More mirror imagery, as in Gates

A thematic return to the mouth, with which we began the piece.

This sounds a lot like Corder's opposing narratives, particularly the idea that "evidence and reason are only evidence and reason" if the narratives are in sync.

It seems unclear whether this use of quotation marks is mean to indicate that he is pulling the word directly from Wilkins' work, or if it is just somewhat sarcastic in tone. I suspect the former, but prefer the latter. The idea of language emerging as a result of so-called emergencies sounds a lot like it results from self-made conflicts -- perhaps like the clashing of narratives in Corder's piece.

This narrative voice is interesting, considering the way he considers the problems of the author/narrator in the previous pages.

Ah, the lies again!

The benefits of experimentation in consciousness writing, which Woolf goes on to utilize in her own fiction.

But we are inherently trapped within our own perceptions of other people's perceptions. He is trying to call out the problem of introspection, but seems to overlook that the influence of introspection can not be completely avoided.

This is the problem noted in the introduction, when Richards would remove the author and title from a poem and then critique the test subjects' responses as being "wrong" for various reasons, when he was drawing on his own outside knowledge of the poem and literature generally to establish how and why they were "wrong." He cannot get outside himself, but he seems to forget that, from time to time.

An opportunity for a man to participate, but also ropes him in to offering an implicit endorsement of the group/meeting by blessing it. Willard is recommending another sort of testimonial.

A second example of a well-documented consequence of women speaking to a mixed crowd. (Though, to be fair, it would be sort of difficult to overlook this one/fail to record it. It's pretty dramatic.)