simply going from a major key to a minor, or a minor to a major key, whilst staying in the same relative key. For example, if a DJ is mixing in the key of 8B-C major, then he/she can transition to 8A-A minor or vice versa. Just keep the number the same (in this example it is 8) whilst changing the letter (B to A).

      Number same, letter different.